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<b203>Elements of Business Writing</b203>
<b029>A Guide to Writing Clear, Concise Letters, Mem</b029>
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<b034>1</b034>
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<b037>Blake, Gary </b037>
<b039>Gary </b039>
<b040>Blake</b040>
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<b034>2</b034>
<b035>A01</b035>
<b037>Bly, Robert W.</b037>
<b039>Robert W.</b039>
<b040>Bly</b040>
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<d104 textformat="02"><![CDATA[<P>From an interoffice memo to a fifty-page proposal, this is the definitive  guide to business writing. Anyone who has ever had to write any business  document will find "The Elements of Business Writing" the single most  effective tool for producing clear, concise, and persuasive prose. Equally  useful to executives and support staff, it shows how to: write clearly and  powerfully; rid writing of jargon and pompous language; organize material  effectively; and avoid errors in spelling, grammar, and usage. (paper)    </P>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Acknowledgments.</b> <br> <br> <br> <b>Introduction.</b> <br> <br> <br> <b>1.Principles of Communication.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Rule 1: Use the Active Voice.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 2: Avoid Long Sentences.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 3. Use Simple Language.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 4: Delete Words, Sentences, and Phrases That Do Not Add to Your Meaning.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 5: Break Your Writing into Short Sections.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 6: Use Specific and Concrete Terms. Rule 7: Write in a Natural, Conversational Style.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 8: Keep Ideas Parallel.</div> </p> <br> <br> <b>2.Principles of Organization.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Rule 9: Organize Your Material According to the Way Your Reader Thinks about the Subject.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 10: Organize Your Material Logically.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 11: Delete the Warm-Up Paragraph.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 12: Use an Executive Summary.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 13: Separate Fact from Opinion.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 14: Delete Unnecessary Closings.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 15: Use Headings and Subheadings.</div> </p> <br> <br> <b>3.Principles of Wording and Phrasing.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Rule 16: Avoid Wordy and Redundant Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 17: Use Small Words.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 18: Avoid Sexist Language.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 19: Know the Proper Use of the Most Commonly Misused Words and Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 20: Substitute Modern Business Language for Antiquated Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 21: Substitute Original Language for Cliches.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 22: Avoid Jargon.</div> </p> <br> <br> <b>4.Principles of Tone.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Rule 23: Write to Express, Not to Impress.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 24: Prefer Informal to Formal Language.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 25: Prefer Positive Words to Negative Words.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 26: In a Sentence Containing Both Good and Bad News, Give the Bad News First.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 27: Write to Change Behavior, Not to Express Anger.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 28: Be Your Most Pleasant Self.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 29: Use Contractions to Warm Up Your Message.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 30: Avoid Unnecessary Hedging.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 31: Avoid Sarcasm.</div> </p> <br> <br> <b>5.Principles of Persuasion.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Rule 32: Gain Your Reader's Attention in an Appropriate Manner.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 33: Awaken a Need for an Idea before Presenting the Idea.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 34: Stress Benefits, Not Features.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 35: Use Facts, Opinions, and Statistics to Prove Your Case.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 36: Don't Get Bogged Down in Unnecessary Details or Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 37: Tell the Reader What to Do Next.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 38: Before Making a Request, Give the Reader a Reason to Respond.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Rule 39: Do Not Assume the Readers Has Been Persuaded by Your Argument.</div> </p> <br> <br> <b>6.Principles of Punctuation, Grammar, Abbreviation, Capitalization, and Spelling.</b> <br> <p>    <b></b> </p> <div STYLE="margin-left: 0.2in;">Punctuation.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">Rule 40: Use Commas to Indicate a Brief Pause.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 41: Use a Semicolon to Separate Independent Clauses Not Joined by a Conjunction.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 42: Use a Colon to Introduce a List or Explanation.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 43: Add an Apostrophe and an <i>s</i> to Form the Possessive Case of a Singular Noun.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 44: Hyphenate Two Words Compounded to Form an Adjective Modifier if They Precede a Noun.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 45: Use an Ellipsis to Show Hesitation or Omission.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 46: Use Parentheses to Add Explanatory Material That's Not Part of the Main Thought.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 47: Use a Dash to Interrupt -- or Highlight -- a Thought.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 48: Avoid Slash Construction.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 49: Put Commas Inside Quotation Marks.</div> </p> <div STYLE="margin-left: 0.2in;">Grammar.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">Rule 50: Avoid Subject and Verb Disagreement.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 51: Avoid Improper Use of Reflexive Pronouns.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 52: Avoid Sentence Fragments and Run-On Sentences.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 53: Avoid Dangling Modifiers.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 54: Avoid Misplaced Modifiers.</div> </p> <div STYLE="margin-left: 0.2in;">Abbreviations.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">Rule 55: Use Too Few Abbreviations Rather Than Too Many.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 56: Do Not Use an Apostrophe When Writing the Plural of an Abbreviation.</div> </p> <div STYLE="margin-left: 0.2in;">Capitalization.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">Rule 57: Do Not Capitalize Words to Emphasize Their Importance.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 58: Capitalize the Full Names of Corporation, Government Agencies, Divisions, Departments, and Organizations.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 59: Capitalize Trade Names.</div> </p> <div STYLE="margin-left: 0.2in;">Spelling.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">Rule 60: Know the Basic Rules of Spelling, Rule 61: If there are Variant Spellings, Use the Preferred Spelling.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Rule 62: Keep a List of the Words You Repeatedly Misspell.</div> </p>7.Principles of Format.<p>    <div STYLE="margin-left: 0.6in;">Rule 63: Use Wide Margins to Aid Readability.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Rule 64: Use Subject and Re Lines in Memos.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Rule 65: Use Modern Salutations and Closings in Letters.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Rule 66: Use Numbered Lists or Bullets to Present a Series of Points or Ideas.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Rule 67: Put Names in "cc" and "bc" lists in Alphabetical Order.</div> </p>Index.About the Authors.]]></d104>
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<b034>1</b034>
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<b037>Blake, Gary </b037>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Acknowledgments.</b> <br> <br> <br> <b>Introduction.</b> <br> <p>    <b>I.ELEMENTS OF TECHNICAL WRITING.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>1.Fundamentals of Effective Technical Writing.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">What Is Technical Writing?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Good Technical Writing Is &hellip; .</div> </p> <div STYLE="margin-left: 0.2in;">    <b>2.How to Write Numbers, Units of Measure, Equations, and Symbols.</b> </div> <br> <div STYLE="margin-left: 0.2in;">Numbers.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">1. Write Out All Numbers below 10.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">2. When Two or More Numbers Are Presented in the Same Section of Writing, Write Them as Numerals.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">3. Write Large Numbers in the Form Most Familiar to Your Audience and Easiest to Understand.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">4. Place a Hyphen between a Number and Unit of Measure When They Modify a Noun.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">5. Use the Singular When Fractions and Decimals of One or Less Are Used as Adjectives.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">6. Write Decimals and Fractions as Numerals, Not Words.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">7. Treat Decimal Representations Consistently, Especially When Presenting Them in Columns, Rows, or Groups.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">8. Do Not Inflate the Degree of Accuracy by Writing Decimals with Too Many Digits.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">9. If a Number Is an Approximation, Write It Out.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">10. Spell Out One of Two Numbers -- Usually the Shorter &mdash; That Appear Consecutively in a Phrase.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">11. Do Not Begin a Sentence with Numerals.</div> </p> <div STYLE="margin-left: 0.2in;">Units of Measure.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">12. Keep All Units of Measure Consistent.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">13. Use the Correct Units for the System of Measurement You Have Chosen.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">14. Write Basic Units of Measure in Work Form, Derived Units of Measure as Symbols.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">15. Indicate Multiplication of Units with a Raised Dot ( ), Division with a Slash (/).</div> </p> <p>    <div STYLE="margin-left: 0.4in;">16. Write Secondary Units in Parentheses after the Primary Units.</div> </p> <div STYLE="margin-left: 0.2in;">Equations.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">17. Use Too Few, Rather Than Too Many Equations.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">18. Center and Number Equations on a Separate Line in Your Document Unless They Are Short and Simple.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">19. Keep All Equal Signs, Division Lines, Fractions Lines, Multiplication Lines, Plus Signs, and Minus Signs on the Same Level.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">20. Punctuate Words Used to Introduce Equations Just as You Would Words Forming Part of Any Sentence.</div> </p> <div STYLE="margin-left: 0.2in;">Symbols.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">21. Use Too Few Rather Than Too Many Symbols.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">22. Define the Symbols You Use.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">23. Avoid Duplication of Symbols.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">24. Fit Symbols Grammatically into the Structure of Your Sentence.</div> </p>3.A Few Useful Rules of Punctuation, Grammar, Abbreviation, and Capitalization.<div STYLE="margin-left: 0.2in;">Punctuation.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">25. Hyphenate Two Words Compounded to Form an Adjective Modifier.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">26. Hyphenate Two Adjacent Nouns if They Are Both Necessary to Express a Single Idea.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">27. In a Series of Three or More Terms with a Single Conjunction, Use a Comma After Each except the Last.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">28. Omit the Period at the End of a Parenthetical Expression within a Sentence; Retain It if the Entire Parenthetical Expression Stands Alone.</div> </p> <div STYLE="margin-left: 0.2in;">Grammar.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">29. Avoid Dangling Participles.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">30. Avoid Run-On Sentences.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">31. Avoid Sentence Fragments.</div> </p> <div STYLE="margin-left: 0.2in;">Abbreviation.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">32. Spell Out Abbreviations at Their First Appearance, and Use Too Few Rather Than Too Many.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">33. Omit Internal and Terminal Punctuation in Abbreviations.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">34. The Abbreviation for a Specific Word or Phrase Takes the Same Case (upper case or lower case) as the Word or Phrase.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">35. Avoid Using Signs in Writing (" for inch, ' for foot), except When Expressing Information in Tables.</div> </p> <div STYLE="margin-left: 0.2in;">Capitalization.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">36. Capitalize Trade Names.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">37. Do Not Capitalize Words to Emphasize Their Importance.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">38. Capitalize the Full Names of Government Agencies, Companies, Departments, Divisions, and Organizations.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">39. Capitalize All the Proper Nouns Unless Usage Has Made Them So Familiar That They Are No Longer Associated with the Original Name.</div> </p>4.Principles of Technical Communication.<p>    <div STYLE="margin-left: 0.6in;">40. Use the Active Voice.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">41. Use Plain Rather Than Elegant or Complex Language.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">42. Delete Words, Sentences, and Phrases That Do Not Add to Your Meaning.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">43. Use Specific and Concrete Terms Rather Than Vague Generalities.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">44. Use Terms Your Reader Can Picture.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">45. Use the Past Tense to Describe Your Experimental Works and Results.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">46. In Most Other Writing, Use the Present Tense.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">47. Make the Technical Depth of Your Writing Compatible with the Background of Your Reader.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">48. Break Up Your Writing into Short Sections.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">49. Keep Ideas and Sentence Structure Parallel.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">50. Opt for an Informal Rather Than Formal Style.</div> </p>5.Words and Phrases Commonly Misused in Technical Writing.<p>    <div STYLE="margin-left: 0.6in;">Technical Words and Jargon.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Big Words.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Wordy Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Redundancies.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Cliches.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Overblown Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">The Rise of <i>-Ize</i>.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Nouns as Adjectives.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Misused and Troublesome Words and Phrases.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">In Conclusion &hellip; .</div> </p> <p>    <b>II.TASKS OF THE TECHNICAL WRITER.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>6.Proposals and Specifications.</b> </div> <br> <div STYLE="margin-left: 0.2in;">Proposals.</div> <br> <p>    <div STYLE="margin-left: 0.4in;">What Is a Proposal?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Specifications.</div> </p>7.Technical Articles, Papers, Abstracts, and Reports.<p>    <div STYLE="margin-left: 0.6in;">Technical Articles and Papers.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Abstracts.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Reports.</div> </p>8.Letters and Memos.<p>    <div STYLE="margin-left: 0.6in;">Letters.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Memos.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Tips on Writing Letters and Memos.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">A Words about E-Mail.</div> </p>9.Manuals and Documentation.<p>    <div STYLE="margin-left: 0.6in;">Types of Manuals.</div> </p> <p>    <div STYLE="margin-left: 0.6in;">Guidelines to Help You Write Better Manuals.</div> </p>Appendix A: Writing in the Systems Environment.Appendix B: A Brief Guide to Software for Writers.Index.]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. BASIC METALLURGICAL PRINCIPLES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Nature and Formation of Metal Crystals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Cold Working of Metals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Annealing and Hot Working.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Alloys as Solid Solutions and Compounds.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Phase Diagrams.</b> </div> <br> <p>    <b>II. FERROUS AND NONFERROUS METALS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Iron and Steel.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Steel Heat Treating.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Alloy and Tool Steels.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Cast Irons.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Nonferrous Metals and Alloys.</b> </div> <br> <p>    <b>III. HOW METALS FAIL.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. Failure Due to Fracture.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Failure Due to Impact and Low Temperatures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Failure Due to High Temperatures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Failure Due to Corrosion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Failure Due to Wear.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Appendixes.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[Each chapter begins with &ldquo;Introduction.&rdquo;<br> <br> <b>Preface.</b> <br> <br> <br> <b>Introduction.</b> <br> <br> <br> <b>1.The Narrative.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Retelling Narratives.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Attributes of the Narrative.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Modes of the Narrative.</div> </p> <br> <br> <b>2.Description.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Methods of Describing.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Ordering the Details.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Attributes of Description.</div> </p> <br> <br> <b>3.The Fable.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Retelling Fables.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Adapting Fables to Given Contexts.</div> </p> <br> <br> <b>4.The Proverb.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Amplifying Proverbs.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Relating Parts to Wholes.</div> </p> <br> <br> <b>5.The Anecdote.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Amplifying Anecdotes.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Relating Parts to Whole.</div> </p> <br> <br> <b>6.Refutation/Confirmation.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments: Questions of Fact.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <br> <br> <b>7.The Commonplace.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <br> <br> <b>8.Praising and Blaming.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Forms of Praising and Blaming.</div> </p> <br> <br> <b>9.The Comparison.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <br> <br> <b>10.The Speech-in-Character.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Imaginary Speeches.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <br> <br> <b>11.The Thesis.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p> <br> <br> <b>12.For and Against Laws.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Inventing Arguments.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Arranging the Parts.</div> </p>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>PART I. DEVELOPMENTALLY APPROPRIATE LEARNING.</b> </p> <p>    <div STYLE="margin-left: 0.2in;">Overview: Developmental/Experiential Learning.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Early Childhood Education: An Historical Perspective.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2.  Guiding Child Behavior/Organizing and Managing the Learning Environment.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Evaluating, Assessing and Recording Developmentally Appropriate Learning.</b> </div> <br> <p>    <b>PART II. CURRICULUM/INTEGRATED LEARNING/LEARNING CENTERS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Communication: The Language Arts.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. The Fine Arts.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Home Living and Creative Dramatics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Investigation in Science and Mathematics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. People and Places: The Social Studies/A Multi-Cultural Emphasis.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Sand and Water Play.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Blocks.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Woodworking.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Technology/Computer-Enhanced Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Movement.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Outdoor Play.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Early Childhood Classroom Designs.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Appendixes.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Bibliography.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<b035>A01</b035>
<b037>McMahan, Elizabeth</b037>
<b039>Elizabeth</b039>
<b040>McMahan</b040>
<b046>Emerita, Illinois State University</b046>
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<b035>A01</b035>
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<b039>Robert W.</b039>
<b040>Funk</b040>
<b046>Eastern Illinois University</b046>
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<b034>3</b034>
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<b037>Day, Susan X</b037>
<b039>Susan X</b039>
<b040>Day</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>1. Analyzing Literature and Film.</b> <br> <br> <br> <b>2. Writing about Literature and Film.</b> <br>]]></d104>
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<b039>Leslie R.</b039>
<b040>Williams</b040>
<b046>Teachers College, Columbia University</b046>
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<b034>3</b034>
<b035>A01</b035>
<b037>Volk, Dinah</b037>
<b039>Dinah</b039>
<b040>Volk</b040>
<b046>Cleveland State University</b046>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. An Introduction to Kaleidoscope.</b> <br> <br> <br> <b>&nbsp;2. Culture: The Way to Begin.</b> <br> <br> <br> <b>&nbsp;3. The Process of Child Development from a Cross Cultural Perspective.</b> <br> <br> <br> <b>&nbsp;4. The Physical Classroom Environment.</b> <br> <br> <br> <b>&nbsp;5. Language.</b> <br> <br> <br> <b>&nbsp;6. The Design of Learning Activities and Teaching Strategies:  Kindergarten and First Grade.</b> <br> <br> <br> <b>&nbsp;7. The Design of Learning Activities and Teaching Strategies: Second and Third Grade.</b> <br> <br> <br> <b>&nbsp;8. Parents as Partners.</b> <br> <br> <br> <b>&nbsp;9. Program Evaluation and Student Assessment.</b> <br> <br> <br> <b>10. Advocacy and Change Strategies for Teachers.</b> <br> <br> <br> <b>Appendix A: Observing Young Children.</b> <br> <br> <br> <b>Appendix B: Directions for Constructing Generic Learning Materials.</b> <br> <br> <br> <b>Appendix C: Kaleidoscope Implementation Checklist.</b> <br> <br> <br> <b>Author Index.</b> <br> <br> <br> <b>Subject Index.</b> <br>]]></d104>
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<b203>Engineering Electromagnetics</b203>
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<b035>A01</b035>
<b037>Demarest, Kenneth R.</b037>
<b039>Kenneth R.</b039>
<b040>Demarest</b040>
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<d104 textformat="02"><![CDATA[<P>Using a physically based approach, this book explores the basic theories and equations of electromagnetics and how they are used in engineering practice.</P>  <P><B>FEATURES:</B></P> <P> <UL>  <LI>Focuses on <B>the physical processes involved in electromagnetic fields and applications.</B></LI>   <LI>Emphasizes <B>the engineering relevance and use of electromagnetic theory</B> &#151; in both the "theory" chapters and applications chapters.</LI>   <LI>Uses a <B>"classical", or "historical" approach</B> which begins with low frequency field effects (electrostatics and magnetostatics), and leads later to the full time-varying effects.</LI>  <LI>Motivates the mathematics with discussions that tell the reader where the discussion is going, how it will get there, and what the equations mean.</LI>   <LI>Contains <B>a broad overview chapter on Electromagnetic Sources, Forces, and Fields</B> (Ch. 3) that explains what electric and magnetic fields are, in general, and how they are related to their sources.</LI> <UL>  <LI>Discusses <B>the classic electromagnetic experiments</B> that were performed in the early history of electromagnetics, along with the laws that came from electromagnetic equations &#151; Maxwell's equations.</LI> </UL>   <LI><B>Covers transmission lines before plane waves.</B> This allows:</LI> <UL>   <LI>Smoother, earlier coordination with laboratory experiments and measuring instruments that make heavy use of transmission lines.</LI>   <LI>Earlier development of the relationship between electromagnetic theory and circuit theory.</LI> </UL>   <LI><B>Arranges chapters on electrostatic fields and effects</B> (Chs. 4-6) <B>and those on magnetostatic fields and effects</B> (Chs. 7-9) <B>in parallel fashion; this organization presents the material in manageable units.</B></LI>   <LI>Presents <B>the curvilinear square techniques</B> (flux plots) for graphically solving both electrostatic and magnetostatic boundary value problems.</LI>   <LI>Coverage of transmission lines includes both <B>time-domain and frequency domain analysis.</B></LI> <UL>   <LI>Considers <B>topics not usually covered in other similar texts</B>  e.g.: rise time on printed-circuit board transmission lines; the transient response of transmission lines with nonlinear loads, such as diodes.</LI>   <LI>Makes extensive use of <B>equivalent circuits</B> to model many aspects of transmission line performance.</LI> </UL>   <LI>Discusses all <B>the traditional microwave waveguide topics</B>, plus <B>optical waveguides, fiber optic cables</B>, and <B>fiber optic systems.</B></LI>   <LI>Covers <B>a wide range of antenna types</B> and discusses <B>radiation and antenna parameters.</B></LI>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Background and Motivation.</b> <br> <br> <br> <b>&nbsp;2. Vector Analysis.</b> <br> <br> <br> <b>&nbsp;3. Electromagnetic Sources, Forces, and Fields.</b> <br> <br> <br> <b>&nbsp;4. Electrostatic Fields in Free Space.</b> <br> <br> <br> <b>&nbsp;5. Electrostatic Fields in Material Media.</b> <br> <br> <br> <b>&nbsp;6. Capacitance and Electric Energy.</b> <br> <br> <br> <b>&nbsp;7. Magnetostatic Fields in Free Space.</b> <br> <br> <br> <b>&nbsp;8. Magnetostatic Fields in Material Media.</b> <br> <br> <br> <b>&nbsp;9. Magnetic Inductance, Energy, and Forces.</b> <br> <br> <br> <b>10. Time-Varying Electromagnetic Fields.</b> <br> <br> <br> <b>11. Transmission Lines.</b> <br> <br> <br> <b>12. Plane Waves.</b> <br> <br> <br> <b>13. Waveguides.</b> <br> <br> <br> <b>14. Radiation and Antennas.</b> <br> <br> <br> <b>Appendix A. Units and Symbols.</b> <br> <br> <br> <b>Appendix B. Coordinate System Relationships and Vector Identities.</b> <br> <br> <br> <b>Appendix C. Fundamental Constants and Material Parameters.</b> <br> <br> <br> <b>Appendix D. Transmission Line Parameters.</b> <br> <br> <br> <b>Appendix E. Answers to Selected Problems.</b> <br> <br> <br> <b>Selected Bibliography.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P>This book represents a significant departure from the traditional format of typical electromagnetics books. In recognition of the importance of dynamics, it de-emphasizes electrostatics and magnetostatics, and avoids the need to teach partial differential equations and special functions. Instead, it stresses time variation and wave propagation phenomena. Mathematics used is at the level of elementary integral calculus. Instead of statics, time variation is treated from the start. The focus is on wave propagation, with transmission lines, both transient and steady state, treated in detail. Interpretations are stressed.  As a result of this approach the book is suitable for readers interested in concentration on wireless technology, communications, or high-frequency circuitry (as well as for those who will later specialize in microwaves, antennas, solid state devices, optics, photonics), without overwhelming them with advanced mathematics.</P>  <P><B>FEATURES</B></P> <P> <UL>   <LI><B>Extensive discussion and interpretation of examples.</B></LI>   <LI><B>Operates with Maxwell's equations in integral form.</B></LI>   <LI><B>Treats electric and magnetic fields on a par.</B></LI>   <LI><B>Emphasizes departures from results of circuit theory.</B></LI>   <LI><B>Shows all steps in derivations.</B></LI>   <LI><B>Problems have headings to indicate the subject addressed.</B></LI>   <LI><B>Answers to all problems at back of book.</B></LI>   <LI><B>Separate Solutions Manual solves all problems in detail.</B></LI>   <LI><B>Addresses transient as well as steady state effects.</B></LI>   <LI><B>Summaries of every chapter and of entire text.</B></LI>  </UL>  <P><B>BENEFITS</B></P> <P> <UL>   <LI><I>Covers:</I> transmission lines; plane waves and polarization, including oblique incidence (and dependence on polarization); boundary conditions, with and without surface source distributions, with and without conductivity; calculation of characteristic impedance (almost never done in other texts); impedance matching techniques; matching for power transfer compared with matching to eliminate reflections; quasistatic analysis emphasizing corrections to circuit-theory results; optical topics: Snell's laws, Brewster's angle, total internal reflection (and its relation to fiber optics); Poynting theorems (real and complex) and power transfer.</LI>   <LI><I>Includes discussions of:</I> microstrip lines; superconductors; plasmas; space charge; normal modes; cavities; optical activity; Smith chart; antireflection coating; dielectric waveguides; grazing incidence (and relevance to wireless communications); dispersion; group velocity; antenna terminology.<LI>   <LI><I>Appendix</I> reviews (with illustrative problems): complex numbers; coordinate systems; vector algebra; dyadics; vector calculus; Fourier transforms, convolution; decibel scale.</LI> </UL>]]></d104>
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<d104 textformat="02"><![CDATA[<HTML> <H2>Preface</H2> <P> It is a commonly held view, and one often vehemently expressed by students-particularly recent survivors of a course on the subject-that electromagnetics is a difficult, complicated, mysterious discipline. It requires mastery of abstruse mathematical techniques, they say; it entails juggling a bewildering variety of equations and laws and rules, they decide. Even intense study has left them with only a superficial grasp of the concepts. Few see the beauty of electromagnetics; not many appreciate the simplicity and economy of its fundamental laws. A minority of its practitioners realize its wide-ranging utility, the breadth and scope of its applications. Only a minority master it enough to be able to use its principles to understand or predict the capabilities and limitations of the engineering systems they need to analyze or design. <P> Instructors of the subject are in a better position to assess the grandeur and importance of electromagnetics but are plagued by other demons as they plan the presentation of the subject. There is never enough time to cover all the aspects of electromagnetics that they deem essential, indispensable, and obligatory. They are forced to make coldhearted choices of their topics and suffer the agony of having to discard this or that favorite theme. Some find that they must turn their course into lectures on applied mathematics; some concentrate on mastery of electrostatics and magnetostatics, leaving little time for the radically different phenomena of dynamics. Agreement on what topics must be included and which may be discarded, what areas are to be emphasized and which to be glossed over, is indeed rare. <P> The present work will not lay these matters to rest but offers an approach and a pedagogic philosophy aimed at making a respectable contribution to the debate over an appropriate syllabus for the subject. It is intended as a textbook for a one-semester first course in electromagnetics for engineers and physicists. It is an outgrowth of decades of experience in teaching the subject to juniors in electrical engineering at the School of Engineering and Applied Science of Columbia University. The students come to the course with preparation in calculus, including a smattering of vector analysis, and with some exposure to notions of electricity and magnetism in a physics course, usually with emphasis on electrostatics and magnetostatics. Several elective courses follow this one, but at Columbia this is the only required course in electromagnetics in a crowded undergraduate curriculum in electrical engineering. <P> What approach underlies this work and how is it different? The pedagogic preferences expressed in this text include the following. <P> 1. <I>Time-varying fields.</I>  Time variation is central and paramount virtually from the start. The emphasis is on distributed systems, featuring action at a distance and after a delay, so that time development and dynamics are deeply involved and inescapable. A modern curriculum should avoid the classic textbook's concentration on statics. Few practicing engineers hang pith balls and rub combs to transfer charges. Even the engineers or designers who appear to deal with purely static systems usually intend to have them process time-varying signals. Those practitioners who design devices and systems based on only electrostatics and magnetostatics principles, or on software that deals only with statics, remain uncertain, if not actually ignorant, of the dynamic response or bandwidth of their systems. They are likely to be left behind, wondering why their designs misbehave or fail at today's required speeds or data rates. <P> 2. <I>Simple mathematics.</I>  The mathematics is kept simple, at the level of integral calculus. The text avoids approaching the subject from the standpoint of solving partial differential equations and boundary value problems that invoke esoteric mathematical functions and apply to only a few types of geometry. Useful as they undoubtedly are, Bessel and Hankel functions, Legendre polynomials, elliptic integrals, and the like are likely to overwhelm students at the level of this text, keep them from appreciating the underlying phenomena, and leave them helpless when confronted with some unfamiliar geometry. The special functions of mathematical analysis should be taught, but at a later stage. There are enough important concepts to learn without adding these special functions into the mix, at this elementary level. <P> Instead of handling differential equations, the present text makes extensive use of Maxwell's equations in integral form. Note that this does not mean we are dealing with integral equations, any more than asking to find the derivative of a given function is the same as solving a differential equation. We just need integrals of familiar functions; the integrals need not involve functions more complicated than powers or logarithms of the variable. The use of equations in integral form allows us to deal with any geometry, at least approximately. As an added bonus, the integral form applies, unchanged, to moving media as well as to stationary ones. <P> 3. <I>Quasistatics for high frequencies.</I>  The text approaches high-frequency phenomena by way of quasistatic analysis. This furnishes a more user-friendly, gentle transition from the more intuitive low-frequency circuit theory results to those of faster circuitry. Quasistatic analysis imparts insights difficult to gain from formal solutions to differential equations that feature advanced, special functions of mathematical analysis. Does one readily extract insights into the skin effect in a cylindrical wire by expressing the fields in terms of Kelvin functions or Bessel functions with complex arguments? Quasistatics emphasizes deviations from the results of circuit theory that are due to interactions between the electric and the magnetic fields in the configuration. It can be applied to geometries that defy analytic solutions. It is particularly helpful in readily furnishing approximate answers in complicated cases. Most important, it provides the engineer with estimates of the frequency range of applicability of possible designs. <P> 4.<I>Transmission lines paramount.</I>  The main focus of the work is on wave propagation, exemplified particularly by the behavior and response of transmission lines, both transient and steady state. Such structures are realistic and practical signal-transmission systems. Transmission lines illustrate time delay, reflections, standing waves, matching procedures, the effects of a mismatch, measurement techniques, and power transfer. The simplicity and far-ranging applicability of harmonic plane waves are also stressed, however. The two are carefully integrated to support and complement their concepts and applications. <P> 5.<I>Electric and magnetic fields on a par.</I>  Electric and magnetic fields are treated as twins, with virtually equal importance. Too many textbooks and courses stress the electric field and introduce the magnetic field as an afterthought or oddity. While this can be sensible in the static case, the two types of fields are inextricably entwined in the time-varying case. We seek to treat them on an equal footing and emphasize how each affects and actually creates and maintains the other. <P> In this connection, it is interesting that modern electronic circuit design has emphasized capacitive elements in integrated circuits; these are based on the behavior of electric fields. More recently, the design of inductive elements, based on magnetic field behavior, has regained importance, driven particularly by the exigencies of wireless communication circuits and their tuning elements. <P> 6.<I>Avoid potentials!</I>  We studiously and deliberately avoid introducing potentials and the notion that the electric field is the gradient of a scalar potential. This radical attitude and apparent heresy calls for some explanation. <P> We contend that the student who hasn't learned or has forgotten the notions that electric fields are conservative and that conductors are equipotentials is more ready to tackle time-varying situations than is the rival who must unlearn and abandon these incorrect assertions when dealing with dynamic fields. Avoiding the potentials is, in fact, a consistent element of the approach that emphasizes dynamics over statics. <P> Potentials are enormously helpful when dealing with purely electrostatic or magnetostatic effects, but they become a major obstacle to making the transition to the time-varying case, when we need to unlearn almost all about the scalar potential. For example, students who have been taught that all points in a circuit that are connected by conductors must be at the same voltage typically have a difficult time with the fact that the time-varying voltages at various points of a circuit or structure may be, and usually are, different even when they are connected by perfect conductors. <P> That we avoid introducing potentials is not to say that we don't deal with voltage; we do of course, but as an electromotive force (emf), not as a potential. The distinction is vital: Static potentials are conservative (zero closed-loop integral of the field) but emf (voltage) is not. The nonzero voltage around a closed curve is crucial to time-varying fields and to circuits with energy sources in them; it is incompatible with fields derived from a scalar potential. Our experience has been that it is easier to impart an understanding of dynamic field effects when the scalar potential has not been inculcated prior to the need to modify or abandon it and the limitations it imposes. If we insist on deriving the electric field from a scalar potential, we find that it is only part of the field and we need to add the time derivative of the vector potential. The new potential fields are further removed from the physical interaction, and this complicates the situation to an extent that may make the potentials more of a pedagogic liability than an asset. We choose to postpone discussion of potentials to the end, when we look back on the entire development and review the overall principles of electromagnetics. <P> 7. <I>Interpretations stressed.</I>  As a matter of habit, the examples in the text do not end when the answer has been found. Those answers are extensively discussed and interpreted, a practice that should be made routine. Students should be encouraged not merely to extract a number or formula from the equations but to look at the answer, examine it from the standpoint of physical plausibility and logic, and especially to interpret the result. This book features careful derivations and emphasizes interpretations. It is also often helpful to draw analogies among different results; we have deliberately emphasized such analogies and similarities of seemingly disparate aspects of the subject, such as the electric and the magnetic versions of certain effects. <P> 8. <I>Realistic figures.</I>  We have felt strongly that figures should never be misleading, and we have kept them realistic whenever it may matter. Curves have been properly calculated and plotted, not merely sketched. In some cases, perspective views are the only renderings that can avoid confusion, and these have been carefully computed and presented as realistically as possible. <P> 9.<I>Answers to all problems.</I>  Answers to all problems are provided at the back of the book. Obviously, judicious use of the answers can be of great help to the student; indiscriminate abuse of the answer key is just as obviously harmful to the learning process. Answers are most often sought in formulaic or symbolic form; such forms are usually much more informative than a numerical answer that applies to only a specific instance. In the guise of a formula, the answer provides information on how the result varies with the parameters of the problem. Nevertheless, we do ask for a numerical value when appreciation of typical magnitudes is important. <P> For the instructor, a Solutions Manual has been prepared; it provides complete solutions to every problem. <P> 10. <I>Some topics treated in problems.</I>  We have sought to make the problems instructive rather than mere drill. A variety of problems has been provided, some easy, some more challenging, some illustrative, some to fill in gaps in the text, some for practice, some particularly instructive, some to pique the student's interest. <P> In a few cases where we have omitted formal demonstrations of certain assertions, guidance as to how to prove them has been relegated to the problems. A few topics that might seem to be missing from the text may be found among the sets of problems. Instructors may prefer to lecture on some of these topics, rather than leave them as homework assignments. The Solutions Manual can help guide such lectures. <P> 11. <I>So many equations, so little time?</I>  Although the level of the mathematics used has been kept at that of elementary integral calculus, there are occasions when the onslaught of equations may seem like that of a blizzard. There are several reasons for it when the mathematical development becomes intense. <P> <DL> <DT><I>Show all steps.</I> <DD>The primary reason is that we prefer to err on the side of showing all the steps in developing a result; our experience is that most students appreciate seeing the intermediate steps between the starting point and the final equation. <P> <DT><I>Derive parameters.</I> <DD>Another cause is that we prefer, whenever practical, to show where a result comes from, rather than merely assert its truth. One example for which this leads to an intensive development is the discussion of the parallel-wire transmission line. This development leads to an important engineering design equation for the characteristic impedance of transmission lines, specifically the parallel-wire line, in terms of the geometry and electrical constitution of the structure. This is something an engineer should know how to obtain and use, for whatever configuration may be under design. Most textbooks don't even attempt to calculate this; they may simply furnish a ready-made formula for the characteristic impedance, descendent from heaven or from the manufacturer of the transmission line-but then who will be hired by the manufacturer to design that line, if engineers are not taught how such formulas are developed? <P> <DT><I>Oblique waves.</I> <DD>Yet another instance is represented by the development of the results for oblique incidence of plane waves. In many textbooks, the derivation is confined to Snell's laws and the polarizations are merely quoted. In this text, we use the concept of impedance to unify, simplify, and develop the full set of equations. As a result, many high-frequency or optical system design methods reduce to special cases of impedance matching or transforming techniques. <P> <DT><I>Types of boundary conditions.</I> <DD>Another section that may seem overly elaborate is that on boundary conditions. Our experience has been that this subject often causes confusion. For most applications, the boundary conditions are comfortably simple; for other cases, they can become baffling. We have divided the presentation of how to select and apply boundary conditions into &quot;ordinary&quot; and &quot;extraordinary&quot; types to clarify this circumstance. <P> <DT><I>Corrections to circuit theory.</I> <DD>The material on quasistatic analysis is extensive, though not intensive, and may be controversial for that reason alone. The aim is to present a systematic, tabular approach to the adjustments and corrections that must be made when a design based on statics is subjected to time-varying signals. Pushing electromagnetic designs to higher and higher frequencies is currently an important aim of engineers, particularly for communications applications. If an instructor feels the material on quasistatics is superfluous or too extensive, it can be skipped or truncated and still leave a coherent treatment of electromagnetics. However, this topic has much that is of great conceptual value, especially to unveil, correct, and extend certain circuit-theory results. It also serves as a transition to wave phenomena, an approach that avoids handing students the wave solution from on high and merely asking or allowing them to verify that it satisfies the equations. </DL> <P> A few words on some technical aspects of the text are in order. We have used the MKSA subset of the SI (Syst&#232;me Internationale) system of units; we do not want confusion over units to cloud the meaning of the concepts. Examples have been set off from the rest of the text by a vertical line; within the example, the end of the question has been marked with a symbol &lt;&lt;&gt;&gt;, to separate it from the start of the solution. Each chapter ends with a summary or review of the material covered. <P> Special efforts by some and special patience on the part of others have been indispensable to the production of this textbook. Particular recognition and thanks are due to Dr. Perry Malouf, who graciously undertook to attempt and to criticize the problem sets. The book was years in the making, but there were peaks of sometimes frantic activity that deprived family members of the attention they deserved. I take this opportunity to recognize and applaud their patience, forbearance, and assistance. <P> Paul Diament<BR> Columbia University  </HTML> </UL>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<br> <br> <b>1. Gauss's Law, Surface Integrals, and Electric Fields.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Motivation. Field Concept. Definition Of Field. Electric Field. Effect Of The Medium. Flux Of Vector Field. Gauss's Law. Determination Of Field From Flux. Point Charge. Coulomb's Law. Superposition Of Fields. Summary. Problems.</div> </p> <br> <br> <b>2. Amp&egrave;re's Law, Line Integrals, and Magnetic Fields.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Magnetic Field. Effect Of The Medium. Magnetomotive Force. Amp&egrave;re's Law. Determination Of Field From Current. Current And Current Density. Conservation Of Charge. Magnetic Field Of Semi-Infinite Filament. Current Element. Superposition Of Fields. Biot-Savart Law. Current Element As Dipole Flow Source. Summary. Problems.</div> </p> <br> <br> <b>3. Emf, Field Dynamics, and Maxwell's Equations.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Electromotive Force. Ohm's Law. Electric Power Density. Faraday-Maxwell Law. How Amp&egrave;re's Law Fails. Amp&egrave;re-Maxwell Law. Types Of Current. Magnetic Field Of A Moving Charge. Gauss's Magnetic Law. Boundary Conditions. Extraordinary Boundary Conditions. Summary Of Boundary Conditions And Effects Of Conductivity. Superconductors, Plasmas, And Space Charge. Summary. Problems.</div> </p> <br> <br> <b>4. Maxwell's Equations and Quasistatic Analysis.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Field Equations. Maxwell's Equations. Quasistatic Fields. Surprises For Circuit Analysts. Systematic Quasistatic Analysis. Normal Modes. Cylindrical Cavity. Fields In A Wire. Microstrip Lines. Summary. Problems.</div> </p> <br> <br> <b>5. Transmission Lines, Time Delay, and Wave Propagation.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Transmission Line Parameters. Transmission Line Equations. Quasistatic Analysis Of Transmission Line. Summation Of Series. Interpretation: Matched Line. Interpretation Waves. Mismatched Line. Incident And Reflected Waves. Summary. Problems.</div> </p> <br> <br> <b>6. Steady-State Wave Transmission and Plane Waves.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Sinusoidal Steady State. Complex Exponentials. Sinusoidal Waves. Transmission Lines In The Steady State. Power Transfer. Plane Waves. Wave Designators. Sinusoidal Plane Waves. Polarization. Linear And Circular Polarization. Optically Active Media. Incident And Reflected Plane Waves. Source Of Plane Waves. Load Impedances For Plane Waves. Summary. Problems.</div> </p> <br> <br> <b>7. Impedance Matching Techniques and Oblique Waves.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Standing Waves. Impedance Measurement And Standing Wave Ratio. Impedance Matching With A Tuning Stub. Smith Chart. Reflection At A Mirror. Antireflection Coating. Oblique Incidence. Oblique Waves As Nonuniform Transverse Waves. Snell's Laws. Transverse Electric And Transverse Magnetic Polarizations. Brewster's Angle. Failure Of Snell's Law. Reactive Impedances. Total Internal Reflection. Significance For Dielectric Waveguides. Reflection At Grazing Incidence. Summary. Problems.</div> </p> <br> <br> <b>8. Poynting Theorems and Lossy Transmission Lines.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Poynting Theorem. Interpretation. Coaxial Line. Complex Poynting Theorem. Interpretation. General Transmission Lines. Solution To General Transmission Line Equations. Interpretation. Plane Waves In Conductors. Summary. Problems.</div> </p> <br> <br> <b>9. Waveguiding and Radiating Structures.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Parallel-Plate Transmission Line. Waveguides. Separation Of Variables. TE And TM Modes. Interpretation Of Waveguide Modes. Wave Dispersion And Group Velocity. Antennas And Radiation. Antenna Terminology. Summary. Problems.</div> </p> <br> <br> <b>10. Review, Epilogue, and Appendix.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Review Of Concepts. Vistas Ahead. Appendix. Problems.</div> </p> <br> <br> <b>Answers to Problems.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B>I. THEORY.</B> </P>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;1. Adlerian Counseling and Psychotherapy: An Overview.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;2. Adlerian Psychotherapy and Other Psychotherapy Systems: Integrative Themes.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;3. Personality Development.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;4. Psychopathology.</B> </DIV><BR>  <P><B>II. SKILLS AND STRATEGIES.</B> </P>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;5. Analysis and Assessment.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;6. Psychotherapeutic Interventions.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;7. Psychoeducation and Psychoeducational Interventions.</B> </DIV><BR>  <P><B>III. APPLICATIONS.</B> </P>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;8. Children and Adolescents.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>&nbsp;9. Counseling and Psychotherapy with the Elderly.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>10. Health Counseling.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>11. Group Counseling and Therapy.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>12. Brief Therapy and Managed Care.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>13. Family Therapy.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>14. Marital and Couples Therapy.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>Appendix A: Guide for Initial Interviews and Assessments.</B> </DIV><BR>  <DIV style="MARGIN-LEFT: 0.2in"><B>Appendix B: Adlerian Counseling and Psychotherapy Competencies.</B> </DIV>  <DIV style="MARGIN-LEFT: 0.2in">&nbsp;</DIV>  <DIV style="MARGIN-LEFT: 0.2in"><B>Appendix C: The Lifestyle Scale. </B></DIV>  <DIV style="MARGIN-LEFT: 0.2in">&nbsp;</DIV>  <DIV style="MARGIN-LEFT: 0.2in"><B>Author Index.</B></DIV>  <DIV style="MARGIN-LEFT: 0.2in">&nbsp;</DIV>  <DIV style="MARGIN-LEFT: 0.2in"><B>Subject Index.</DIV></B><BR>]]></d104>
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<b035>A01</b035>
<b037>Drake, Mary Frances</b037>
<b039>Mary Frances</b039>
<b040>Drake</b040>
<b046>University of Tennessee</b046>
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<b034>2</b034>
<b035>A01</b035>
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<b039>Janice Harrison</b039>
<b040>Spoone</b040>
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<b034>3</b034>
<b035>A01</b035>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Introduction.</b> <br> <br> <br> <b>&nbsp;2. Consumer Behavior.</b> <br> <br> <br> <b>&nbsp;3. Planning and Budgeting.</b> <br> <br> <br> <b>&nbsp;4. Dramatizing the Fashion Merchandise: Using Art Elements and Principles.</b> <br> <br> <br> <b>&nbsp;5. Visual Merchandising-Display.</b> <br> <br> <br> <b>&nbsp;6. Merchandise Presentation: Tools and Techniques.</b> <br> <br> <br> <b>&nbsp;7. Media Mix.</b> <br> <br> <br> <b>&nbsp;8. Advertising Principles: Print Media.</b> <br> <br> <br> <b>&nbsp;9. Mechanics of Building an Ad: Print Media.</b> <br> <br> <br> <b>10. Advertising Principles: Broadcast Media.</b> <br> <br> <br> <b>11. Mechanics of Building an Ad: Broadcast Media.</b> <br> <br> <br> <b>12. Publicity and Special Events.</b> <br> <br> <br> <b>13. The Fashion Show.</b> <br> <br> <br> <b>14. Personal Selling.</b> <br> <br> <br> <b>15. Synergism in Promotion and Advertising.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b035>A01</b035>
<b037>Easterling, Cynthia R.</b037>
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<d104 textformat="02"><![CDATA[<p>    <b>I. THE BUSINESS OF FASHION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Introduction to the Fashion Business.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Fashion Development and Movement.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Supporting Fashion Enterprises.</b> </div> <br> <p>    <b>II. PRODUCTION TO FASHION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Raw Materials of Fashion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. American Fashion Creators.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Manufacturers of Apparel.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Manufacturers of Fashion Accessories, Cosmetics, and Home Furnishings.</b> </div> <br> <p>    <b>III. FASHION MARKETING CENTERS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Domestic Fashion Markets.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Foreign Fashion Centers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Fashion Imports and Exports.</b> </div> <br> <p>    <b>IV. RETAIL DISTRIBUTION OF FASHION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. Fashion Retailing.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Structure of Retail Firms.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. The Role of the Retail Buyer and Resident Buying Offices.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Determining What to Buy.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Buying the Merchandising.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Fashion Promotion and Image.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Recent Developments and Trends in Retail Merchandising.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<b203>Teaching Decoding in Holistic Classrooms</b203>
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<b034>1</b034>
<b035>A01</b035>
<b037>Eldredge, J. Lloyd</b037>
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<d104 textformat="02"><![CDATA[<P><B></B> An important new phonics book by this  well-known expert in the field of whole language. This book  gives future teachers all of the background and research-  based strategies they need to introduce decoding instruction  into a holistic classroom in a way that helps children master  decoding skills and apply writing activities. <B>KEY  TOPICS:</B> Four chapters present solid research evidence to  support the book's position on whole language, decoding,  phonemic awareness, phonics, and word recognition. Seven  chapters then describe classroom-proven strategies for  teaching decoding, and related skills, through direct  instruction, in as few as ten minutes of classroom time per  day.        </P>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Whole Language.</b> <br> <br> <br> <b>&nbsp;2. Decoding.</b> <br> <br> <br> <b>&nbsp;3. Phonemic Awareness and the Alphabetic Principle.</b> <br> <br> <br> <b>&nbsp;4. Phonics and the Alphabetic Principle.</b> <br> <br> <br> <b>&nbsp;5. Developing Phonemic Awareness Through Stories, Games, and Songs.</b> <br> <br> <br> <b>&nbsp;6. A Formal Phonemic Awareness Training Program.</b> <br> <br> <br> <b>&nbsp;7. Decoding Instruction in Holistic Classrooms: Word Recognition, Analogy, and Context.</b> <br> <br> <br> <b>&nbsp;8. Decoding Instruction in Holistic Classrooms: Phonics, Morphemic Analysis, and Syllabic Analysis.</b> <br> <br> <br> <b>&nbsp;9. Teaching Decoding Informally Through Reading and Writing Activities.</b> <br> <br> <br> <b>10. Teaching Phonics in Ten Minutes a Day.</b> <br> <br> <br> <b>11. Assessing Decoding and Reading Comprehension.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. PLANET EARTH IN THE SOLAR SYSTEM.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. What Is Geochemistry?</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. In the Beginning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. The Solar System.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Chemical Differentiation of the Earth.</b> </div> <br> <p>    <b>II. PRINCIPLES OF INORGANIC GEOCHEMISTRY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. The Electronic Structure of Atoms.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. The Periodic Table and Atomic Weights.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Chemical Bonds, Ionic Radii, and Crystals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Ionic Substitution in Crystals.</b> </div> <br> <p>    <b>III. AQUEOUS GEOCHEMISTRY AND THE STABILITY OF MINERALS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Acids and Bases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Salts and Their Ions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Thermodynamics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Mineral Stability Diagrams.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Clay Minerals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Oxidation-Reduction Reactions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Rates of Geothermal Processes.</b> </div> <br> <p>    <b>IV. ISOTOPE GEOCHEMISTRY AND MIXING.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>16. Isotopic Geochronometers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Isotope Fractionation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Mixing and Dilution.</b> </div> <br> <p>    <b>V. APPLICATIONS OF GEOCHEMISTRY TO THE SOLUTION OF GLOBAL PROBLEMS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>19. Consequences of Chemical Weathering.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. The Chemical Composition of Surface Water.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. Chemical Weathering of Mineral Deposits.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. Geochemical Cycles.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>23. Chemistry of the Atmosphere.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>24. Environmental Geochemistry: Disposal of Radioactive Waste.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>25. Effect of Environmental Lead on Human Health.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Appendix 1. Useful Data Tables.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Appendix 2. Standard Gibbs Free Energies (<i>G</i>       <sub>f0</sub>) and Standard Enthalpies of Formation (<i>H</i>       <sub>f0</sub>).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Author Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> The   book provides a balanced presentation of the global religious contributions of   women. <B></B> The book covers the religious experience of women from   primal societies to modern day. Includes religious writings and practices from   Hindu, Buddhist, Chinese, Japanese, Traditional African, Native American,   Jewish, Christian, and Islamic communities.   </P>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. EARLY GODDESS CULTURES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Sources of Information Regarding Goddesses.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Characteristics of Goddess Cultures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Examples of Goddess = Worshipping Societies.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>D. Ancient Mesopotamia.</b> </div> <br> <p>    <b>II. PATRIARCHY AND THE SHIFT FROM FEMALE DEITIES TO MALE DEITIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Sources of Information Regarding Patriarchies.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Characteristics of Patriarchal Cultures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Societies That Replaced Goddess Worship with Male Gods.</b> </div> <br> <p>    <b>III. CREATION MYTHS REFLECTING THE DEMISE OF THE GODDESS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Understanding the Meaning and Function of Myths.</b> </div> <br> <p>    <b>IV. ALIENATION MYTHS AND OTHER PRACTICES THAT AFFECT WOMEN.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Writings That Implicate Women for the Introduction of Evil.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Women's Adaptation to the Effects of Alienation Myths and Discriminatory Religious Practices.</b> </div> <br> <p>    <b>V. COMPETENT WOMEN WHO HELPED SHAPE THEIR RELIGIOUS TRADITIONS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. North American Indians&mdash;Egalitarian Practices Among the Iroquois.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Hindu Tradition&mdash;Gargi&mdash;Sri Sarada Devi&mdash;Ma Jnanananda.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Buddhist Tradition&mdash;Nuns, Sanghamita, Kuan-yin Bodhisattva.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>D. Jewish Tradition&mdash;Women in Biblical and Modern Times&mdash;Miriam, Deborah, Ruth. Contemporary Jewish Women&mdash; Berta Pappenheim.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>E. Christian Tradition&mdash;Women Saints of the Early Church and Medieval Periods&mdash;St. Brigit of Ireland and St. Catherine of Siena. Contemporary Times&mdash;Dorothy Day and Catholic Women Religious. Protestant Women&mdash;The Grimke Sisters and Florence Nightingale.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>F. Islamic Traditions&mdash;Fatima, Rabiah, Benazir Bhutto.</b> </div> <br> <p>    <b>VI. LANGUAGE AS REPRESENTATION OF REALITY FOR WOMEN.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Naming the Sacred&mdash;Transcendence Versus Immanence.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. The Sacred As Personal and Impersonal Powers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Metaphoric Images That Enhance Women's Relation to the Sacred.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>D. The struggle for the Use of Inclusive Language in Religious Institutions.</b> </div> <br> <p>    <b>VII. CONTEMPORARY FEMINIST RELIGIOUS MOVEMENTS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Radical, Reconstructionist, and Reformist Feminist Scholars.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Contemporary Goddess = Centered Religions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Critique of Contemporary Goddess Religions.</b> </div> <br> <p>    <b>VIII. REASONS FOR WOMEN TO VALUE RELIGION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Meaning and Belonging Dimensions of Religion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Relation to the Deity.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Access to Salvation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>D. The Spiritual Life.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Focusing on the systems and engineering aspects of acoustics, this book emphasizes the importance of speech and hearing in our lives.  <B></B> Organized from simple to complex, enabling readers to apply concepts and explore issues, while also offering detailed illustrations and explanations.  Examines key concepts of real life situations and features examples in music, speech, hearing, architecture, and other recent developments in acoustics.  <B>  </B> For anyone interested in learning more about acoustics; as a reference for practicing engineers.            </P>]]></d104>
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<d104 textformat="02"><![CDATA[<P> The biological evolution of hearing is believed to have begun while our progenitors were still in the sea. Fish hear with an organ similar to the human cochlea, and it is believed that the external and middle ears evolved in amphibians and mammals as a means of matching the acoustic impedances of the atmosphere and the cochlea (or inner ear). This evolution would have had to occur when amphibians first emerged from the sea onto the land. On the other hand, while many animals use sound for communication, speech is a uniquely human activity, and presumably recent on the evolutionary time scale. One of the major anatomical differences between ourselves and the great apes is that we have an elaborate vocal tract above the larynx, and can articulate with great versatility, but they cannot. Because of this difference there has been speculation recently that it was the evolution of the voice as well as improvement in brain capacity that were the crucial factors in the ascendancy of humans over apes. It has even been suggested that perhaps the Neanderthals could not speak any better than the apes, and that the Cro-Magnons were the first humans to show this unique trait. Regardless of how science assesses this speculation in the future, it does make us realize just how important the acoustic system of speech and hearing is in our lives, and that to be deprived of speech or hearing is a major impediment. </P>  <P> Perhaps as old as our speaking abilities is our inclination to make music. Unwanted sounds can intrude on our speech and music, interfere with sleep, or cause deafness if loud enough. Noise control is therefore one of the main tasks of the acoustical engineer. The industrial revolution of the eighteenth century ushered in an age of high-power machinery, and along with it the unwanted by-product: vibration. This unwanted by-product led to the recognition of vibration as a field of serious study for mechanical engineers. In turn, the study of vibration led to the development of a discipline sometimes called "automatic" controls, which became especially important in aeronautical engineering. The pioneering work of Bell and Edison on the telephone and in broadcasting resulted in the growth of two new industries that have vastly extended our abilities to communicate. The use of submarines to destroy Allied shipping during World War I led to the invention of sonar, since electromagnetic waves will not travel very far under water. Sonar is now used for many peaceful purposes. The interest in underwater sound led to the development of practical ultrasonic transducers, which it was discovered could be used in medical diagnosis and treatment as well as in nondestructive evaluation and processing in industry. Starting in the 1920s, it becam4 common for oil companies to use sound in seismic prospecting. We are also gaining an understanding of how to deal with earthquakes, another form of acoustic wave. Currently, significant efforts are underway to develop systems for machine recognition of speech. In addition, mechanical engineers are increasingly using machines for the acoustic and vibrational monitoring of machinery. </P>  <P> To some people, the word "acoustics" brings to mind orchestras and concert halls. Others think of hearing aids or noise control. Some engineers realize that mechanical oscillations may occur in discrete (lumped) systems, but fail to understand that they may also occur in continuous (distributed) systems. An example of a discrete system is the motion of a mass on a spring, and the study of such phenomena is usually termed "vibrations." An example of a continuous system is the motion of the air during the playing of music, and the term "sound" is employed in this case. Sound can also propagate at frequencies beyond the range of human hearing; at the high end, we speak of ultrasonics, and of infrasonics at the low end. Ultrasonics have become part of our lives through medical imaging and sonar, while earthquakes are an example of infrasonic waves. This wide variety of phenomena and applications is linked by a definition from the Acoustical Society of America (1965): Acoustics: "The Science of mechanical radiation in all its aspects and applications, including origin (vibration of material media, etc.), transmission through material media, at all frequencies and under the most diverse conditions, and reception." </P>  <P> An old adage characterizes a lecture as the process whereby the notes of the lecturer become the notes of the student. Textbooks tend to procreate in a similar manner. In defense of textbook authors, it should be noted that if our intention is to pass on to the student the most important discoveries and inventions of the past, then it is only to be expected that successive generations of textbooks should change in an evolutionary way. There is little doubt that the ancestor of all modern texts in acoustics is Rayleigh's <I>Theory of Sound,</I> first published in two volumes in 1877 and expanded in several later editions. In the United States, this book was followed by Stewart and Lindsay's <I>Acoustics</I> (1930), and then by Lindsay's <I>Mechanical Radiation</I> (1960). Another descendant in the Rayleigh tradition is Morse's <I>Vibration and Sound</I> (1936) followed by Morse and Ingard's <I>Theoretical Acoustics</I> (1968). In Britain, the most notable contributions are A.B. Wood's <I>A Textbook of Sound</I> (1930) and Stephens and Bates's <I>Wave Motion and Sound</I> (1950), the latter being used in the Physics Department at Imperial College when this author was a student. Historically, vibrations were the first branch of acoustics to enter the engineering curriculum, and Rayleigh's volume one was an early text among engineers. His influence is seen in Timoshenko's text (1928), and subsequently in that by Den Hartog (1934). Later came the well-accepted work by Thomson (1993) and many others, including the recent notable contribution by Dimarogonas (1996). Now, the most widely used general acoustics texts are probably those by Kinder et al., <I>Fundamentals of Acoustics</I> (1982), and Pierce's <I>Acoustics</I> (1981). There are many other fine texts in acoustics influenced by Rayleigh in varying degrees, but those mentioned here are some of the better known and will suffice to make the point. </P>  <P> Sooner or later all educators confront this question of conscience: What it is that I am trying to accomplish? It is clear that acoustics is flourishing, but I would still argue strongly with those representatives of industry who advocate "training" young people for "jobs." Our task is to educate human beings to achieve the potential of which they are capable. Even when it comes to designing a strategy for those who must meet economic necessity, it is a poor teacher who equips the student with the tricks of only one trade. During the 30 years I have been teaching, there have been numerous shifts in employment for the acoustics graduate. Opportunities in seismic exploration are notorious for their ups and downs linked to the price of oil. The Navy's employment in underwater sound depends on national priorities for defense. Vibration and noise control and architectural acoustics tend to follow trends in the overall economy. A certain number of graduates find homes in the telephone and communications industries. Nondestructive testing of industrial components and medical ultrasonics are also important areas for employment. Very few people with backgrounds in acoustics are unemployed for long, but it is a good idea to be prepared for work in more than one industry. The task of the university should therefore be to provide the student with a broad repertoire of basic ideas. As time moves on, the content of this repertoire needs to change with the advance of science and of engineering practice. Recent years have seen the practice of acoustics revolutionized by the digital computer and digital signal processing. In the future, we can expect even greater changes in acoustical engineering as systems theorists better comprehend such functions of the human brain as speech recognition and music appreciation. </P>  <P> Frederick V Hunt, the famous teacher of acoustics and professor of physics at Harvard, recognized as early as 1967 that acoustics had much to offer as a "fusion" subject, and I quote his words: "Some of the subjects now involved in this fusion process acquired their own recognized status only within the last few decades. One would cite in this connection modern information theory, the theory of stochastic processes, . . . modern control theory, . . . and the exploitation of nonlinearity." Today, we would recognize these topics as a part of systems theory. In this book, the intention is to stress the systems and engineering aspects of acoustics. Acoustics is a good introduction to general systems theory, both because of the heavy emphasis on mathematics and because of its interdisciplinary nature. </P>  <P> The book is intended for senior- or graduate-level engineers, with prerequisites in mathematics through differential equations, basic mechanics, and electromagnetism. The readership is expected to be primarily students majoring in mechanical or electrical engineering, although the book could also be of use to practicing engineers as a reference. The courses that might use this book include introductory acoustics, or vibrations, transducers, acoustic radiation, noise control, stress waves, physical acoustics, and acoustic measurements. Also included is some coverage of the effects of sound on man and on speech and hearing, insofar as these subjects define the tasks of the acoustical engineer, as well as an account of acoustic systems and a review of their design. The total length of a continuous course based on this book would be about two years. </P>  </UL>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1: Vibration  </b> <br> <br> <br> <b>&nbsp;2: Linear Systems  </b> <br> <br> <br> <b>&nbsp;3: Waves in Fluids  </b> <br> <br> <br> <b>&nbsp;4: Pipes and Horns  </b> <br> <br> <br> <b>&nbsp;5: Audio Frequency Generators   </b> <br> <br> <br> <b>&nbsp;6: Sensors  </b> <br> <br> <br> <b>&nbsp;7: Piezoelectric Transducers  </b> <br> <br> <br> <b>&nbsp;8: Instrumentation and Signal Processing  </b> <br> <br> <br> <b>&nbsp;9: Basic Acoustic Measurements  </b> <br> <br> <br> <b>10: Plane Waves in Large Enclosures  </b> <br> <br> <br> <b>11: Series Solutions and Scattering  </b> <br> <br> <br> <b>12: Vibration of Structural Elements  </b> <br> <br> <br> <b>13: Propagation in Solids  </b> <br> <br> <br> <b>14: Attenuation, Absorption and Damping  </b> <br> <br> <br> <b>15: Nonlinear Acoustics  </b> <br> <br> <br> <b>16: Noise Control  </b> <br> <br> <br> <b>17: Acoustic Systems  </b> <br> <br> <br> <b>Appendices  </b> <br> <br> <br> <b>Index  </b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P>The book is a how-to-do-it guide for readers contemplating careers as editors  and managers of newspapers that are competitively positioned for the twenty-  first century. <I>STRATEGIC NEWSPAPER MANAGEMENT</I> demonstrates how to  analyze a newspaper market, assess print and electronic competition, and  interpret industry trends.        </P>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Preface.</b> <br> <p>    <b>I. THE FOUNDATION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Understanding Your Industry.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Understanding Your Market.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Understanding Your Competitors.</b> </div> <br> <p>    <b>II. YOU, LEADERSHIP, AND PLANNING.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Leadership: Influencing Others to Achieve.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. The Plan.</b> </div> <br> <p>    <b>III. YOUR OPERATING RESPONSIBILITIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. The Human Element.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. News.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Circulation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Advertising.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Image and Promotion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Production and the New Technology.</b> </div> <br> <p>    <b>IV. EXTRA DIMENSIONS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>12. The Law and You.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Public Trust and Manager Ethics.</b> </div> <br> <p>    <b>V. YOU AND THE WEEKLY NEWSPAPER.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>14. The New Weekly Newspaper.</b> </div> <br>]]></d104>
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<b037>Flage, Daniel</b037>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. The Language of Logic.</b> <br> <br> <br> <b>&nbsp;2. Meaning and Definition.</b> <br> <br> <br> <b>&nbsp;3. Informal Fallacies.</b> <br> <br> <br> <b>&nbsp;4. Categorical Syllogisms.</b> <br> <br> <br> <b>&nbsp;5. Propositional Logic: Truth Tables.</b> <br> <br> <br> <b>&nbsp;6. Propositional Logic: Natural Deduction.</b> <br> <br> <br> <b>&nbsp;7. Predicate Logic: Natural Deduction.</b> <br> <br> <br> <b>&nbsp;8. Analogical Arguments.</b> <br> <br> <br> <b>&nbsp;9. Mill's Methods of Experimental Inquiry.</b> <br> <br> <br> <b>10. Probability and Numbers.</b> <br> <br> <br> <b>11. Science and Hypothetical Reasoning.</b> <br> <br> <br> <b>Appendix 1: Traditional Names for Syllogistic Forms and Conditional Validity.</b> <br> <br> <br> <b>Appendix 2: The Paradoxes of Material Implication.</b> <br> <br> <br> <b>Appendix 3: Truth Trees.</b> <br> <br> <br> <b>Solutions to the Odd-Numbered Exercises.</b> <br> <br> <br> <b>Glossary.</b> <br> <br> <br> <b>Bibliography.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Provides readers with the background  knowledge and guidelines that wil enable them to test their  own ethical positions in business situations. <B>KEY  TOPICS:</B> Topics included are: it outlines two approaches to  ethical theory, an overview of deontological and  consequentialist views, and the analysis of ethical reasoning  according to stages of moral development.  Also offers a  step-by-step protocol for resolving ethical conflicts, many  of which end in stalemates, plus much more.          </P>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<p>    <b>I. MORAL REASONING.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Power Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Exploitation Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Custom, Convention and Courtesy Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. The Letter vs. Spirit of the Law Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Costs/Benefits Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Justice, Equity and Fairness Cases.</b> </div> <br> <p>    <b>II. CONFLICT RESOLUTION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Conflict of Interest Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. International Values Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Information Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Environment Cases.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Sanitation.</b> <br> <br> <br> <b>&nbsp;2. Food Evaluation.</b> <br> <br> <br> <b>&nbsp;3. Measuring.</b> <br> <br> <br> <b>&nbsp;4. Beverages.</b> <br> <br> <br> <b>&nbsp;5. Fruits.</b> <br> <br> <br> <b>&nbsp;6. Vegetables.</b> <br> <br> <br> <b>&nbsp;7. Salads, Emulsions, and Gelatin.</b> <br> <br> <br> <b>&nbsp;8. Cereals and Pasta.</b> <br> <br> <br> <b>&nbsp;9. Starch.</b> <br> <br> <br> <b>10. Eggs.</b> <br> <br> <br> <b>11. Milk.</b> <br> <br> <br> <b>12. Cheese.</b> <br> <br> <br> <b>13. Meat.</b> <br> <br> <br> <b>14. Plant Proteins.</b> <br> <br> <br> <b>15. Poultry.</b> <br> <br> <br> <b>16. Fish.</b> <br> <br> <br> <b>17. Fats and Oils.</b> <br> <br> <br> <b>18. Pastry.</b> <br> <br> <br> <b>19. Quick Breads.</b> <br> <br> <br> <b>20. Cakes and Cookies.</b> <br> <br> <br> <b>21. Yeast Breads.</b> <br> <br> <br> <b>22. Sugars and Frozen Desserts.</b> <br> <br> <br> <b>23. Microwave.</b> <br> <br> <br> <b>24. Meal Management.</b> <br> <br> <br> <b>Appendix.</b> <br> <br> <br> <b>Recipe Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> This collection of essays and personal reflections is  written from a social constructivist perspective and proposes practices that  promote democratic conversations regarding diversity by creating opportunities  to share personal stories and to listen to other people's stories. It examines  policies and practices that can either empower or stifle understanding in  different situations and presents stories to serve as catalysts to promote  democratic conversations and multicultural understanding in various contexts.  <B></B> Focuses on feminist and micro-interaction issues.  Features authentic stories told in the author's own voice which paints a  picture that is sometimes challenging, sometimes difficult to hear, but always  meant to stimulate conversations with self and others to deconstruct and  reconstruct personal notions of diversity. Presents information from a social  constructivist view to support the belief that affirming diversity is an  ongoing process of evaluating and reconstructing knowledge through social  discourse and interactions. Addresses important questions such as "How can we  build bridges and connections without being able to talk across differences?"  and "How can we affirm diversity when selected views are allowed to  be voiced, while others are silenced?" <B></B> For educators,  counselors, and social workers.     </P>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. CONVERSATIONS IN DIVERSITY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. <i>Stories of We the People: An Invitation to Join in the Conversation on Diversity in a Democracy,</i> by Victoria R. Fu.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. <i>Hermeneutic Listening in Multicultural Conversations,</i> by Stephanie L. Kimball and Jim Garrison.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. <i>A Feminist Perspective on Diversity: Taking Women's Voices Seriously,</i> by Katherine R. Allen.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. <i>Weaving Multiculturalism into the Fabric of the Community,</i> by Karen DeBord.</b> </div> <br> <p>    <b>II. PRACTICES IN DIVERSITY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. <i>Use-of-Self in Social Constructionist Therapy: Some Guidelines for a Multicultural Practice,</i> by William R. Scott.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. <i>Developing Interpersonal Understanding in Teaching Culturally Diverse Children,</i> by Andrew J. Stremmel.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. <i>A Pedagogy of Caring and Thoughtfulness: Living and Sharing Our Lives with Our and Other People's Children,</i> by Victoria R. Fu and Andrew J. Stremmel.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. <i>Children, Schools, and Social Class,</i> by Doris Martin and Mary Cherian.</b> </div> <br> <p>    <b>III. JOURNEYS IN DIVERSITY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. <i>Photo Elicitation of the Heuristic Meaning of Multiculturalism,</i> by C. B. Claiborne.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. <i>Toward Multicultural Understandings: A Reflective Journey,</i> by Andrew J. Stremmel and Lynn Hill.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. <i>A Journey in Understanding Teaching,</i> by Elizabeth Strehle.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. <i>Parenthood and Pregnancy: The Journey of a Lesbian Couple and Their Children,</i> by Tamara J. Stone and Katherine R. Allen.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. <i>Contextual and Multicultural Perspectives on Intervention Services for Families,</i> by Elizabeth B. Farnsworth.</b> </div> <br> <p>    <b>EPILOGUE:</b> </p> <div STYLE="margin-left: 0.2in;">    <b>       <i>Different Voices, Common Ground,</i> by Andrew J. Stremmel and Victoria R. Fu.</b> </div> <br>]]></d104>
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<b035>A01</b035>
<b037>Gaskell, David R.</b037>
<b039>David R.</b039>
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<d104 textformat="02"><![CDATA[<P><B></B> This introduction to transport  phenomena in materials engineering balances an  explanation of the fundamentals governing fluid  flow and the transport of heat and mass with their  common applications to specific systems in  materials engineering. It introduces the  influences of properties and geometry on fluid  flow using familiar fluids such as air and water.  <B></B> Covers topics such as  engineering units and pressure in static fluids;  momentum transport and laminar flow of Newtonian  fluids; equations of continuity and conservation  of momentum and fluid flow past submerged objects;  turbulent flow; mechanical energy balance and its  application to fluid flow; transport of heat by  conduction; transport of heat by convection;  transient heat flow; heat transport by thermal  radiation; mass transport in the solid state by  diffusion; mass transport in fluids. Includes  extensive appendices.        </P>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Engineering Units and Pressure in Static Fluids.</b> <br> <br> <br> <b>&nbsp;2. Momentum Transport and Laminar Flow of Newtonian Fluids.</b> <br> <br> <br> <b>&nbsp;3. Equations of Continuity and Conservation of Momentum and Fluid Flow Past Submerged Objects.</b> <br> <br> <br> <b>&nbsp;4. Turbulent Flow.</b> <br> <br> <br> <b>&nbsp;5. Mechanical Energy Balance and Its Application to Fluid Flow.</b> <br> <br> <br> <b>&nbsp;6. Transport of Heat by Conduction.</b> <br> <br> <br> <b>&nbsp;7. Transport of Heat by Convection.</b> <br> <br> <br> <b>&nbsp;8. Transient Heat Flow.</b> <br> <br> <br> <b>&nbsp;9. Heat Transport by Thermal Radiation.</b> <br> <br> <br> <b>10. Mass Transport in the Solid State by Diffusion.</b> <br> <br> <br> <b>11. Mass Transport in Fluids.</b> <br> <br> <br> <b>Appendix A. Elementary and Derived SI Units and Symbols.</b> <br> <br> <br> <b>Appendix B. Prefixes and Symbols for Multiples and Submultiples of SI Units.</b> <br> <br> <br> <b>Appendix C. Conversion from British and U.S. Units to SI Units.</b> <br> <br> <br> <b>Appendix D. Properties of Solid Metals.</b> <br> <br> <br> <b>Appendix E. Properties of Nonmetallic Solids.</b> <br> <br> <br> <b>Appendix F. Properties of Gases at 1 Atm Pressure.</b> <br> <br> <br> <b>Appendix G. Properties of Saturated Liquids.</b> <br> <br> <br> <b>Appendix H. Properties of Liquid Metals.</b> <br> <br> <br> <b>Recommended Readings.</b> <br> <br> <br> <b>Answers to Problems.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b035>A01</b035>
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<b035>A01</b035>
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<b039>Colleen</b039>
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<b035>A01</b035>
<b037>Howes, Alan</b037>
<b039>Alan</b039>
<b040>Howes</b040>
<b046>University of Michigan</b046>
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<d104 textformat="02"><![CDATA[ <!-- --><B> 1. Why Teach English?  </B><BR><B> 2. Reading Kids and Classrooms.  </B><BR><B> 3. Becoming an English Teacher: Theory into Practice.  </B><BR><B> 4. Language As Artifact.  </B><BR><B> 5. Language As Development.  </B><BR><B> 6. Language As Expression.  </B><BR><B> 7. Language As Social Construct: Community, Collaboration and Empowerment.  </B><BR><B> 8. Exploring and Evaluating Theories.  </B><BR><B> 9. Evaluation.  </B><BR><B> 10. The Social Dimensions of Schooling.  </B><BR><B> Index.  </B><BR>]]></d104>
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<b034>1</b034>
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<b039>Jane</b039>
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<d104 textformat="02"><![CDATA[<p>    <b>I. FOUNDATIONS FOR EFFECTIVE SUPERVISION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Understanding Your Job as a Supervisor.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Meeting the Quality Challenge.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Communicating Effectively.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Understanding Employee Behavior.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Identifying Problems and Making Decisions.</b> </div> <br> <p>    <b>II. DEALING WITH INDIVIDUALS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Ensuring Equal Opportunity Under the Law.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Selecting and Training Employees.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Supervising in the Multicultural Workplace.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Motivating Employees.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Dealing with Problem Employees.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Providing Effective Performance Appraisal.</b> </div> <br> <p>    <b>III. DEALING WITH GROUPS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>12. Understanding Group Dynamics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Providing Effective Leadership.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Working with Unions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Maintaining a Safe and Healthy Work Environment.</b> </div> <br> <p>    <b>IV. PERSONAL STRATEGIES FOR SUCCESS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>16. Understanding Organizational Ethics and Politics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Managing.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Developing Your Career and Preparing for Future Challenges Readings.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Study Guide.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Safety, Lab Techniques, Troubleshooting, and Information Referencing.</b> <br> <br> <br> <b>&nbsp;2. Measurement and Errors.</b> <br> <br> <br> <b>&nbsp;3. Operational Amplifiers.</b> <br> <br> <br> <b>&nbsp;4. dc Analog Meters.</b> <br> <br> <br> <b>&nbsp;5. ac Analog Meters.</b> <br> <br> <br> <b>&nbsp;6. Digital Multimeters.</b> <br> <br> <br> <b>&nbsp;7. Oscilloscopes--Theory of Operation.</b> <br> <br> <br> <b>&nbsp;8. Oscilloscopes--Measurement.</b> <br> <br> <br> <b>&nbsp;9. Potentiometers and Potentiometric Bridges.</b> <br> <br> <br> <b>10. dc and ac Bridges.</b> <br> <br> <br> <b>11. Signal-Processing Circuits.</b> <br> <br> <br> <b>12. Measuring Systems and Analyzers.</b> <br> <br> <br> <b>13. Transducers.</b> <br> <br> <br> <b>14. Fiber Optics.</b> <br> <br> <br> <b>15. Automatic Test Equipment (ATE).</b> <br> <br> <br> <b>Appendixes.</b> <br> <br> <br> <b>Glossary.</b> <br> <br> <br> <b>Solutions to Odd-Numbered Problems.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b203>Principles of Technical Drawing</b203>
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<b035>A01</b035>
<b037>Giesecke, Frederick E.</b037>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. The Graphic Language and Design.</b> <br> <br> <br> <b>&nbsp;2. Instrumental Drawing.</b> <br> <br> <br> <b>&nbsp;3. Introduction to CAD.</b> <br> <br> <br> <b>&nbsp;4. Lettering.</b> <br> <br> <br> <b>&nbsp;5. Geometric Constructions.</b> <br> <br> <br> <b>&nbsp;6. Sketching and Shape Description.</b> <br> <br> <br> <b>&nbsp;7. Multiview Projection.</b> <br> <br> <br> <b>&nbsp;8. Using a CAD System.</b> <br> <br> <br> <b>&nbsp;9. Sectional Views.</b> <br> <br> <br> <b>10. Auxiliary Views.</b> <br> <br> <br> <b>11. Revolutions.</b> <br> <br> <br> <b>12. Manufacturing Processes.</b> <br> <br> <br> <b>13. Dimensioning.</b> <br> <br> <br> <b>14. Tolerancing.</b> <br> <br> <br> <b>15. Threads, Fasteners, and Springs.</b> <br> <br> <br> <b>16. Design and Working Drawings.</b> <br> <br> <br> <b>17. Reproduction and Control of Drawings.</b> <br> <br> <br> <b>18. Axonometric Projection.</b> <br> <br> <br> <b>19. Oblique Projection.</b> <br> <br> <br> <b>Appendix.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[(NOTE: <i>Each chapter concludes with summary, chapter questions and references.)</i> <p>    <b>I. INTRODUCTION TO EVALUATION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>1. Overview.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The birth of program evaluation. Evaluation catapults into national prominence. Evaluation searches for direction. Defining program evaluation.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>2. The Evaluation Reality.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Early Beliefs. Implementation issues. Measurement outcomes.  Design issues. Nature of decision making. Overview of the text.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>3.  Utilitarian Perspectives.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The provus discrepancy model. The CIPP perspective. Stake's countenance model. Scriven's goal-free perspective.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>4. Intuitionist/Pluralist Perspectives.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The judicial and adversary models. Eisner's educational connoisseurship and criticism perspective. Stake's responsive evaluation perspective. Illuminative evaluation.</div> </p> <p>    <b>II. TOOLS FOR EVALUATION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>5. Methods for Obtaining Group Input.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The focus group interview. The nominal group technique. The delphi technique. The opinion survey.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>6. Indicators of Academic Achievement.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The birth of norm-referenced measurement. The emergence of criterion-referenced measurement. Norm-referenced assessment.  Criterion- referenced assessment. Other data sources.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>7. Alternative Methods of Assessment: Performance Assessment.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">General characteristics of alternative assessment. Overview. Examples. Issues in designing and using performance assessments. Potential roles in program evaluation.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>8. Alternative Methods of Assessment: Portfolio Assessment.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Types of portfolios. Summary. Issues in portfolio assessment.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>9. Assessing Affective Characteristics.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Categories of affective characteristics. Measurement of interests and attitudes. Other methods of determining attitudes and interests. Assessing values and belief systems.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>10. Qualitative Methods of Inquiry.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The nature of qualitative inquiry. Participant observation. Nonparticipant observation. Interviews and other methods. Data quality control. Qualitative methods in evaluation.</div> </p> <p>    <b>III. DEVELOPMENT OF THE EVALUATION PLAN AND IMPLEMENTATION OF THE EVALUATION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. Negotiation of the Evaluation Contract.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Preliminary tasks. Types of contracts. Context of the evaluation. Conduct of the evaluation. Technical specifications. Guidelines for contract negotiations.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>12. Development of the Program Definition.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The functions of a program definition. Components of a program definition. Role of the evaluator. Guidelines for developing a program definition.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>13. Developing the Evaluation Framework.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Developing the evaluation questions. Selecting the design and methods. Developing a management plan. Guidelines for development of an evaluation framework.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>14. Documentation of Program Implementation.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Factors influencing implementation. Selecting an evaluation perspective. Allocation of Resources. Guidelines for documentation of program implementation.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>15. Data Analysis and Interpretation.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Qualitative data analysis. Quantitative data analysis. Guidelines for conducting data analysis.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>16. Communication of Evaluation Events.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Dissemination in evaluation. Development of effective communications.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>17. Ethical Issues in Evaluation.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Obligations to participants in social science research. Potential conflicts of obligation and interest.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Arrange Me Into Disorder: Fragments and Reflections on Ritual Clowning&mdash;Babcock, Barbara A.</b> <br> <br> <br> <b>&nbsp;2. Constructing Ritual&mdash;Bell, Catherine.</b> <br> <br> <br> <b>&nbsp;3. Women's Business Is Hard Work: Central Australian Aboriginal Women's Love Rituals&mdash;Bell, Diane.</b> <br> <br> <br> <b>&nbsp;4. Political Witch-Hunt Rituals&mdash;Bergesen, Albert.</b> <br> <br> <br> <b>&nbsp;5. The Function and Transformation of Ritual Killing&mdash;Burkert, Walter.</b> <br> <br> <br> <b>&nbsp;6. Women's Stories, Women's Symbols: A Critique of Victor Turner's Theory of Liminality&mdash;Bynum, Caroline Walker.</b> <br> <br> <br> <b>&nbsp;7. Xunzi and Durkheim as Theorists of Ritual Practice&mdash;Campany, Robert F.</b> <br> <br> <br> <b>&nbsp;8. Etching Patriarchal Rule: Ritual Dye, Erotic Potency, and Moroccan Monarchy&mdash;Combs-Schilling, M. Elaine.</b> <br> <br> <br> <b>&nbsp;9. Rite of Return: Circumcision in Morocco&mdash;Crapanzano, Vincent.</b> <br> <br> <br> <b>10. The Neurobiology of Myth and Ritual&mdash;d'Aquili, Eugene G., and Charles D. Laughlin Jr.</b> <br> <br> <br> <b>11. Ritual in the Hospital: Giving Birth the American Way&mdash;Davis-Floyd, Robbie E.</b> <br> <br> <br> <b>12. Dirt: Purity and Danger&mdash;Douglas, Mary.</b> <br> <br> <br> <b>13. Transformation: The Magic of Ritual&mdash;Driver, Tom F.</b> <br> <br> <br> <b>14. Ritual, Magic, and the Sacred&mdash;Durkheim, Emile.</b> <br> <br> <br> <b>15. Ritual and Myth&mdash;Eliade, Mircea.</b> <br> <br> <br> <b>16. The Development of Ritualization&mdash;Erikson, Erik H.</b> <br> <br> <br> <b>17. Obsessive Actions and Religious Practices Freud, Sigmund.</b> <br> <br> <br> <b>18. Deep Play: Notes on the Balinese Cockfight Geertz, Clifford.</b> <br> <br> <br> <b>19. Disenchantment: A Religious Abduction&mdash;Gill, Sam D.</b> <br> <br> <br> <b>20. Violence and the Sacred: Sacrifice&mdash;Girard, Rene.</b> <br> <br> <br> <b>21. Ritual: Ceremony and Super-Sunday&mdash;Goethals, Gregor T.</b> <br> <br> <br> <b>22. Interaction Ritual: Deference and Demeanor&mdash;Goffman, Erving.</b> <br> <br> <br> <b>23. Ritual Criticism and Infelicitous Performances&mdash;Grimes, Ronald L.</b> <br> <br> <br> <b>24. Holiday Celebrations in Israeli Kindergartens&mdash;Handelman, Don, and Lea Shamgar-Handelman.</b> <br> <br> <br> <b>25. &ldquo;Ritual&rdquo; in Recent Literary Criticism: The Elusive Sense of Community&mdash;Hardin, Richard F.</b> <br> <br> <br> <b>26. On Ritual Knowledge&mdash;Jennings, Theodore W., Jr.</b> <br> <br> <br> <b>27. Ritual, Politics, and Power&mdash;Kertzer, David I.</b> <br> <br> <br> <b>28. Women and Ritual in Family Therapy&mdash;Laird, Joan.</b> <br> <br> <br> <b>29. The Effectiveness of Symbols&mdash;Levi-Strauss, Claude.</b> <br> <br> <br> <b>30. Olympic Games and the Theory of Spectacle in Modern Societies&mdash;MacAloon, John J.</b> <br> <br> <br> <b>31. A Death in Due Time: Construction of Self and Culture in Ritual Drama&mdash;Myerhoff, Barbara G.</b> <br> <br> <br> <b>32. Ritual Structure in a Chicano Dance&mdash;Pena, Manuel H.</b> <br> <br> <br> <b>33. The Obvious Aspects of Ritual&mdash;Rappaport, Roy A.</b> <br> <br> <br> <b>34. Restoration of Behavior&mdash;Schechner, Richard.</b> <br> <br> <br> <b>35. Buddhism and Abortion in Contemporary Japan: Mizuko Kuyo <i>and the Confrontation with Death</i>&mdash;Smith, Bardwell.</b> <br> <br> <br> <b>36. The Bare Facts of Ritual&mdash;Smith, Jonathan Z. (Zittell).</b> <br> <br> <br> <b>37. The Meaninglessness of Ritual&mdash;Staal, Fritz.</b> <br> <br> <br> <b>38. A Performative Approach to Ritual&mdash;Tambiah, Stanley J.</b> <br> <br> <br> <b>39. Liminality and Communitas&mdash;Turner, Victor W.</b> <br> <br> <br> <b>40. Symbols in Ndembu Ritual&mdash;Turner, Victor W.</b> <br> <br> <br> <b>41. Territorial Passage and the Classification of Rites&mdash;van Gennep, Arnold.</b> <br> <br> <br> <b>42. Consumption Rituals of Thanksgiving Day&mdash;Wallendorf, Melanie, and Eric J. Arnould.</b> <br> <br> <br> <b>43. Legal Ritual&mdash;Winn, Peter A.</b> <br> <br> <br> <b>Appendix: <i>Classification of the Selections.</i> </b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. TEACHING IN A SCHOOL FOR YOUNG CHILDREN TODAY: AN OVERVIEW.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Introducing Early Childhood Education.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Goals for Early Childhood Education.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Getting to Know Children.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Setting the Stage.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Teachers and Techniques Used.</b> </div> <br> <p>    <b>II. THE CURRICULUM OF THE EARLY CHILDHOOD SCHOOL.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Introduction to Activity Planning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Activities for Infants.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Activities for Toddlers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Motor Skill Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Creative Art Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Science Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Perceptual-Motor Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Language Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Literature Activities and Emerging Literacy.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Dramatic Play Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Creative Music Activities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Field Trips and Special Visitors.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Food Activities, Meals, and Snacks.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Managing an Early Childhood Group.</b> </div> <br> <p>    <b>III. PROFESSIONAL CONSIDERATIONS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>20. Teacher-Parent Relations.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. The World's Children.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. The Profession &mdash; Past, Present, and Future.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. New Directions in Elementary School Mathematics.</b> <br> <br> <br> <b>&nbsp;2. Solving Mathematics Problems in the Elementary School.</b> <br> <br> <br> <b>&nbsp;3. Learning About Number in the Early School Years.</b> <br> <br> <br> <b>&nbsp;4. Developing Base Ten and Place-Value Knowledge.</b> <br> <br> <br> <b>&nbsp;5. Learning the Operations for Whole Numbers.</b> <br> <br> <br> <b>&nbsp;6. Mastering the Basic Facts.</b> <br> <br> <br> <b>&nbsp;7. Computation with Whole Numbers.</b> <br> <br> <br> <b>&nbsp;8. Learning About Fractions.</b> <br> <br> <br> <b>&nbsp;9. Computing with Fractions.</b> <br> <br> <br> <b>10. Understanding and Computing with Decimals.</b> <br> <br> <br> <b>11. Exploring Geometry and Developing Spatial Sense.</b> <br> <br> <br> <b>12. Measurement Learning: Understanding and Skill.</b> <br> <br> <br> <b>13. Studying Ratio, Proportion, and Percent.</b> <br> <br> <br> <b>14. Studying Statistics and Probability.</b> <br> <br> <br> <b>15. Mathematics for Children with Special Needs.</b> <br> <br> <br> <b>Appendixes.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b029>A Handbook</b029>
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<b034>1</b034>
<b035>A01</b035>
<b037>Horton, C. E.</b037>
<b039>C. E.</b039>
<b040>Horton</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>1. Getting Started.<i>The menu system. Creating entities. Useful techniques. Exiting Cadkey.</i> </b> <br> <br> <br> <b>2. What You Need to Know to Read This Handbook.</b> <br> <br> <br> <b>3. Reference.<i>Arc. Arrow Keys. Arrows. Arrows/witness lines-- construction. Arrows/witness lines--control. Attributes. Circle. Color. Configuration. Construction mode. Coordinates. Copy. Cross-hatching. Cursor. Defaults. Delete. Depth. Dimensioning,.Dimensioning--basic skills. Dimensioning standards. Dimensions with notes. Entity. Error messages. Exit. Files. Fillet. Grid. Group. Immediate mode commands. Label. Leader. Lettering. Level. Line. Line Limit. Line type. Line width. Masking. Memory. Move/copy/ join. Note. Part. Pattern. Pen #. Plot. Point. Polygon. Position menu. Print. Recall. Rectangle. Redraw. Save. Scale. Selecting entities. Snap. Status window. Toggles. Tolerances. Trim/extend. Troubleshooting. 2D/3D. Units. Verify. View. View Coordinates. Window. Windows in the Cadkey display. Witness lines. World coordinates. Zoom.</i> </b> <br> <br> <br> <b>4. Index.</b> <br>]]></d104>
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<b202>01</b202>
<b203>Computer Numerical Control Programming of Machines</b203>
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<b034>1</b034>
<b035>A01</b035>
<b037>Horath, Larry D.</b037>
<b039>Larry D.</b039>
<b040>Horath</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Introduction to Computer Numerical Control.</b> <br> <br> <br> <b>&nbsp;2. Tooling Features for Milling and Turning Machines.</b> <br> <br> <br> <b>&nbsp;3. Programming Considerations.</b> <br> <br> <br> <b>&nbsp;4. Input Media, Formats, and Program Transfer.</b> <br> <br> <br> <b>&nbsp;5. Mathematics for Numerical Control Programming.</b> <br> <br> <br> <b>&nbsp;6. Linear, Circular, and Helical Interpolation.</b> <br> <br> <br> <b>&nbsp;7. Programming CNC Lathes and Turning Centers.</b> <br> <br> <br> <b>&nbsp;8. Programming CNC Milling Machines and Machining Centers.</b> <br> <br> <br> <b>&nbsp;9. Other Machines Programmed Through Numerical Control.</b> <br> <br> <br> <b>10. Repetitive Programming and Advanced Features.</b> <br> <br> <br> <b>11. Computer Control in CNC Programming.</b> <br> <br> <br> <b>Appendixes.</b> <br> <br> <br> <b>Answers to Odd Numbered Questions and Problems.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b202>01</b202>
<b203>Enhancing Teaching</b203>
</title>
<contributor>
<b034>1</b034>
<b035>A01</b035>
<b037>Hunter, Madeline</b037>
<b039>Madeline</b039>
<b040>Hunter</b040>
<b046>University of California, Los Angeles</b046>
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<d104 textformat="02"><![CDATA[<p>    <b>I. A MODEL OF TEACHING.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. The Origin of a Teacher Decision Making Model.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Significant Contributions of Psychology to Education.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Questions Regarding Hunter's Contribution.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Using Hunter's Contributions in the Real World.</b> </div> <br> <p>    <b>II. DECISIONS ABOUT CONTENT.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Curricular Decisions, Task Analysis, and Diagnosis.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Teaching Concepts, Generalizations, and Discrimination.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Teaching to an Objective.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Planning for Effective Instruction.</b> </div> <br> <p>    <b>III. DECISIONS ABOUT LEARNING BEHAVIORS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Research on the Brain as a Basis for Teaching Decisions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;10. Sense (and Nonsense) About Your Students' Right and Left Hemispheres.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. The Chalkboard: An Assist to Both Hemispheres.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Observational Learning.</b> </div> <br> <p>    <b>IV. DECISIONS ABOUT TEACHING BEHAVIORS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>13. Efficient Use of Time for Effective Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Examples: Accelerant or Deterrent to Learning?</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Making Material Meaningful.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Helping Students Automate Basic Skills.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Helping a Student Who Is "Stuck."</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Putting the Student ("You") at the Center of Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Repeating Students' Answers: Helpful or Habit?</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. Teaching Students How to Disagree Agreeably.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. Reducing Paperwork, But Not Instructional Effectiveness.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. Homework: Asset to Learning or Waste of Time?</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>23. Testing and Teaching.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>24. Education: The Ultimate Profession.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<b202>01</b202>
<b203>Literature</b203>
<b029>A Contemporary Introduction</b029>
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<contributor>
<b034>1</b034>
<b035>A01</b035>
<b037>Hurt, James</b037>
<b039>James</b039>
<b040>Hurt</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>To the Student.</b> <br> <p>    <b>PART 1. FICTION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>Introduction: Reading Fiction Critically.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">James Alan McPherson, &ldquo;A Loaf of Bread.&rdquo; Plot and Structure. Diana Chang, &ldquo;The Oriental Contingent.&rdquo; Point of View and Focalization. Alberto Rios, &ldquo;Johnny Ray.&rdquo; Character. Maxine Chernoff, &ldquo;Bop.&rdquo; Setting. Charles Johnson, &ldquo;China.&rdquo; Metaphor.  John Edgar Wideman, &ldquo;Rock River.&rdquo; Theme.  Taint Abbasi, &ldquo;Sari Petticoats.&rdquo; From Reading to Interpretation and Criticism. Writing about Fiction. Stories for Further Reading. Nathaniel Hawthorne, &ldquo;Young Goodman Brown.&rdquo; Herman Melville, &ldquo;Benito Coreno.&rdquo; Leo Tolstoy, &ldquo;The Death of Ivan Ilyitch,&rdquo; tr. Constance Garnett.  Sarah Orne Jewett, &ldquo;A White Heron.&rdquo; Kate Chopin, &ldquo;The Story of an Hour.&rdquo; Mary E. Wilkins Freeman, &ldquo;The Revolt of 'Mother'. Anton Chekhov, &rdquo;The Lady with a Dog," tr. Constance Garnett.  James Joyce, &ldquo;The Boarding House.&rdquo; Virginia Woolf, &ldquo;An Unwritten Novel.&rdquo; D.H.  Lawrence, &ldquo;The Horse Dealer's Daughter.&rdquo; William FauIkner, &ldquo;Barn Burning.&rdquo; Ernest Hemingway, &ldquo;The Snows of Kilimanjaro.&rdquo; Jorge Luis Borges, &ldquo;The Garden of Forking Paths.&rdquo; Toshio Mori, &ldquo;Toshio Mori.&rdquo; TiIlie Olsen, &ldquo;I Stand Here Ironing.&rdquo; Mary TallMountain &ldquo;The Sinh of Niguudzagha.&rdquo; Wakako Yamauchi, &ldquo;And the Soul Shall Dance.&rdquo; Rolando Hinojoso-Smith, &ldquo;One of Those Things.&rdquo; Paule Marshall, &ldquo;Barbados.&rdquo; Hugo Martinez-Serros, &ldquo;Learn! Learn!&rdquo; Toni Morrison, &ldquo;See mother mother is very nice.&rdquo; Gerald Haslam, &ldquo;Hawk's Flight: An American Fable.&rdquo; Joyce Carol Oates, &ldquo;Where Are You Going, Where Have You Been?&rdquo; Raymond Carver, &ldquo;What We Talk About When We Talk About Love.&rdquo; Toni Cade Bambara, &ldquo;Medley.&rdquo; Maxine Hong Kingston, &ldquo;No Name Woman.&rdquo; Bharati Mukherjee, &ldquo;The Management of Grief.&rdquo; Simon J. Ortiz, &ldquo;Kaiser and the War.&rdquo; Leslie Marmon Silko, &ldquo;Yellow Woman.&rdquo; Kim Chi-won, &ldquo;A Certain Beginning.&rdquo; Stuart Dybek, &ldquo;Chopin in Winter.&rdquo; Ann Beattie, &ldquo;Weekend.&rdquo; Linda Hogan, &ldquo;Aunt Moon's Young Man.&rdquo; Amy Tan, &ldquo;Two Kinds.&rdquo; Louise Erdrich, &ldquo;American Horse.&rdquo; Julia Alvarez, &ldquo;Daughter of Invention.&rdquo; Don Belton, &ldquo;My Soul Is  a Witness.&rdquo; Becky  Birtha, &ldquo;Johnieruth.&rdquo; Michelle Cliff, &ldquo;IllCould Write This in Fire I Would Write This in Fire.&rdquo; Steven Cotbin, &ldquo;Upward Bound.&rdquo; Michael Martone, &ldquo;Fort Wayne is Seventh on Hitler's List. A Fiction Casebook.  Introduction. Charlotte Perkins Gilman, &rdquo;The Yellow Wallpaper." Charlotte Perkins Gilman, &ldquo;Why I Wrote <i>The Yellow Wallpaper? The Forerunner,</i> October, 1913. Elaine R.  Hedges, &rdquo;Afterword" to The Yellow Wallpaper by Charlotte Perkins Gilman. Old Westbury, N.Y.: Feminist Press, 1973. Paula A. Treichler, &ldquo;Escaping the Sentence: Diagnosis and Discourse in <i>The Yellow Wallpaper,&rdquo; Tulsa Studies in Women's Literature"</i>3 (1984): 61-77.  Karen Ford, The Yellow Wallpaper and Women's Discourse," Tulsa Studies in Women's Literature 4 (1985). Carol Thomas Neely, &ldquo;Alternative Women's Discourse,&rdquo;<i>Tulsa Studies in Women's Literature</i> 4 (1985). Paula A, Treichler, &ldquo;The Wall Behind the Yellow Wallpaper: Response to Carol Noely and Karen Ford,&rdquo; Tulsa Studies in Women's Literature 4 (1985).  Writing from Sources: Fiction.</div> </p> <p>    <b>PART II. POETRY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>Introduction: Reading Poetry Critically.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">John Donne, &ldquo;The Sun Rising.&rdquo; Samuel Taylor Coleridge, &ldquo;Frost at Midnight.&rdquo; Joy Harjo, &ldquo;Your Phone Call at Eight A.M..&rdquo; Dramatic Situation. William Shakespeare, Sonnet 18: &ldquo;Shall I Compare Thee to a Summer's Day?&rdquo; Walt Whitman, &ldquo;When l Heard the Learn'd Astronomer.'' Galway Kinnell, &rdquo;First Song." Sonia Sanchez, &ldquo;A Song.&rdquo; Form and Structure. A Guide to Verse Forms. Alfred, Lord Tennyson, &ldquo;The Lady of Shalott.&rdquo; Gerard Manley Hopkins, &ldquo;Felix Randal.&rdquo; Michael Blumenthal, &ldquo;Advice to My Students: How to Write a Poem.&rdquo; &ldquo;Stephen Shu Ning Liu, &rdquo;At the King's Funeral." Diction. Matthew Arnold, &ldquo;Dover Beach.&rdquo; William Shakespeare, Sonnet 130: &ldquo;My Mistress' Eyes Are Nothing Like the Sun.&rdquo; William Blake, &ldquo;The Sick Rose.&rdquo; Ana Castillo, &ldquo;Women Are Not Roses.&rdquo; Diana Chang, &ldquo;On Being in the Midwest.&rdquo; Metaphor and Metonymy. Nelly Wong, &ldquo;Not From the Food.&rdquo;  Frank Bidart, &ldquo;Happy Birthday.&rdquo; Theme. Amy Clampitt, &ldquo;Stacking the Straw.&rdquo; From Reading to Interpretation and Criticism.  Writing About Poetry. Poems for Further Reading. Anonymous.  &ldquo;Barbara Allan.&rdquo; &ldquo;Sir Patrick Spens.&rdquo; Edmund Spenser. Sonnet 37: &ldquo;What guyle is this, that those her golden tresses.&rdquo; Sonnet 75: &ldquo;One day l wrote her name upon the strand.&rdquo; Christopher Marlowe.  &ldquo;The Passionate Shepherd to His Love.&rdquo; William Shakespeare. Songs from the plays: &ldquo;It Was a Lover and His Lass.&rdquo; &ldquo;Oh Mistress Mine.&rdquo; &ldquo;Fear No More the Heat o' the Sun.&rdquo; Sonnets: 55: &ldquo;Not marble, nor the gilded monuments.&rdquo; 116: &ldquo;Let me not to the marriage of true minds.&rdquo; Ben Jonson. &ldquo;On My First Daughter.&rdquo; &ldquo;On My First Son.&rdquo; Song: &ldquo;To Celia.&rdquo; John Donne. &ldquo;A Valediction: Forbidding Mourning.&rdquo; Robert Herrick. &ldquo;Delight in Disorder.&rdquo; &ldquo;Upon Julia's Clothes.&rdquo; &ldquo;Corinna's  Going  A-Maying.&rdquo; George Herbert. &ldquo;The Collar.&rdquo; &ldquo;The Pulley.&rdquo; John Milton. &ldquo;Lycidas.&rdquo; &ldquo;When I Consider How My Light Is Spent.&rdquo; Andrew Marveil.  &ldquo;The Garden.&rdquo; &ldquo;Bermudas.&rdquo; &ldquo;To His Coy Mistress.&rdquo; Katherine Philips. &ldquo;Against Love.&rdquo; Aphra Behn. Song: &ldquo;A Thousand Martyrs l Have Made.&rdquo; &ldquo;Love Armed.&rdquo; Anne Bradstreet.  &ldquo;The Author to Her Book.&rdquo; &ldquo;To My Dear and Loving Husband.&rdquo; Edward Taylor.  &ldquo;Upon a Wasp  Chilled  with Cold.&rdquo; &ldquo;Huswifery.&rdquo; Anne Finch. &ldquo;Trail All Your Pikes.&rdquo; &ldquo;To the Nightingale.&rdquo; Alexander Pope.  Epistle II. &ldquo;To a Lady: Of the Characters of Women.&rdquo; Thomas Gray. &ldquo;Elegy Written in a Country Churchyard.&rdquo; Phillis Wheatley. &ldquo;On Being Brought from Africa to America.&rdquo; &ldquo;To S.M., a Young African Painter, on Seeing His Works.&rdquo; Charlotte Smith. Verses Intended to have</div> </p> <p>    <div STYLE="margin-left: 0.4in;">been Profixed to the Novel of Emmeline, but then Suppressed. &ldquo;The Dead Beggar.&rdquo; William Blake.  &ldquo;The Lamb.&rdquo; &ldquo;The Tyger.&rdquo; &ldquo;London.&rdquo; William Wordsworth. &ldquo;Lines: Composed a Few Miles Above Tintern Abbey.&rdquo; &ldquo;My Heart Leaps Up.&rdquo; &ldquo;The World Is Too Much With Us.&rdquo; Samuel Taylor Coleridge.  &ldquo;Kubla Khan.&rdquo; Percy Bysshe Shelley. &ldquo;Ode to the West Wind.&rdquo; William Cullen Bryant. &ldquo;To a Water Fowl.&rdquo; &ldquo;The Prairies.&rdquo; John Keats.  &ldquo;On First Looking into Chapman's Homer.&rdquo; &ldquo;Ode on a Grecian Urn.&rdquo; &ldquo;Ode to a Nightingale.&rdquo; Emily Bronte. &ldquo;Remembrance.&rdquo; &ldquo;No Coward Soul is Mine.&rdquo; Elizabeth Barrett Browning.  Sonnets from the Portuguese. 21:"Say over again, and yet once over again." 43: &ldquo;How do l love thee? Let me count the ways.&rdquo; Alfred, Lord Tennyson. &ldquo;Ulysses.&rdquo; Robert Browning.  &ldquo;My Last Duchess.&rdquo; &ldquo;Fra Lippo Lippi.&rdquo; Walt Whitman. &ldquo;Cavalry Crossing a Ford.&rdquo; &ldquo;To a Locomotive in Winter.&rdquo; Christina Rossetti. &ldquo;Goblin Market.&rdquo;  Emily Dickinson. &ldquo;Wild Nights! Wild Nights!....My Life Had Stood&mdash;a Loaded Gun.&rdquo; &ldquo;To make a prairie it takes a clover and one bee.&rdquo; Lewis Carroll. &ldquo;Jabberwocky.&rdquo; Thomas  Hardy.  &ldquo;Drummer Hodge.&rdquo; &ldquo;The Darkling Thrush.&rdquo; &ldquo;Channel Firing.&rdquo; Gerard Manley Hopkins. &ldquo;God's Grandeur.&rdquo; &ldquo;Spring and Fall.&rdquo; William Butler Yeats.  &ldquo;The Stolen Child.&rdquo; &ldquo;The Lake Isle of Innisfree.&rdquo; &ldquo;Easter 1916.&rdquo; &ldquo;Leda and the Swan.&rdquo; Robert Frost.  &ldquo;Mending Wall.&rdquo; &ldquo;The Road Not Taken.&rdquo; Wallace Stevens. &ldquo;The Snow Man.&rdquo; &ldquo;Of Modern Poetry.&rdquo; William Carlos Williams. &ldquo;Spring and All.&rdquo; &ldquo;Burning the Christmas Greens.&rdquo; H.D. (Hilda Doolittle). &ldquo;Sea Rose.&rdquo; &ldquo;Helen.&rdquo; Marianne Moore. &ldquo;Poetry.&rdquo; &ldquo;Nevertheless.&rdquo; T.S. Eliot. &ldquo;The Love Song of J. Alfred Prufock.&rdquo; Edna St. Vincent Millay. &ldquo;Love Is Not All: It Is Not Meat nor Drink.&rdquo; &ldquo;On Thought in Harness.&rdquo; Langston Hughes. &ldquo;The Negro Speaks of Rivers.&rdquo; &ldquo;Freedom Train.&rdquo; Margaret Walker Alexander. &ldquo;Southern Song.&rdquo; &ldquo;Memory.&rdquo; Gwendolyn Brooks. &ldquo;We Real Cool.&rdquo; &ldquo;A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon.&rdquo; Mary TallMountain.  &ldquo;The Last Wolf.&rdquo; &ldquo;The Ivory Dog for My Sister.&rdquo; Amy Clampitt.  &ldquo;Iola, Kansas.&rdquo; Mitsuye Yamada. &ldquo;The Club.&rdquo; Marl Evans. &ldquo;I Am a Black Woman.&rdquo; &ldquo;early in the mornin.&rdquo; Galway Kinnell. &ldquo;The Porcupine.&rdquo; Peter Blue Cloud. &ldquo;Stone Mountain Face.&rdquo; Maya Angelou. &ldquo;A Good Woman Feeling Bad.&rdquo; &ldquo;A Georgia Song. &rdquo;Maurice Kenny. &ldquo;North.&rdquo; &ldquo;Land.&rdquo; &ldquo;mulleins are my arms.&rdquo; Stephen Shu-ning Liu.  &ldquo;Night Sailing.&rdquo; &ldquo;Home Thoughts.&rdquo; &ldquo;The Wild Horse Star.&rdquo; Rosario Morales.  &ldquo;My Revolution.&rdquo;  &ldquo;Old.&rdquo; Gary Snyder. &ldquo;Riprap.&rdquo; &ldquo;Axe Handles.&rdquo; Carter Revard.  &ldquo;Support Your Local Police Dog.&rdquo; &ldquo;Driving in Oklahoma.&rdquo; Thomas C.  Dent. &ldquo;Poem for Willie Mays.&rdquo; &ldquo;Secret Messages.&rdquo; Etheridge Knight. &ldquo;The Idea of Ancestry.&rdquo; &ldquo;For Langston Hughes.&rdquo; Audre Lorde. &ldquo;Stations.&rdquo; &ldquo;Call.&rdquo; N. Scott Momaday.  &ldquo;Plainview: 1.&rdquo; &ldquo;Plainview: 2.&rdquo; &ldquo;Plainview: 3.&rdquo; &ldquo;Plainview: 4.&rdquo; Sonia Sanchez.  &ldquo;Poem No. 10.&rdquo; &ldquo;Blues.&rdquo; Mark  Strand.  &ldquo;Keeping  Things  Whole.&rdquo; &ldquo;Where Are the Waters of Childhood?&rdquo; Nelly Wong. &ldquo;Dreams in Harrison Railroad Park.&rdquo; Amiri Baraka. &ldquo;Look for You Yesterday, Here You Come Today.&rdquo; &ldquo;Das Kapital.&rdquo; Diana Chang. &ldquo;On the Fly.&rdquo; Joy Kogawa. &ldquo;Ancestors' Graves in Kurakawa.&rdquo; &ldquo;Woodtick.&rdquo; &ldquo;Snakes.&rdquo; Jay Wright.  &ldquo;The Homecoming Singer.&rdquo; &ldquo;The Invention of a Garden.&rdquo; June Jordan.  &ldquo;Poem for Granville Ivanhoe Jordan, November 4, 1890-December 21, 1974.  Lucille Clifton. &rdquo;Some Jesus." Larry Neal. &ldquo;Malcolm X&mdash;An Autobiography.&rdquo; &ldquo;Lady's Days.&rdquo; Ishmael Reed. &ldquo;I Am a Cowboy in</div> </p> <p>    <div STYLE="margin-left: 0.4in;">the Boat of Ra." &ldquo;Why l Often Allude to Osiris.&rdquo; &ldquo;Beware: Do Not Read this Poem.&rdquo; Charles Simic. &ldquo;Summer Morning.&rdquo; &ldquo;My Shoes.&rdquo; Michael Van Walleghen. &ldquo;More Trouble with the Obvious.&rdquo; &ldquo;The Honeymoon of the Muse.&rdquo; Paula Gunn Allen. &ldquo;Powwow 79, Durango.&rdquo; &ldquo;Los Angeles, 1980.&rdquo; Frank Bidart. &ldquo;Another Life.&rdquo; Judy Grahn.  &ldquo;The Common Woman.&rdquo; James Welch. &ldquo;Getting Things Straight.&rdquo; &ldquo;Grandma's Man.&rdquo; Miguel Algarin. &ldquo;Always throw the first punch.&rdquo; &ldquo;Taos Pueblo Indians: 700 strong according to Bobbie's last census.&rdquo; Geary Hobson. &ldquo;Deer Hunting.&rdquo; &ldquo;Central Highlands, Viet Nam, 1968.&rdquo; Simon J. Ortiz. &ldquo;Two Women.&rdquo; &ldquo;Many Farms  Notes.&rdquo; Rayna Green. &ldquo;When I Cut My Hair.&rdquo; &ldquo;Cooseponakeesa (Mary Mathews Musgrove Bosomsworth, Leader of the Creeks, 1700-1783").  Marilyn Hacker. &rdquo;Feeling and Form." &ldquo;Conte.&rdquo; Haki Madhubuti. &ldquo;The Secrets of the Victors.&rdquo; &ldquo;Safisha.&rdquo; &ldquo;Lady Day.&rdquo; Dave Smith.  &ldquo;The Roundhouse Voices.&rdquo;  &ldquo;Skunked.&rdquo;  Louise Gluck. &ldquo;For My Mother.&rdquo; &ldquo;Poem.&rdquo; &ldquo;The School Children.&rdquo; Susan Griffin. &ldquo;Grandmother.&rdquo; &ldquo;Grandfather.&rdquo; Lance Henson. &ldquo;Warrior Nation Trilogy.&rdquo; &ldquo;Five Poems for Coyote from Cheyenne Country.&rdquo; &ldquo;At the Ramada Inn.&rdquo; Pedro Pietri. &ldquo;Intermission from Monday.&rdquo; &ldquo;Intermission from Friday.&rdquo; &ldquo;The Night Is Out of Sight.&rdquo; Sherley Anne Williams. &ldquo;I Want Aretha to Set This to Music.&rdquo; &ldquo;you were never miss brown to me.&rdquo; Miguel Pinero. &ldquo;A Lower East Side Poem.&rdquo; &ldquo;La Bodega Sold Dreams.&rdquo; Meimei Berssenbrugge. &ldquo;Book of the Dead, Prayers 14.&rdquo; &ldquo;Tracks.&rdquo; &ldquo;Fish and Swimmers and Lonely Birds Sweep Past Us.&rdquo; Linda Hogan. &ldquo;Leaving.&rdquo; &ldquo;Song for My Name.&rdquo; R.T. Smith.  &ldquo;Goyathlay.&rdquo; Sandra Maria Esteves. &ldquo;For Fidel Castro.&rdquo; &ldquo;Some People Are About Jam.&rdquo; Albert Goldbarth. &ldquo;Before.&rdquo; &ldquo;A History of Civilization.&rdquo; Wendy Rose. &ldquo;Truganinny.&rdquo; &ldquo;Kitty.&rdquo; Leslie Marmon Silko. &ldquo;Prayer to the Pacific.&rdquo; &ldquo;Deer Dance/For Your Return.&rdquo; Victor Hernandez Cruz. &ldquo;Today ls a Day of Great Joy.&rdquo;  &ldquo;Going  Uptown to Visit Miriam.&rdquo; &ldquo;Poem.&rdquo;  Jessica Hagedorn.  &ldquo;Motown/Smokey Robinson.&rdquo; &ldquo;Song for My Father.&rdquo; Shawn Wong. &ldquo;Love Among Friends.&rdquo; &ldquo;Elegy for a Greenhouse.&rdquo; Michael Blumenthal.  &ldquo;Against Romance.&rdquo; Carolyn Forche. &ldquo;Return.&rdquo; Ray A. Young Bear. &ldquo;The Reason Why l Am Afraid Even Though I Am a Fisherman.&rdquo; &ldquo;The Language of Weather.&rdquo; Michael Madenick. &ldquo;Letter to My Ex-Wife Who Is Having Lunch with Harold Bloom Tomorrow.&rdquo; &ldquo;White Deer.&rdquo; Jorie Graham.  &ldquo;Mind.&rdquo; &ldquo;My Garden.  My Delight.&rdquo; Joy Harjo. &ldquo;Remember.&rdquo; &ldquo;She Had Some Horses.&rdquo; Garrett Karoru Hongo.  &ldquo;Ancestral Graves, Kahuku.&rdquo; &ldquo;The Cadence of Silk.&rdquo; Brigit Pegeen Kelly. &ldquo;Imagining Their Own Hymns.&rdquo; &ldquo;Young Wife's Lament.&rdquo; Judith Ortiz Color. &ldquo;The Idea of Islands.&rdquo; &ldquo;They Never Grow Old.&rdquo; Rita Dove. &ldquo;Geometry.&rdquo; &ldquo;Parsley.&rdquo; Alberto Rios. &ldquo;Mi Abuela.&rdquo; &ldquo;Nani.&rdquo; Gary Soto. &ldquo;Black Hair.&rdquo; &ldquo;Ode to the Yard Sale.&rdquo; Jimmy Santiago Baca. &ldquo;Ancestor.&rdquo; &ldquo;Immigrants in Our Own Land.&rdquo; Ana Castillo.  &ldquo;Napa, California.&rdquo; &ldquo;A Counter-Revolutionary Proposal.&rdquo; Lorna Dee Cervantes.  &ldquo;Uncle&apos;s First Rabbit.&rdquo; &ldquo;Visions of Mexico While at a Writing Symposium in Port Townsend,</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Washington.&rdquo; Sandra Cisneros. &ldquo;My Wicked Wicked Ways.&rdquo; &ldquo;Six Brothers.&rdquo; Aurora Levins Morales. &ldquo;Sugar Poem.&rdquo; &ldquo;Class Poem.&rdquo; Cathy Song.  &ldquo;Lost Sister.&rdquo; &ldquo;The Seamstress.&rdquo; Diane Burns.  &ldquo;Gadoshkibos.&rdquo; &ldquo;Big Fun.&rdquo; Dwight Okita. &ldquo;In Response to Executive Order 9066: All Americans of Japanese Descent Must Report to Relocation Centers.&rdquo; &ldquo;Crossing with the Light.&rdquo; Janice Mirikitani.  &ldquo;Jade.&rdquo; &ldquo;Breaking Traditions.&rdquo; Donna Kate Rushin.  &ldquo;The Bridge Poem.&rdquo; &ldquo;The Black Back- Ups.&rdquo; Roberta Hill Whiteman.  &ldquo;The Long Parenthesis.&rdquo; &ldquo;Star Quilt.&rdquo; A Poetry Casebook.  Introduction.  Michael S.  Harper. &ldquo;Dear John, Dear Coltrane.&rdquo; &ldquo;American History.&rdquo; &ldquo;Reuben, Reuben.&rdquo;</div> </p> <p>    <b>PART III. DRAMA.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>Introduction: Reading Drama Critically.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Alice Childress, &ldquo;Wine in the Wilderness. &rdquo;"Wine in the Wilderness" and the Elements of Drama. From Reading to Interpretation and Criticism. Writing about Drama. Euripides and the Greek Theatre. Euripides, &ldquo;Medea,&rdquo; tr. Philip Vellacott. Shakespeare and the Early Modern Theatre.  William Shakespeare, &ldquo;The Tempest,&rdquo; notes by Oscar James Campbell. Moliere and the Neoclassical Theatre. Moliere, &ldquo;Tartuffe&rdquo; tr. Richard Wilbur. Oscar Wilde and the Nineteenth-Century Theatre. Oscar Wilde,' 'The Importance of Being Earnest." The Modern Theatre. Aime Cesaire, &ldquo;A Tempest.&rdquo; Luis Valdes, &ldquo;Los Venditos.&rdquo; Wakako Yamauchi, &ldquo;And the Soul Shall Dance.&rdquo; Marsha Norman, &ldquo;Getting Out.&rdquo; Sam Shepard, &ldquo;True West.&rdquo; August Wilson, &ldquo;Ma Rainy's Black Bottom.&rdquo; A Drama Casebook. David Henry Hwang, <i>M. Butterfly.</i>  David Henry Hwang, Afterword to <i>M. Butterfly.</i> Frank Rich, Review of <i>M. Butterfly.</i> &ldquo;Here Where Coltrane Is.&rdquo; &ldquo;High Modes: Vision as Ritual: Confirmation.&rdquo; &ldquo;Continuous Visit.&rdquo; &ldquo;Nightmare Begins Responsibility.&rdquo; &ldquo;Alice.&rdquo; &ldquo;A Narrative of the Life and Times of John Coltrane, Played by Himself.&rdquo; Michael S. Harper, &ldquo;My Poetic Techniques and the Humanizing of the American Audience,&rdquo; in <i>Black American Literature and Humanism,</i> ed. R. Baxter Miller.  Lexington: University Press of Kentucky, 1981, pp 27-32. John F. Callahan, &ldquo;The Testifying Voice in Michael Harper's <i>Images of Kin, Black American Literature Forum</i> 13 (Fall 1979): 89-92. Joseph A. Brown, S.J., &rdquo;Their Long Scars Touch Ours: A Reflection on the Poetry of Michael Harper," Callaloo 9:1 (Winter 1986): 209-20. Excerpt from Gunter H. Lenz, &ldquo;Black Poetry and Black Music: Michael Harper and John Coltrane,&rdquo; in <i>History and Tradition in Afro-American Literature,</i> ed. Gunter H.  Lenz. Frankfurt: Campus, 1984, pp.  277-319 [Excerpt, pp. 293-303]. Writing from Sources: Poetry.</div> </p>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Goals.</b> <br> <br> <br> <b>Food Handling, Laboratory, and Measurement Practices.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Professional Appearance. Laboratory Procedures. Measurement.</div> </p> <br> <br> <b>Sensory Quality.</b> <br> <br> <br> <b>Beverage Solutions.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Coffee and Tea.</div> </p> <br> <br> <b>Solutions and Ice Crystallization.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Water Crystallization: Frozen Desserts.</div> </p> <br> <br> <b>Sugar Solutions and Crystallization.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Sugar Solutions. Microscopic Examination of Sugar Crystallization.</div> </p> <br> <br> <b>Fats and Oils.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Fats, Emulsions, and Salads. Fat as a Frying Media.</div> </p> <br> <br> <b>Milk, Cream, and Milk Products.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Milk and Cream.</div> </p> <br> <br> <b>Cocoa.</b> <br> <br> <br> <b>Cheese.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Cheese Preparation. Natural vs. Processed Cheese in Preparation.</div> </p> <br> <br> <b>Eggs.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Proteins. Safety. Egg White Foams.</div> </p> <br> <br> <b>Meat.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Meat and Poultry. Fish. Gelatin.</div> </p> <br> <br> <b>Starches and Cereals.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Cereals. Starchy Sauces and Desserts.</div> </p> <br> <br> <b>Fruits.</b> <br> <br> <br> <b>Vegetables.</b> <br> <br> <br> <b>Batters.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Flours. Baking Powders and Baking Soda. Batters.</div> </p> <br> <br> <b>Drop Batters.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Drop Batters: Muffins. Cakes with Shortening. Sponge, Angel, and Chiffon Cakes.</div> </p> <br> <br> <b>Doughs.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Soft Dough: Biscuits. Stiff Dough: Pastry.</div> </p> <br> <br> <b>Soft Dough: Yeast Doughs.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Soft and Stiff Dough: Cookies. Stiff Dough: Noodles.</div> </p> <br> <br> <b>Food Preservation and Food Safety.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Food Preservation: Canning. Food Preservation: Freezing.</div> </p> <br> <br> <b>Experimental Laboratory in Food Science.</b> <br> <br> <br> <b>Appendix A.</b> <br> <br> <br> <b>Appendix B.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P>  <B><I>Richard Johnsonbaugh</B></I> is Professor Emeritus of Computer Science at DePaul University. He has degrees in computer science and mathematics from the University of Oregon, Yale University, and the University of Illinois at Chicago. He is the author of numerous articles and books, including <I>Discrete Mathematics, Fifth Edition,</I> and, with co-author Martin Kalin, <I>Object-Oriented Programming in C++, Second Edition, Applications Programming in C++,</I> and <I>Applications Programming in ANSI C, Third Edition.</I>  </P>    <P>  <B><I>Marcus Schaefer</B></I> is Assistant Professor of Computer Science at DePaul University. He holds degrees in computer science and mathematics from the University of Chicago and the Universitat Karlsruhe. He has authored and co-authored several articles on complexity theory, computability, and graph theory.  </P>]]></d104>
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<d104 textformat="02"><![CDATA[<P>  <I>Algorithms</I> is written for an introductory upper-level undergraduate or graduate course in algorithms. With/their many years of experience in teaching algorithms courses, Richard Johnsonbaugh and Marcus Schaefer include applications of algorithms, examples, end-of-section exercises, end-of-chapter exercises, solutions to selected exercises, and notes to help the reader understand and master algorithms.  </P>    <B>Key Features</B>    <UL>  <LI>Links theory to real-world applications such as data compression, region-finding in digital pictures, cellular phone networks, and the implementation of <I>agrep.</I></LI>    <LI>Includes five chapters that emphasize design techniques: searching (including backtracking), divide and conquer, sorting, selection, the greedy method, and dynamic programming.</LI>    <LI>Covers distributed algorithms&#151;a topic recommended by the ACM (2001 report) for an undergraduate curriculum.</LI>    <LI>Features a collection of techniques, including approximation, parameterization (a recent area of research), and use of heuristics, to deal with NP-complete problems.</LI>    <LI>Contains more than 1450 carefully developed and classroom-tested exercises, from routine to challenging. About one-third of the end-of-section exercises include solutions.</LI>    <LI>Provides a robust Companion Website that supplements the text by providing algorithm simulation software, PowerPoint<SUP>&#174;</SUP> slides, late breaking news about algorithms, references about the book's topics, computer programs, and more.</LI>    <LI>Includes more than 300 worked examples, which provide motivation, clarify concepts, and show how to develop algorithms, demonstrate applications of the theory, and elucidate proofs.</LI>  </UL>]]></d104>
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<d102>33</d102>
<d104 textformat="02"><![CDATA[<H3>Why We Wrote This Book</H3>  <P> Intended for an upper-level undergraduate or graduate course in algorithms, this book is based on our combined 25 years of experience in teaching this course. Our major goals in writing this book were to </P>  <UL> <LI>Emphasize design techniques.</LI> <LI>Show that algorithms are fun and exciting.</LI> <LI>Include real-world applications.</LI> <LI>Provide numerous worked examples and exercises.</LI> </UL>  <P> Faced with a new computational problem, a designer will often be able to solve it by using one of the algorithms in this book, perhaps after modifying or adapting it slightly. However, some problems cannot be solved by any of the algorithms in this book. For this reason, we present a repertoire of design techniques that can be used to solve the problem and help the reader to develop intuition about which techniques are likely to succeed. The chapters on <B>NP</B>-completeness and how to deal with it also tell how to recognize problems that are hard to solve and which techniques are available in that case. </P>  <P> Working with algorithms should be fun and exciting. The design of algorithms is a creative task requiring the solution of new problems and old problems in disguise. To be successful, we believe that it is important to enjoy the challenge that a new problem poses. To this end, we have included more examples and exercises of a combinatorial and recreational nature than is typical for a book of this type. All too often the challenge of an unsolved problem is experienced as a threat rather than as an opportunity, and we hope that these examples and exercises help to remove the threat. </P>  <P> Examples of real-word applications of algorithms in this book include data compression in Section 7.5, and the Boyer-Moore-Horspool algorithm in Section 9.4, which is used as part of the implementation of agrep. Most sections of the book introduce a motivating example in the first paragraph. The closest-pair problem (Section 5.3) begins with a pattern recognition example, and Section 8.4, which is concerned with the longest-common-subsequence problem, begins with a discussion of the analysis of proteins. </P>  <P> Algorithm design and analysis are best learned by experience. For this reason, we provide large numbers of worked examples and exercises. Worked examples show how to deal with algorithms, and exercises let the reader practice the techniques. There are over 300 worked examples throughout the book. These examples clarify and show how to develop algorithms, demonstrate applications of the theory, elucidate proofs, and help to motivate the material. The book contains over 1450 exercises, from routine to challenging, which were carefully developed through classroom testing. Close attention was paid to clarity and precision. Because some instant feedback is essential for students, we provide answers to about one-third of the end-of-section exercises (marked with "S" in the exercises) in the back of the book. Solutions to the remaining end-of-section exercises are reserved for instructors (see the Instructor Supplement section that follows). </P>  <H3>Prerequisites</H3>  <P> The principal computer science prerequisite is a data structures course that covers stacks, queues, linked lists, trees, and graphs. A course in discrete mathematics that covers logic, asymptotic notation (e.g., "big oh" notation), and recurrence relations and their solution by iteration is the main mathematics prerequisite. We do not use advanced methods such as generating functions. In one or two places, we use some basic concepts from calculus. The mathematics topics and data structures used in this book are summarized in Chapters 2 and 3. Some or all of these chapters can be used for reference or review or incorporated into an algorithms course as needed. </P>  <H3>Content</H3>  <P> Following the first three chapters (containing an introduction, mathematics topics, and data structures), the book presents five chapters that emphasize design techniques. </P>  <P> Chapter 4 features searching techniques, including novel applications such as region-finding in digital pictures. </P>  <P> The divide-and-conquer technique is introduced in Chapter 5. Among the problems considered are a tiling problem, finding the closest pair of points in the plane, and Strassen's matrix-product algorithm. Chapter 6 deals with sorting and selection. Divide-and-conquer is used to develop many of the algorithms in this chapter. </P>  <P> Chapter 7 shows how to use the greedy method to develop algorithms. After showing how to use the greedy method in a simple setting (coin changing), we present Kruskal's algorithm, Prim's algorithm, Dijkstra's algorithm, Huffman's algorithm, and a solution of the continuous-knapsack problem. </P>  <P> Chapter 8 covers the technique of dynamic programming. As in Chapter 7, we first show how dynamic programming operates in a simple setting (computing Fibonacci numbers). We next revisit the coin-changing problem (from Chapter 7 on the greedy method) and contrast dynamic programming with the greedy method. We then discuss optimal grouping of matrices, the longest-common-subsequence problem, and the algorithms of Floyd and Warshall. </P>  <P> Chapter 9 discusses text-searching techniques, including the Knuth-Morris-Pratt and Boyer-Moore-Horspool algorithms, and algorithms for non-exact searching. </P>  <P> In Chapter 10, we investigate <B>NP</B>-completeness&#151;a theoretical approach to recognizing and understanding the limitations of algorithms. We include many examples from different areas such as cellular phone networks, games, and biological computing to illustrate the ubiquity and universality of NPcompleteness. </P>  <P> It is widely believed that <B>NP</B>-complete problems cannot be solved efficiently by algorithms. Nevertheless, these problems arise in applications and have to be solved in practice. Chapter 11, Coping with <B>NP</B>-Completeness, presents a collection of techniques originating in practice and theory to deal with <B>NP</B>-complete problems. Among the approaches discussed are approximation, parameterization, and use of heuristics. </P>  <P> Chapter 12 presents fundamental algorithms for parallel architectures, including algorithms for the PRAM and sorting networks, and offers an introduction to computation in distributed environments. </P>  <H3>Pedagogy</H3>  <P> Each section (except Section 12.1, which is an introductory section) concludes with Section Exercises. The book contains over 1100 Section Exercises. Some of these exercises check for basic understanding of the material (e.g., some ask for a trace of an algorithm), while others check for a deeper understanding of the material (e.g., some investigate alternative algorithms). Exercises that are more challenging than average are indicated with a star, *. </P>  <P> Each chapter ends with a Notes section, which is followed by Chapter Exercises. Notes sections contain suggestions for further reading and pointers to references. Chapter Exercises, some of which have hints, integrate the material of the chapter. The book contains over 350 Chapter Exercises. They are, on the whole, more challenging than the Section Exercises. We have included some very challenging Chapter Exercises marked with two stars. These will probably require instructor guidance, and some are appropriate for a small project. </P>  <P> Lower bounds for problems are integrated into the chapters that discuss those problems rather than being segregated into separate chapters. For example, after presenting several sorting algorithms, we discuss a lower bound for comparison-based sorting (Section 6.3). </P>  <P> We present and discuss many recent results, for example, parameterized complexity (Section 11.4), a recent area of research. </P>  <P> Algorithms are written in pseudocode that is close to the syntax of the familiar C, C++, and Java family of languages. Data types, semicolons, obscure features of the languages, and so on, are not used because we have found that specifying algorithms by writing actual code obscures the algorithm description and makes it difficult for someone not familiar with the language to understand the algorithm. The pseudocode used is completely described   <P> Figures illustrate concepts, show how algorithms work, elucidate proofs, and motivate the material. Several figures illustrate proofs of theorems. The captions of these figures provide additional explanation and insight into the proofs. </P>  <P> Attention has been given to finding the most direct and comprehensible proofs of correctness as examples, see Theorem 7.2.5 from which the correctness of both Kruskal's and Prim's algorithms are derived and the proof of the correctness of Dijkstra's algorithm (Theorem 7.4.5). </P>  <P> We present several examples and arguments to show that our time bounds for algorithms are sharp. See, for example, the subsection in Section 7.3, Lower Bound Time Estimate, which shows that the upper bound for the worst-case time of Prim's algorithm using a binary heap is sharp, and the discussion just before Theorem 7.5.4, which shows that the upper bound for the worst-case time of Huffman's algorithm is sharp., </P>  </UL>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Mathematical Prerequisites.</b> <br> <br> <br> <b>&nbsp;2. Data Structures.</b> <br> <br> <br> <b>&nbsp;3. Searching Techniques.</b> <br> <br> <br> <b>&nbsp;4. Divide-and-Conquer.</b> <br> <br> <br> <b>&nbsp;5. Sorting and Selection.</b> <br> <br> <br> <b>&nbsp;6. Greedy Algorithms.</b> <br> <br> <br> <b>&nbsp;7. Dynamic Programming.</b> <br> <br> <br> <b>&nbsp;8. Text Searching.</b> <br> <br> <br> <b>&nbsp;9. Computational Algebra.</b> <br> <br> <br> <b>10. P and NP.</b> <br> <br> <br> <b>11. Coping with NP-Completeness.</b> <br> <br> <br> <b>12. Parallel Algorithms.</b> <br> <br> <br> <b>References.</b> <br> <br> <br> <b>Solutions to Selected Exercises.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Preface.</b> <br> <p>    <b>1. WHAT LAW IS.</b> </p> <p>    <b>2. THE LIMITS OF THE AUTHORITY OF SOCIETY OVER THE INDIVIDUAL.</b> </p> <p>    <b>3. LEGAL REASONING AND ITS CONCEPTUAL TOOLS.</b> </p> <p>    <b>4. LAW AND ECONOMICS: ECONOMIC EFFICIENCY AS GOAL AND EXPLANATION.</b> </p> <p>    <b>5. VARIETIES OF SKEPTICISM ABOUT LEGAL REASONING.</b> </p> <p>    <b>6. THEORIES OF PUNISHMENT.</b> </p> <p>    <b>7. RESPONSIBILITY.</b> </p>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Writing is one of the few skills that cuts across all professions, disciplines, and situations.  One cannot get through school without writing essays; one cannot keep in touch with relatives without writing letters; one cannot succeed in the business world without writing reports and memos; and one cannot win an election without writing a persuasive speech.   Writing is not a skill reserved for novelists and journalists, but an indispensable tool for success in every endeavor. <B> </B> This book  encourages readers to see writing as a method of learning about challenging subjects and issues.  Central to this book is the Inquiry Contract, which provides a unique, easy-to-follow structure showing readers how to use writing to learn and enabling them to develop their own inquiry and research programs.   With a focus on inquiry and genre, the book shows readers different kinds of writing that they can produce in a variety of professional and academic settings.  <I>Inquiry and Genre</I> encourages readers to write in a variety of genres, covering not only the theme and essay but also public genres like editorial columns, letters, and brochures.  Through the Inquiry Contract's sequence of five writing projects, each one leading to the next, this book guides readers to develop their ideas and knowledge and produce thorough, complete documents. <B> </B> Instructors of writing, writers, professionals in any field, and anyone interested in improving their basic writing skills.  </P>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I.THE INQUIRY CONTRACT.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>1.Preview: The Inquiry Contract, Its Genres, and a Clear Style.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>2.The Contract Proposal: Getting Started on Your Inquiry Project.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>3.Writing, Inquiry, and Learning, Plus a Primer on Effective Writing Processes.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">How Writing and Inquiry are Related.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">What You Can Learn in a College Writing Course.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Writers and Their Inquiry Programs.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">A Structure for Writing and Inquiry.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Genres, Readers, and Your Inquiry Contract.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Keeping a Learning Journal and Organizing a Writing-as-Inquiry Group.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">A Primer on Effective Writing Processes.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>4.Inquiry as Clarification.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Where Do Our Thoughts and Feelings Come from?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Carefully Examining Tricky Verbs.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Reading the World.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>5.The Clarification Project, the Reflective Reading Response, and Three Potential Clarifying Techniques.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The Clarification Project.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">The Genre of the Reflective Reading Response.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Three Techniques for Writing the Reflective Reading Response.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>6.Inquiry for Information.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Three Criteria for Acquiring New Knowledge.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Methods of Acquiring Knowledge: A Review and a Critique.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>7.The Information Project, the Informative Report, and the Art of Careful Conversation.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The Information Project.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Creating a Reader for the Informative Report.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Planning and Conducting Your Interview.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">A Preliminary Step toward the Informative Report: &ldquo;What Did I Learn?&rdquo;</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Writing about Your Careful Conversation: The Informative Report.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">A Sample Informative Report.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>8.Exploration &mdash; Raising Questions and Resisting Closure.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">On Exploring: Why and How?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">The Essence of Exploration: &ldquo;What If &hellip;?&rdquo;</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Exploration Strategy 1: Scrutinizing the Status Quo.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Exploration Strategy 2: A Tree of Possibilities.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Exploration Strategy 3: A String of Dissociations.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>9.The Exploration Project and the Exploratory Essay.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The Exploration Project.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">What Is an Essay?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">A Sample Exploratory Essay.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>10.Writing to Make a Difference: Changing Minds and Influencing Action.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">What Do You Want to Accomplish, and With Whom?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Shaping the Writing for the Audience.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">The Writer-Reader Transaction: Readers (One Too Many) with Attitudes (Lots of Them).</div> </p> <p>    <div STYLE="margin-left: 0.4in;">One Reader (Your Instructor, Perhaps) as an Exemplar of Many.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Appealing to the Interests of Your Readers: What's in It for Them?</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Appealing to Yourself as a Credible Person: Good Sense, Good Will, and a &ldquo;Wild Card.&rdquo;</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Appealing to Your Readers' Sense of Reason: Top-Down and Bottom-Up.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Calling in Your Cards: Using Your Project to Plan Exigence, Audience, Goal, and Appeals.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>11.Working Documents.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">The Working Documents Project.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">College Writing, Public Discourse, and &ldquo;New&rdquo; Knowledge.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Working Document 1: An Op-Ed Column.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Working Document 2: An Open Letter.</div> </p> <p>    <div STYLE="margin-left: 0.4in;">Working Document 3: The Brochure.</div> </p> <div STYLE="margin-left: 0.2in;">    <b>Appendix to Part I: Adapting the Inquiry Contract for Other Classes.</b> </div> <br> <p>    <div STYLE="margin-left: 0.4in;">Stages 1-5.</div> </p> <p>    <b>II.THE TRIM-AND-TARGET METHOD FOR REWRITING PROSE.</b> </p> <p>    <div STYLE="margin-left: 0.2in;">Meet Jeanette Doane &mdash; Again!</div> </p> <p>    <div STYLE="margin-left: 0.2in;">An Overview of the Trim-and-Target Method.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Jeanette's Exploratory Essay &mdash; First Draft.</div> </p>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Computer Systems and Program Development.</b> <br> <br> <br> <b>&nbsp;2. Introduction to C.</b> <br> <br> <br> <b>&nbsp;3. Variables, Operators, and Control Flow.</b> <br> <br> <br> <b>&nbsp;4. More Operators and Control Flow.</b> <br> <br> <br> <b>&nbsp;5. Functions and Program Structure.</b> <br> <br> <br> <b>&nbsp;6. Arrays.</b> <br> <br> <br> <b>&nbsp;7. Pointers.</b> <br> <br> <br> <b>&nbsp;8. Storage Classes and Type Qualifiers.</b> <br> <br> <br> <b>&nbsp;9. Input and Output.</b> <br> <br> <br> <b>10. Structures, Unions, and Enumerated Types.</b> <br> <br> <br> <b>11. Advanced Topics.</b> <br> <br> <br> <b>Appendix A. ASCII and EBCDIC Tables.</b> <br> <br> <br> <b>Appendix B. Summary of the C Language.</b> <br> <br> <br> <b>Appendix C. Syntax Diagrams of C.</b> <br> <br> <br> <b>Appendix D. Some C Functions.</b> <br> <br> <br> <b>Appendix E. C and UNIX.</b> <br> <br> <br> <b>Appendix F. VAX-11 C, Borland C++, and Microsoft C++.</b> <br> <br> <br> <b>Hints and Solutions to Odd-Numbered Exercises.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[(NOTE: <i>Each chapter ends with common programming errors and programming exercises</i>).<br> <br> <b>0. Computer Systems and Program Development.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Algorithms. Computer Systems. Internal representations. Programming Languages. Program Development. Why C?</div> </p> <br> <br> <b>1. Introduction to C.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">A First C Program. Sample application: Conversion of lengths. Identifiers. The while statement. Sample Application: Computing Income Tax. The if statement.  More on the if statement. Redirecting input and output. Files.</div> </p> <br> <br> <b>2. Variables, Operators, and Control Flow.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Characters and integers. Floating-point variables. Arithmetic operations. Relational and logical operators and the assignment operator. Sample application: Statistical measures. The for statement and the comma operator. The operators ++ and &mdash;. Sample application: Printing a bar graph.</div> </p> <br> <br> <b>3. More Operators and Control Flow.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The break and continue statements. Sample application: Generating prime numbers. The switch statement. The goto statement and labels. Conditional expressions. Sample application: Printing a calendar. The cast operator. The sizeof operator. Getchar and putchar. Bitwise operators.</div> </p> <br> <br> <b>4. Functions and Program Structure.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Introduction. Arguments and parameters. Call by value. Sample application: Computing Resistance. The scope of variables. The preprocessor. Sample application: Simulating a dice game. Recursion. Sample application: Recursive tiling. Functions with a arbitrary number of arguments.</div> </p> <br> <br> <b>5. Arrays.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Why arrays? Array indexes and cell offsets. Sample application: Tracking and reporting car sales. Character strings as arrays of characters. Sample application: Formatting text with a given line length. Arrays as function arguments. String-handling functions. Sample application: Computing a string's length. Multidimensional arrays. Sample application: Matrix multiplication. Sample application: Sorting and searching. Sample application: Forest fire percolation.</div> </p> <br> <br> <b>6. Pointers.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Pointer variables. Levels of indirection. Pointers and arrays. Pointers as arguments to functions. Sample application: Reversing a string in place. Sample application: Parallel computing. Pointers and multidimensional arrays. Command line arguments. Pointers to functions. Sample application: Comparing sorting algorithms.</div> </p> <br> <br> <b>7. Storage Classes and Type Qualifiers.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Storage classes in a single-source file: auto, extern, static. Sample application: Breaking text into pages. The storage class register. Storage classes in multiple-source files. Sample application: An interactive calculator. Nested blocks. Storage classes for functions. Type qualifiers: const and volatile. Sample application: A scheduling problem.</div> </p> <br> <br> <b>8. Input and Output.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Opening and closing files. Character input/output. Sample application: Determining a source file's size in bytes. String input/output. Formatted input/output. Unformatted input/output. Moving around in a file: fseek, ftell, rewind. Sample application: A random access file.</div> </p> <br> <br> <b>9. Structures, Unions, and Enumerated Types.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Introduction to structures. Sample application: Pattern recognition. The typedef construct. Operations on structures. Pointers to structures, nested structures, and self-referential structures. Structures and functions. Sample application: Sales reporting. Unions and bit fields. Enumerated types.</div> </p> <br> <br> <b>10. Introduction to Data Structures.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Compile-time and run-time storage allocation. Linked lists. Sample application: A text editor. Stacks and queues. Sample application: Converting from infix to postfix. Graphs and trees. Tree traversals. Breadth-first search and depth-first search. Sample application: Heuristic graph search.</div> </p> <br> <br> <b>11. Advanced Topics.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Assertions. Exception-handling and jumps. Graphics support for C. Sample application: Fractals. C and C++.</div> </p> <br> <br> <b>Appendices. ASCII and EBCDIC tables. Summary of the C language. Syntax diagrams of C. Some C functions. C and UNIX. VAX-11 C Borland C++, and Microsoft C++. Changes from traditional C.</b> <br> <br> <br> <b>Hints and Solutions to Odd-Numbered Exercises.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Body Organization and Terminology.</b> <br> <br> <br> <b>&nbsp;2. Basic Microscopy.</b> <br> <br> <br> <b>&nbsp;3. Cells, Mitosis, Tissues, and Skin.</b> <br> <br> <br> <b>&nbsp;4. The Skeletal System.</b> <br> <br> <br> <b>&nbsp;5. The Muscular System.</b> <br> <br> <br> <b>&nbsp;6. The Digestive System.</b> <br> <br> <br> <b>&nbsp;7. The Respiratory System.</b> <br> <br> <br> <b>&nbsp;8. The Circulatory System.</b> <br> <br> <br> <b>&nbsp;9. The Nervous System.</b> <br> <br> <br> <b>10. Sense Organs.</b> <br> <br> <br> <b>11. The Urinary System.</b> <br> <br> <br> <b>12. The Endocrine System.</b> <br> <br> <br> <b>13. The Reproductive System.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Atomic Structure and Quantum Mechanics.</b> <br> <br> <br> <b>&nbsp;2. Energy Bands and Current Carriers in Semiconductors.</b> <br> <br> <br> <b>&nbsp;3. Intrinsic and Extrinsic Semiconductors.</b> <br> <br> <br> <b>&nbsp;4. Carrier Processes: Drift, Diffusion and Generation - Recombination.</b> <br> <br> <br> <b>&nbsp;5. The PN Junction Diode.</b> <br> <br> <br> <b>&nbsp;6. Fabrication Technology.</b> <br> <br> <br> <b>&nbsp;7. Limitations to Ideal Diode Theory.</b> <br> <br> <br> <b>&nbsp;8. Bipolar Transistors I: Characteristics and First Order Model.</b> <br> <br> <br> <b>&nbsp;9. Bipolar Transistors II: Limitations, Switching and Models.</b> <br> <br> <br> <b>10. Junction Field-Effect Transistors.</b> <br> <br> <br> <b>11. Metal-Semiconductor Junctions and Devices.</b> <br> <br> <br> <b>12. Metal-Oxide-Silicon Systems.</b> <br> <br> <br> <b>13. Metal-Oxide-Semiconductor Field-Effect Transistor.</b> <br> <br> <br> <b>14. Optoelectronics.</b> <br> <br> <br> <b>Appendix A: Units.</b> <br> <br> <br> <b>Appendix B: Physical Constants and Factors.</b> <br> <br> <br> <b>Appendix C: The Density of States N(E).</b> <br> <br> <br> <b>Appendix D: Einstein Relation.</b> <br> <br> <br> <b>Appendix E: Frequently Used Symbols.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Responding to the diversity that exists in today's  classrooms, Kellough attempts to enhance the teaching (and therefore  learning) of individual disciplines by connecting them to <I>both</I> the  entire curriculum and the real world. <B></B> The book begins by  covering fundamentals important to all teachers of Grades K-4, then provides  examples, methods and activities for integrating the instruction of  mathematics and science.   </P>]]></d104>
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<d104 textformat="02"><![CDATA[(NOTE: <i>Chapters begin with advance organizers and statement of chapter intent, and end with questions and activities for individual and group study and discussion, and references and resources for further reading</i>.)<p>    <b>I. INTEGRATING STUDENT LEARNING: RATIONALE AND METHODS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Learning and the Intellectual Development of Children.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Planning and Implementing a Supportive Environment for Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Curriculum Planning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Lesson Planning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Assessment of Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. The Selection and Use of Aids and Resources.</b> </div> <br> <p>    <b>II. METHODS AND ACTIVITIES FOR MATHEMATICS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Early Mathematics Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Early Mathematical Thinking: Developing Number Sense.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Addition and Subtraction of Whole Numbers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Measurement: Quantifying Space.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Graphing, Statistics, and Probability.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Geometry.</b> </div> <br> <p>    <b>III. METHODS AND ACTIVITIES FOR SCIENCE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>13. Early Science Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Integrating Science Across the Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Reaching Students with Special Needs.</b> </div> <br> <p>    <b>IV. SELECTED ACTIVITIES FOR INTEGRATED MATHEMATICS AND SCIENCE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>16. Activities for Integrated Mathematics and Science.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Our Friend, Our Home: The Earth, Ecology Unit (Grade 3).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<b034>1</b034>
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<d104 textformat="02"><![CDATA[<P><B></B> Responding to the diversity that exists in today's  classrooms, Kellough attempts to enhance the teaching (and therefore  learning) of individual disciplines by connecting them to <I>both</I> the  entire curriculum and the real world. <B></B> The book begins by  covering fundamentals important to all teachers of Grades 4-9, then provides  examples, methods and activities for integrating the instruction of language  arts and social studies.   </P>]]></d104>
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<d104 textformat="02"><![CDATA[(NOTE: Chapters begin with advance organizers and statement of chapter intent, and end with questions and activities for individual and group study and discussion.)<p>    <b>I. INTEGRATING STUDENT LEARNING: RATIONALE AND METHODS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Learning and the Intellectual Development of Children.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Planning and Implementing a Supportive Environment for Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Planning The Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Daily Lesson Planning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Assessment of Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. The Selection and Use of Aids and Resources.</b> </div> <br> <p>    <b>II. METHODS AND ACTIVITIES FOR LANGUAGE ARTS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Learning and the Language Arts.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Teaching Language Arts.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Extending Language Arts Across the Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Action Plans and Activities for Language Arts.</b> </div> <br> <p>    <b>III. METHODS AND ACTIVITIES FOR SOCIAL STUDIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. The Social Studies.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. The Sources of Subject Matter and Instructional Resources for the Social Studies.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Scope and Sequence Patterns in the Social Studies Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Fostering Citizenship Competency: Developing and Applying Research and Analysis, Chronology and Spatial Skills.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Promoting Reflective Inquiry: Developing and Applying Concepts, Generalizations and Hypotheses.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Social Studies as the Integrating Core: Literacy, Literature and Culture.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Learner Involvement Through Activities.</b> </div> <br> <p>    <b>IV. SELECTED INTEGRATED ACTIVITIES FOR LANGUAGE ARTS AND SOCIAL STUDIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>18. Activities for Integrated Language Arts and Social Studies.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Ancient Greece: The Dawn of a New Age, An Interdisciplinary Thematic Unit (Grade 6).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Responding to the diversity that exists in today's  classrooms, Kellough attempts to enhance the teaching (and therefore  learning) of individual disciplines by connecting them to <I>both</I> the  entire curriculum and the real world. <B></B> The book begins by  covering fundamentals important to all teachers of Grades 4-9, then provides  examples, methods and activities for integrating the instruction of  mathematics and science.   </P>]]></d104>
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<d104 textformat="02"><![CDATA[(NOTE: <i>Chapters begin with advance organizers and statement of chapter intent, and end with questions and activities for individual and group study and discussion, and references and resources for further reading</i>.)<p>    <b>I. INTEGRATING STUDENT LEARNING: RATIONALE AND METHODS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Learning and the Intellectual Development of Children.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Planning and Implementing a Supportive Environment for Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Planning The Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Daily Lesson Planning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Assessment of Learning.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. The Selection and Use of Aids and Resources.</b> </div> <br> <p>    <b>II. METHODS AND ACTIVITIES FOR MATHEMATICS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. The Mathematics Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. The Multiplication and Division of Whole Numbers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Patterns and Functions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Fraction Operations.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Decimals, Proportions and Integers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Graphing, Statistics and Probability.</b> </div> <br> <p>    <b>III. METHODS AND ACTIVITIES FOR SCIENCE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>13. The Science Curriculum.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Science-Technology-Society (STS): A Conceptual Framework for Science Curriculum Design.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Science Projects, Science Fairs, and Field Experiences.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Demonstration and Laboratory Work.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Computers and Electronic Technology for Science Teachers.</b> </div> <br> <p>    <b>IV. SELECTED ACTIVITIES FOR INTEGRATED MATHEMATICS AND SCIENCE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>18. Activities for Integrated Mathematics and Science.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Opening the Ocean: An Interdisciplinary Thematic Unit (Grade 5).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Name Index.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Subject Index.</b> </div> <br>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Kadushin, Alfred</b037>
<b039>Alfred</b039>
<b040>Kadushin</b040>
<b046>University of Wisconsin</b046>
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<b039>Judith A.</b039>
<b040>Martin</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. The First Steps.</b> <br> <br> <br> <b>&nbsp;2. Prewriting: Moving Forward.</b> <br> <br> <br> <b>&nbsp;3. Composing: From One Stage to the Next.</b> <br> <br> <br> <b>&nbsp;4. Drafting: Considering Your Reader.</b> <br> <br> <br> <b>&nbsp;5. Revising: Refining for Your Reader.</b> <br> <br> <br> <b>&nbsp;6. Cross-Modes: Fulfilling Your Purpose.</b> <br> <br> <br> <b>&nbsp;7. Narration.</b> <br> <br> <br> <b>&nbsp;8. Description.</b> <br> <br> <br> <b>&nbsp;9. Process.</b> <br> <br> <br> <b>10. Example.</b> <br> <br> <br> <b>11. Definition.</b> <br> <br> <br> <b>12. Comparison and Contrast.</b> <br> <br> <br> <b>13. Cause and Effect.</b> <br> <br> <br> <b>14. Division and Classification.</b> <br> <br> <br> <b>15. Argument.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>1. Probability Models: Definitions and Examples.</b> <br> <br> <br> <b>2. The Algebra of Events and Probabilities.</b> <br> <br> <br> <b>3. Probability Distributions.</b> <br> <br> <br> <b>4. Expected Values.</b> <br> <br> <br> <b>5. Functions of Random Variables.</b> <br> <br> <br> <b>6. Normal Distributions and the Central Limit Theorem.</b> <br> <br> <br> <b>7. Some Important Distributions on the Nonnegative Integers.</b> <br> <br> <br> <b>8. Some Important Absolutely Continuous Distributions.</b> <br> <br> <br> <b>9. Conditioning and Baye's Theorem for Random Variables.</b> <br> <br> <br> <b>Suggested Reading and Bibliography.</b> <br> <br> <br> <b>Appendix A. Review of Some Topics From Calculus and Set Theory.</b> <br> <br> <br> <b>Appendix B. Summaries of Commonly-used Distributions.</b> <br> <br> <br> <b>Appendix C. A Table of the Standard Normal Cumulative Distribution Function.</b> <br>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Koller, John M.</b037>
<b039>John M.</b039>
<b040>Koller</b040>
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<b035>A01</b035>
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<b039>Patricia</b039>
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<d104 textformat="02"><![CDATA[<P> Teachers and students have long felt a need for a convenient, one-volume collection of English translations of the basic texts that have shaped the major Asian philosophical traditions. <I>A Sourcebook in Asian Philosophy</I> is a response to this need. Our principal aim has been to include the texts that the Asian philosophical traditions themselves have regarded as fundamental, for it is these texts that give us the greatest insight into Asian philosophies. Which texts to include was often a difficult choice, since space allowed us to include only a small fraction of the total of each tradition's foundational books. Twenty-five years of experience in teaching introductory courses in Asian philosophy and the suggestions of friends and colleagues helped us choose texts that we think are both foundational within the various Asian traditions and accessible to readers whose ideas and modes of thinking have been shaped by different intellectual traditions. </P>  <P> We are greatly indebted to the many scholars whose translations and interpretive studies we have used in compiling this <I>Sourcebook.</I> Sources of translations and especially helpful interpretive studies have been indicated at the end of the introduction to each chapter. In some cases minor modifications have been made to the translations, including correcting errors and omitting unnecessary scholarly footnotes and brackets. The introductions have been kept as brief as possible so as not to intrude on the texts themselves. Readers looking for more help in understanding the Asian philosophical traditions these texts helped shape might want to turn to John M. Koller, <I>Oriental Philosophies,</I> 2nd edition (New York: Charles Scribner's Sons, 1985) or similar works, including those listed in the introductions. </P>  <P> Finally, we would like to express our appreciation to all the people who have supported our efforts in putting together this anthology. In particular, we would like to thank Professors Roger Ames, Russell Blackwood, Richard Lambert, Ashok Malhotra, Joel Marks, Rama Rao Pappu, and Wei-ming Tu for their helpful recommendations. </P>  <P align="right"> J.M. &amp; P.K.<BR> Troy, N.Y. </P>  </UL>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. HINDU TEXTS</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Vedas and Upanisads.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. The Bhagavad Gita.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Samkhya-Yoga.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Nyaya-Vaisesika: Anambhatta's Tarkasamgraha.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Mimamsa: The Mimamsa Sutra.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Vedanta.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Jainism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Modern Indian Thought.</b> </div> <br> <p>    <b>II. BUDDIST TEXTS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Basic Teachings According to the Early Texts.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Philosophical Issues in Early Buddhism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Rise of the Mahayana.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Madhyamaka.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Yogacara.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Zen.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Modern Buddhist Thought.</b> </div> <br> <p>    <b>III. CHINESE TEXTS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>16. The Vision of Confucius.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. The Taoist Vision.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Utilitarian and Legalist Challenges.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Confucian Developments.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. Chinese Buddhism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. Neo-Confucian Foundations.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. The Two Wings of Neo-Confucianism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>23. Recent Chinese Thought.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>1. First-Order Differential Equations.</b> <br> <br> <br> <b>2. Second-Order Differential Equations.</b> <br> <br> <br> <b>3. Systems of Two First-Order Differential Equations.</b> <br> <br> <br> <b>4. Higher-Order Differential Equations and General Systems.</b> <br> <br> <br> <b>5. Power Series Methods.</b> <br> <br> <br> <b>6. The Laplace Transform.</b> <br> <br> <br> <b>7. Appetizers.</b> <br> <br> <br> <b>Appendix A. Complex Numbers.</b> <br> <br> <br> <b>Appendix B. Basic Linear Algebra.</b> <br> <br> <br> <b>Answers to Odd-Numbered Exercises.</b> <br>]]></d104>
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<b037>Kuhn, Kelin J.</b037>
<b039>Kelin J.</b039>
<b040>Kuhn</b040>
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<d104 textformat="02"><![CDATA[<p>    <b>I. LASER FUNDAMENTALS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Introduction to Lasers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Energy States and Gain.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. The Fabry-Perot Etalon.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Transverse Mode Properties.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Gain Saturation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Transient Processes.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Introduction to Nonlinear Optics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Supportive Technologies.</b> </div> <br> <p>    <b>II. DESIGN OF LASER SYSTEMS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Conventional Gas Lasers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Conventional Solid State Lasers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Transition-Metal Solid-State Lasers.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Other Major Commercial Lasers.</b> </div> <br>]]></d104>
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<b040>Lahey</b040>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. What is Language?</b> <br> <br> <br> <b>&nbsp;2. What is a Language Disorder?</b> <br> <br> <br> <b>&nbsp;3. Incidence, Prognosis and Orientations to Language Disorders.</b> <br> <br> <br> <b>&nbsp;4. A Categorical Orientation: Clinical Syndromes Associated with Childhood Language Disorders.</b> <br> <br> <br> <b>&nbsp;5. The Language Disordered Child Viewed from a Specific Abilities Orientation.</b> <br> <br> <br> <b>&nbsp;6. Describing Deviant Language.</b> <br> <br> <br> <b>&nbsp;7. Identifying Children with a Language Disorder.</b> <br> <br> <br> <b>&nbsp;8. A Plan for Language Learning; Assumptions and Alternatives for Goals of Content/Form/Use.</b> <br> <br> <br> <b>&nbsp;9. Language Development Applied to Goals of Language Learning: Precursory Goals Through Phase 3.</b> <br> <br> <br> <b>10. Language Development Applied to Goals of Language Learning: Phases 4 through 8.</b> <br> <br> <br> <b>11. Language Development Applied to Goals of Language Learning; Into the School Years.</b> <br> <br> <br> <b>12. Procedures for Determining Goals of Language Learning From Low Structured Observations.</b> <br> <br> <br> <b>13. Determining Goals of Language Learning From Elicited Information.</b> <br> <br> <br> <b>14. General Considerations of Language Intervention.</b> <br> <br> <br> <b>15. Facilitating the Induction of Form/Content and Use Interactions.</b> <br> <br> <br> <b>Appendix A. Conventions for Transcription of Child Language Recordings.</b> <br> <br> <br> <b>Appendix B. Conventions for Transcribing Video Recorded Data.</b> <br> <br> <br> <b>Appendix C. Definitions of Content Categories.</b> <br> <br> <br> <b>Appendix D. Instruments that Assess Language and Language-Related Behaviors.</b> <br> <br> <br> <b>Appendix E. Alternative Plans for Language Learning.</b> <br> <br> <br> <b>Appendix F. Forms for Language Analysis.</b> <br> <br> <br> <b>Appendix G. Computer Software Available for Language Assessment and Intervention.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Preface.</b> <br> <br> <br> <b>Introduction: Sounds and Spelling.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Sound of Biblical Hebrew. Syllabification. Stress. The Consonants Known as the Begadkepat. Vowel Reduction. Special Features of the Guttural Consonants and R. He Hebrew Alphabet. Some Features of Hebrew Orthography (Spelling). The Daghesh. The Vowel Points. Metheg.</div> </p> <br> <br> <b>Lesson 1.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Noun: Gender. Number. The Definite article. Prepositions. Sentences with Adverbial Predicates. Vocabulary 1.</div> </p> <br> <br> <b>Lesson 2.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Definite Article (Cont.) Noun Plurals. Vocabulary 2.</div> </p> <br> <br> <b>Lesson 3.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Definite Article (Concluded). Adjectives. The Use of Adjectives. Vocabulary.</div> </p> <br> <br> <b>Lesson 4.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Noun Plurals (Cont.) The Active Participle. The Object Marker<i>'et-</i>. Vocabulary 4.</div> </p> <br> <br> <b>Lesson 5.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Prepositions <i>b&hellip;&ucirc;, </i>       <i>l&hellip;&ucirc;, and </i>       <i>k&hellip;&ucirc;. The Preposition </i>       <i>min</i> . The Comparative. The Relative Word <i>aser</i>.  Vocabulary 5.</div> </p> <br> <br> <b>Lesson 6.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Noun Plurals (Cont.). Participles (Cont.). Vocabulary 6.</div> </p> <br> <br> <b>Lesson 7.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Predication of Existence. The Prepositions <i>b&hellip;&ucirc;, </i>       <i>l&hellip;&ucirc;, and </i>       <i>'et-</i> with Pronominal Suffixes. Vocabulary 7.</div> </p> <br> <br> <b>Lesson 8.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Demonstrative Adjectives and Pronoun. Participles (Cont.) Vocabulary 8.</div> </p> <br> <br> <b>Lesson 9.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of <i>katab</i> The Meaning of the Perfect. World Order in the Verbal Sentence. The Forms of the Conjunction. Vocabulary 9.</div> </p> <br> <br> <b>Lesson 10.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of Verbs with Guttural Root Consonants. The Perfect of <i>natan.</i> Noun Plurals (Cont.). Vocabulary 10.</div> </p> <br> <br> <b>Lesson 11.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of Verbs III-Aleph: <i>Masa(')</i>. Noun Plurals (Cont.). Interrogative <i>ha-</i>. More on <i>aser.</i>. Vocabulary 11.</div> </p> <br> <br> <b>Lesson 12.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of Verbs III-HE: <i>banah</i>. Directive <i>ah</i>. Vocabulary 12.</div> </p> <br> <br> <b>Lesson 13.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Sentences with a Nominal Predicate. The Verb <i>hayah (to be)</i>. Noun  Plurals (Concluded). Vocabulary 13.</div> </p> <br> <br> <b>Lesson 14.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of <i>gam</i> and <i>ba</i>. The Prepositions <i>k&Ccedil;&ucirc;</i> with Pronominal Suffices. <i>kol.</i> Vocabulary 14.</div> </p> <br> <br> <b>Lesson 15.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Perfect of <i>sabab</i>. The Prepositions <i>im</i> and <i>'et</i> with Pronominal Suffixes. Final Remarks on . Vocabulary 15.</div> </p> <br> <br> <b>Lesson 16.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Construct chain. The Form of the Construct Singular. Vocabulary 16.</div> </p> <br> <br> <b>Lesson 17.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Construct Singular: Minor Types. The Construct Singular of Feminine Nouns in <i>-ah.</i>  Vocabulary 17.</div> </p> <br> <br> <b>Lesson 18.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Construct Forms of Plural Nouns in <i>-im.</i> The Construct Form of Plural Nouns in -&ocirc;t. Vocabulary 18.</div> </p> <br> <br> <b>Lesson 19.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Independent (Subject) Form of the Personal Pronoun. The Interrogative Pronouns. The Prepositions with Pronominal Suffixes. Vocabulary 19.</div> </p> <br> <br> <b>Lesson 20.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Noun with Pronominal Suffixes. Vocabulary 20.</div> </p> <br> <br> <b>Lesson 21.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Stative Verbs. The Nouns <i>'ab</i>, <i>'ah</i>, and <i>peh.</i> Vocabulary 21.</div> </p> <br> <br> <b>Lesson 22.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Imperfect. The Meaning of the Imperfect. The Dual. Vocabulary 22.</div> </p> <br> <br> <b>Lesson 23.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Imperfects in <i>a</i>. Verbs III-Aleph: The Imperfect. The Nouns. Vocabulary 23.</div> </p> <br> <br> <b>Lesson 24.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Narrative Sequences. The Segholates. Remarks on Some Prepositions. Vocabulary 24.</div> </p> <br> <br> <b>Lesson 25.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Imperative. Verbs I-guttural: Imperfect and Imperative. The Segholates (Cont.). Vocabulary 25.</div> </p> <br> <br> <b>Lesson 26.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Jussive and Cohortative. Sequences Involving the Imperative, Jussive, and Cohortative. Verbs I-Aleph: Imperfect and Related Forms. Vocabulary.</div> </p> <br> <br> <b>Lesson 27.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Temporal Clauses and Phrases. Feminine Nouns Ending in <i>-et</i> and <i>-at</i>. Nouns of the Type.  Vocabulary 27.</div> </p> <br> <br> <b>Lesson 28.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Infinitive Construct. Some Uses of the Infinitive Construct. Final Remarks on Some Noun Types. Vocabulary 28.</div> </p> <br> <br> <b>Lesson 29.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Verbs I-Nun: Imperfect and Related Forms. Vocabulary 29.</div> </p> <br> <br> <b>Lesson 30.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Verbs I-Yodh: Imperfect, Imperative, and Infinitive Construct. Vocabulary 30.</div> </p> <br> <br> <b>Lesson 31.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Verbs III-He: Imperfect, Imperative, and Infinitive Construct. Vocabulary 31.</div> </p> <br> <br> <b>Lesson 32.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hollow Verbs (II-Waw/Yodh): Imperfect, Imperative, and Infinitive Construct. Vocabulary 32.</div> </p> <br> <br> <b>Lesson 33.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Geminate Verbs: Imperfect, Imperative, and Infinitive Construct. Vocabulary 33.</div> </p> <br> <br> <b>Lesson 34.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Passive Participle. The Infinitive Absolute the Numbers from 3 to 10. Vocabulary 34.</div> </p> <br> <br> <b>Lesson 35.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Clauses Joined with <i>w&Ccedil;&ucirc;</i>. To Be. Vocabulary 35.</div> </p> <br> <br> <b>Lesson 36.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">&ldquo;Behold&rdquo; and &ldquo;please I pray&rdquo;. Vocabulary 36.</div> </p> <br> <br> <b>Lesson 37.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Derived Verbs. Niphal Verbs: Meaning. Niphal Verbs: Stems and Inflection. Vocabulary 37.</div> </p> <br> <br> <b>Lesson 38.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Niphal Verbs: Stems and Inflection (Cont.). Niphal Verbs: Mixed Types. Vocabulary 38.</div> </p> <br> <br> <b>Lesson 39.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Niphal Verbs: Stems and Inflection (Concluded). Vocabulary 39.</div> </p> <br> <br> <b>Lesson 40.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Piel Verbs: Meaning. Piel Verbs: Stems and Inflection. Vocabulary 40.</div> </p> <br> <br> <b>Lesson 41.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Piel Verbs: Stems and Inflection (Concluded). Pausal Forms. Vocabulary 41.</div> </p> <br> <br> <b>Lesson 42.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Pual. Proclisis, Retraction of Stress, and Conjunctive Daghesh. Vocabulary 42.</div> </p> <br> <br> <b>Lesson 43.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Meaning. Hiphil Verbs: Stems and Inflection. Vocabulary 43.</div> </p> <br> <br> <b>Lesson 44.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Stems and Inflection (Cont.). More on Numbers. Vocabulary 44.</div> </p> <br> <br> <b>Lesson 45.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Stems and Inflection. The Numbers from 11 to 19. Vocabulary 45.</div> </p> <br> <br> <b>Lesson 46.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Stems and Inflection (Cont.). The Numbers from 21 to 29. Vocabulary 46.</div> </p> <br> <br> <b>Lesson 47.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Stems and Inflection (Cont.) An Idiomatic Use of   . Vocabulary 47.</div> </p> <br> <br> <b>Lesson 48.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Hiphil Verbs: Stems and Inflection (Concluded). Verbal Henidiadys and Related Idioms. Vocabulary 48.</div> </p> <br> <br> <b>Lesson 49.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Hophal. Vocabulary 49.</div> </p> <br> <br> <b>Lesson 50.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Hithpael. Vocabulary 50.</div> </p> <br> <br> <b>Lesson 51.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Qal Passive. Polel, Polal, and Highpolel. Other Verb Types. Final Remarks on the Numbers. Vocabulary 51.</div> </p> <br> <br> <b>Lesson 52.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">The Verb with Object Suffixes. Object Suffixes on the Perfect: Third Person Masculine Singular. Object Suffixes on the Perfect: Second Person Masculine Singular. Vocabulary 52.</div> </p> <br> <br> <b>Lesson 53.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Object Suffixes on the Perfect: Third Person Feminine Singular. Object Suffices on the Remaining Forms of the Perfect. A Group of Irregular Qal Verbs. Vocabulary 53.</div> </p> <br> <br> <b>Lesson 54.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Object Suffixes on the Imperfect. Object Suffixes on the Imperative. Object Suffixes on the Infinitive Construct. Vocabulary 54.</div> </p> <br> <br> <b>Lesson 55.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Conditional Sentences. Concluding Remarks on Clause Sequences. Vocabulary 55.</div> </p> <br> <br> <b>Appendix A. A Classified List of Nouns.</b> <br> <br> <br> <b>Appendix B. Qal Verbs: The Principal Parts According to Root Types.</b> <br> <br> <br> <b>Appendix C. The Derived Conjugations: A Synopsis.</b> <br> <br> <br> <b>Appendix D. Chronological Table.</b> <br> <br> <br> <b>Appendix E. Brief Bibliography.</b> <br> <br> <br> <b>Hebrew-English Glossary.</b> <br> <br> <br> <b>English-Hebrew Glossary.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Thermochemical Principles.</b> <br> <br> <br> <b>&nbsp;2. Chemical Kinetics.</b> <br> <br> <br> <b>&nbsp;3. Aqueous Complexes.</b> <br> <br> <br> <b>&nbsp;4. Activity Coefficients of Dissolved Species.</b> <br> <br> <br> <b>&nbsp;5. Acids and Bases.</b> <br> <br> <br> <b>&nbsp;6. Carbonate Chemistry.</b> <br> <br> <br> <b>&nbsp;7. Chemical Weathering.</b> <br> <br> <br> <b>&nbsp;8. General Controls on Natural Water Chemistry.</b> <br> <br> <br> <b>&nbsp;9. The Geochemistry of Clay Minerals.</b> <br> <br> <br> <b>10. Adsorption-Desorption Reactions.</b> <br> <br> <br> <b>11. Oxidation-Reduction Concepts.</b> <br> <br> <br> <b>12. Iron and Sulfur Geochemistry.</b> <br> <br> <br> <b>13. Actinides and Their Daughter and Fission Products.</b> <br> <br> <br> <b>Geochemical Computer Models.</b> <br> <br> <br> <b>References.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Decision Making: Learning to Choose.</b> <br> <br> <br> <b>&nbsp;2. Life Cycles, Life Styles, and the Consumer.</b> <br> <br> <br> <b>&nbsp;3. Basic Economic Principles: Be Prepared.</b> <br> <br> <br> <b>&nbsp;4. Financial Planning: Getting in Control.</b> <br> <br> <br> <b>&nbsp;5. Money and Banking: The Almighty Dollar.</b> <br> <br> <br> <b>&nbsp;6. Credit: Buy Now, Pay More Later.</b> <br> <br> <br> <b>&nbsp;7. Advertising: Information or Manipulation?</b> <br> <br> <br> <b>&nbsp;8. Consumer Protection and Redress: Doing unto Others as They do unto You.</b> <br> <br> <br> <b>&nbsp;9. Comparison Shopping in Fashionable America: Buying Process Model.</b> <br> <br> <br> <b>10. Food: More Than a Matter of Taste.</b> <br> <br> <br> <b>11. Housing: Home Sweet Home.</b> <br> <br> <br> <b>12. The Automobile: Wheels and Deals.</b> <br> <br> <br> <b>13. Energy, the Environment, and the Consumer.</b> <br> <br> <br> <b>14. Health Care: What Happens When You Get Sick.</b> <br> <br> <br> <b>15. Government Services and Taxes: Paying Your Fair Share.</b> <br> <br> <br> <b>16. Personal Investments: Managing Your Money.</b> <br> <br> <br> <b>17. Planning for the Future: Insurance, Retirement, and Beyond.</b> <br> <br> <br> <b>18. Consumer Economics from a Global Perspective.</b> <br> <br> <br> <b>Appendix I. Seeking Help for Consumer Problems.</b> <br> <br> <br> <b>Appendix II. Directory of Federal Consumer Agencies.</b> <br> <br> <br> <b>Appendix III. Directory of State Consumer Agencies.</b> <br> <br> <br> <b>Glossary.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b035>A01</b035>
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<b039>Viktor</b039>
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<b034>2</b034>
<b035>A01</b035>
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<d104 textformat="02"><![CDATA[ <!-- --><B> 1. The Importance of Art for Education.  </B><BR><B> 2. Understanding Growth and Development.  </B><BR><B> 3. The Development of Creativity.  </B><BR><B> 4. The Development of Aesthetic Awareness.  </B><BR><B> 5. Art in the Elementary School.  </B><BR><B> 6. The Beginnings of Self-Expression: The Scribbling Stage, Two-Four Years.  </B><BR><B> 7. First Representational Attempts: The Preschematic Stage, Four-Seven Years.  </B><BR><B> 8. The Achievement of a Form Concept: The Schematic Stage, Seven-Nine Years.  </B><BR><B> 9. The Dawning Realism: The Gang Age, Nine-Twelve Years.  </B><BR><B> 10. Art in the Secondary School.  </B><BR><B> 11. The Age of Reasoning: The Pseudo-Naturalistic Stage, Twelve- Fourteen Years.  </B><BR><B> 12. The Period of Decision: Adolescent Art in the High School, Fourteen-Seventeen Years.  </B><BR><B> Summary.  </B><BR><B> Bibliography.  </B><BR><B> Index.  </B><BR>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Maas, James W.</b037>
<b039>James W.</b039>
<b040>Maas</b040>
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<d104 textformat="02"><![CDATA[<P><B></B> A thorough, practical introduction to industrial electronics  encompassing the most up-to-date devices available. It provides  detailed explanations of the structure and operation of the  common linear components, digital ICs and sensory devices  electronics technicians are likely to encounter on the job. <B></B>  Written for the technician rather than the engineer, coverage emphasizes practical circuit  operation over complex control theory.        </P>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Basic On and Off Control Devices.</b> <br> <br> <br> <b>&nbsp;2. Operational Amplifiers and Comparators.</b> <br> <br> <br> <b>&nbsp;3. Thermal Transducers/Introduction to Signal Conditioning.</b> <br> <br> <br> <b>&nbsp;4. Other Transducers and Signal-Conditioning Circuitry.</b> <br> <br> <br> <b>&nbsp;5. Optoelectronic Devices and Signal Conditioning Circuitry.</b> <br> <br> <br> <b>&nbsp;6. Introduction to Pulse and Timing-Control Circuits.</b> <br> <br> <br> <b>&nbsp;7. SCRs, TRIACs, and Other Thyristors.</b> <br> <br> <br> <b>&nbsp;8. Introduction to Thyristor Control Circuits.</b> <br> <br> <br> <b>&nbsp;9. AC and DC Power Sources.</b> <br> <br> <br> <b>10. Motors and Magnetic Control Devices.</b> <br> <br> <br> <b>11. Theory of Closed-Loop Control Systems.</b> <br> <br> <br> <b>12. Microprocessors and Digital Control Systems.</b> <br> <br> <br> <b>13. Introduction to Microcomputer-Based Control Systems.</b> <br> <br> <br> <b>14. Introduction to Automated Control Systems and Robotics.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b035>A01</b035>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Modeling and Signal Processing Principles.</b> <br> <br> <br> <b>&nbsp;2. Operational Amplifier Circuits.</b> <br> <br> <br> <b>&nbsp;3. Semiconductors, pn Junctions, and Diode Circuits.</b> <br> <br> <br> <b>&nbsp;4. Bipolar Transistors.</b> <br> <br> <br> <b>&nbsp;5. Field-Effect Transistors.</b> <br> <br> <br> <b>&nbsp;6. Bias Circuits.</b> <br> <br> <br> <b>&nbsp;7. Transistor Amplifiers.</b> <br> <br> <br> <b>&nbsp;8. Frequency Response.</b> <br> <br> <br> <b>&nbsp;9. Feedback Circuits Amplifiers.</b> <br> <br> <br> <b>10. Power Circuits and Systems.</b> <br> <br> <br> <b>11. Analog Integrated Circuits.</b> <br> <br> <br> <b>12. Filters.</b> <br> <br> <br> <b>13. Digital Logic Circuits.</b> <br> <br> <br> <b>14. Digital Memory, Interfacing, and Timing Principles.</b> <br> <br> <br> <b>Appendix A Spice Analysis.</b> <br> <br> <br> <b>Appendix B Two-Port Network Networks.</b> <br> <br> <br> <b>Appendix C SPICE Parameters for Bipolar Transistors.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<P><B></B> Unlike all other English translations of the <I>Bhagavad  Gita</I> &#8212; which are either too literal and abstract, or written in very  formal, incomprehensible English, or are philosophically one-sided &#8212; this  reader-friendly &#8220;transcreation&#8221;  offers an unbiased philosophical  perspective and presents the main religious and philosophical themes of the  <I>Bhagavad Gita</I> in simple, ordinary language easily accessible to  today's readers. It enables them to read this great work as if it were  originally written in their own language &#8212; and to capture the excitement  of discovering its relevance to their own lives. <B></B>  Begins with a brief introduction and a short story outline of the  <I>Bhagavad Gita</I>. Presents the actual transcreation of the text of the  <I>Bhagavad Gita<B> in eighteen chapters -- each beginning with a succinct  summary of the main issues covered &#8212; thus providing a continuing thematic  map to the philosophical religious territory of the <I>Bhagavad Gita.  Concludes with an <I>Afterword</I></I></B></I> that presents a succinct analysis of  classical, modern, contemporary, and recent interpretations of the  <I>Bhagavad Gita</I> &#8212; and reveals the importance of this great text for  Hindus as well as for the world. Translates all Sanskrit words into simple  English words, and describes difficult words and major names in simple  language in footnotes at the bottom of each page and in a glossary at the  back of the text. <B></B> For anyone interested in the <I>Bhagavad  Gita</I> or Asian philosophy or religions.     </P>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>INTRODUCTION.</b> </p> <p>    <b>STORY OUTLINE OF THE BHAGAVAD GITA.</b> </p> <p>    <b>PRINCPAL CHARACTERS.</b> </p> <p>    <b>TRANSCREATED TEXT OF THE BHAGAVAD GITA.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>Arjuna's Moral Dilemma.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Path of Knowledge.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Path of Action.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Paths of Action and Knowledge.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Path of Renunciation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Nature of a True Yogi.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Divine's Higher and Lower Natures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Path to the Supreme Self.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Wisdom and Worship.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glorious Manifestations of the Divine.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Intuitive Vision of the Cosmic Form.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Path of Devotion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Body and Its Controller.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Three Components of the Material Reality.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Cosmic Fig Tree.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Sage-like and Unsage-like Endowments.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Nature of Faith.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Paths of Renunciation and Relinquishment.</b> </div> <br> <p>    <b>AFTERWORD.</b> </p> <div STYLE="margin-left: 0.2in;">Interpretations of the Bhagavad Gita.</div> <br>Classical Interpretations &mdash; with comments by Shankara, Ramanuja and Madhava.Modern Interpretations &mdash; with comments by Weber, Garbe and Farquhar.Contemporary Interpretations &mdash; with comments by Tilak, Gandhi, and Radhakrishnan.Recent Interpretations &mdash; with comments by Hauer, Eliot, and Bhaktivedanta.<div STYLE="margin-left: 0.2in;">Ethical, Philosophical, and Religious Content.</div> <br>Glossary.]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. IMAGES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Kimberle Crenshaw &amp; Gary Peller, Reel Time, Real Justice.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Wahneema Lubiano, Black Ladies, Welfare Queens, and State Minstrels.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Andrew Ross, Cowboys, Cadillacs, and Cosmonauts: Families, Film Genres, and Technocultures.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Susan Bordo, Material Girl: The Effacements of Postmodern Culture.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Danae Clark, Commodity Lesbianism.</b> </div> <br> <p>    <b>II. COMMUNITY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. bell hooks and Cornel West, Black Women and Men: Partnership in the 1990s.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Barbara Smith, Between A Rock and A Hard Place: Relationships Between Black and Jewish Women</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Nancy Fraser, Struggle Over Needs: Outline of a Socialist-Feminist Critical Theory of Late Capitalist Political Culture.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Maria C. Lugones, Playfulness, &ldquo;World-Traveling,&rdquo; and Loving Perception.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Kathy Boudin, et. al., Voices: Women of ACE (AIDS Counseling and Eduction).</b> </div> <br> <p>    <b>III. MEGALOPOLIS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. Elaine H. Kim, Home Is Where the Han Is: A Korean American Perspective on the Los Angeles Upheavals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Cynthia Enloe, On the Beach: Sexism and Tourism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Leslie Kanes Weisman, The Private Use of Public Space.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Celeste Olalquiaga, Holy Kitschen: Collecting Religious Junk From the Street.</b> </div> <br> <p>    <b>IV. TECHNOLOGIES OF THE SELF.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>15. Gloria Anzaldua, How To Tame A Wild Tongue.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Sandra Bartky, Foucault, Femininity, and the Modernization of Patriarchal Power.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Susan Ferraro, The Anguished Politics of Breast Cancer.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Linda Singer, BodiesPleasuresPowers.</b> </div> <br> <p>    <b>V. ECOFEMINISM.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>19. Starhawk, Power, Authority and Mystery: Ecofeminism and Earth-Based Spirituality.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. Ynestra King, Healing the Wounds: Feminism, Ecology, and the Nature/Culture Dualism.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. Carol Adams, The Feminist Traffic in Animals.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. Carolyn Merchant, Ecofeminism.</b> </div> <br> <p>    <b>VI. SEXUALITIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>23. Katie Roiphe, Date Rape's Other Victim.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>24. Patricia Hill Collins, The Sexual Politics of Black Womanhood.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>25. Walter L. Williams, Of Religion and Dreams: The Spiritual Basis of the Berdache Tradition.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>26. Linda Williams, Fetishism and Hard Core.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>27. Catherine MacKinnon, Crimes of War, Crimes of Peace.</b> </div> <br> <p>    <b>VII. MASCULINITIES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>28. Richard Rodriguez, Complexion.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>29. John Stoltenberg, How Men Have (a) Sex.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>30. Patrick D. Hopkins, Gender Treachery: Homophobia, Masculinity, and Threatened Identities.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>31. Thomas W. Laqueur, The Facts of Fatherhood.</b> </div> <br> <p>    <b>VIII. POLITICS OF HOPE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>32. Ann Snitow, Being Joyously Political in Dangerous Times.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>33. Rayna Green, Culture and Gender in Indian America.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>34. Fran Peavy, American Willing to Listen.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>35. Trinh T. Minh-ha, Yellow Sprouts.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Concepts and Techniques From Linear System Theory.</b> <br> <br> <br> <b>&nbsp;2. Principles of Newtonian and Analytical Dynamics.</b> <br> <br> <br> <b>&nbsp;3. Single-Degree-of-Freedom Systems.</b> <br> <br> <br> <b>&nbsp;4. Multi-Degree-of-Freedom Systems.</b> <br> <br> <br> <b>&nbsp;5. Qualitative Aspects of the Algebraic Eigenvalue Problem.</b> <br> <br> <br> <b>&nbsp;6. Computational Techniques for the Algebraic Eigenvalue Problem.</b> <br> <br> <br> <b>&nbsp;7. Distributed-Parameter Systems.</b> <br> <br> <br> <b>&nbsp;8. Approximate Methods for Distributed-Parameter Systems.</b> <br> <br> <br> <b>&nbsp;9. The Finite Element Method.</b> <br> <br> <br> <b>Appendix A: Elements of Laplace Transformation.</b> <br> <br> <br> <b>Appendix B: Elements of Linear Algebra.</b> <br> <br> <br> <b>Author Index.</b> <br> <br> <br> <b>Subject Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Basics of Electricity.</b> <br> <br> <br> <b>&nbsp;2. Electrical Quantities and Units.</b> <br> <br> <br> <b>&nbsp;3. Circuit Components.</b> <br> <br> <br> <b>&nbsp;4. Electrical Calculations and Measurements.</b> <br> <br> <br> <b>&nbsp;5. Series Circuits.</b> <br> <br> <br> <b>&nbsp;6. Parallel Circuits.</b> <br> <br> <br> <b>&nbsp;7. Series-Parallel Circuits.</b> <br> <br> <br> <b>&nbsp;8. Circuit Theorems.</b> <br> <br> <br> <b>&nbsp;9. Circuit Components II.</b> <br> <br> <br> <b>10. Magnetism and Electromagnetism.</b> <br> <br> <br> <b>11. Alternating Current.</b> <br> <br> <br> <b>12. Inductance.</b> <br> <br> <br> <b>13. Capacitance.</b> <br> <br> <br> <b>14. AC Inductive and Capacitive Circuits.</b> <br> <br> <br> <b>15. AC Frequency Response.</b> <br> <br> <br> <b>16. DC Frequency Response.</b> <br> <br> <br> <b>17. Transformers.</b> <br> <br> <br> <b>18. Electric Motors and AC Power.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<p>    <b>I. PRINCIPLES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Quality: What Is It and Who Wants It?</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Standard Specifications.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Getting Reliable Test Results.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Sampling and Statistics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Overview of Textile Testing.</b> </div> <br> <p>    <b>II. FABRIC TEST METHODS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Characterizing a Fabric.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Measures of Fabric Strength and Elongation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Abrasion and Wear.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Effects of Refurbishing on Textiles and End Products.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Colorfastness Tests.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Colorfastness Tests for End Use Exposure Conditions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Flammability.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Absorbency and Repellency.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Comfort, Hand, and Drape.</b> </div> <br> <p>    <b>APPENDICES.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>A. Testing Equipment.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>B. Fabric Selection.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>C. Specimen Preparation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Glossary.</b> </div> <br>]]></d104>
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<b203>Believing in God</b203>
<b029>Readings on Faith and Reason</b029>
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<b035>A01</b035>
<b037>Miller, Edward L.</b037>
<b039>Edward L.</b039>
<b040>Miller</b040>
<b046>University of Colorado</b046>
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<d104 textformat="02"><![CDATA[<P><B></B>The book consists of readings on the central issue in  philosophical theology: the existence of God. It may be used alone as a  main book or as a complement to works on related issues. <B></B>  It presents the most influential classical and contemporary statements on  problems pertaining to a belief in God, including arguments for the  existence of God, the nature of faith and reason, the problem of evil, and  meaning of religious languages; readings are presented chronologically,  allowing for an emphasis on historical continuities and connections.      </P>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<br> <br> <b>Introduction, <i>What's the Problem?</i> </b> <br> <br> <br> <b>&nbsp;1. Tertullian, <i>Athens or Jerusalem?</i> </b> <br> <br> <br> <b>&nbsp;2. Clement of Alexandria, <i>Philosophy, the Handmaid of Theology.</i> </b> <br> <br> <br> <b>&nbsp;3. St. Augustine, <i>Evil, the Absence of God.</i> </b> <br> <br> <br> <b>&nbsp;4. St. Anselm, <i>Faith Seeking Understanding.</i> </b> <br> <br> <br> <b>&nbsp;5. St. Thomas Aquinas, <i>Faith, Analogy, and Five Proofs for God.</i> </b> <br> <br> <br> <b>&nbsp;6. Meister Eckhart, <i>The Mystic Way.</i> </b> <br> <br> <br> <b>&nbsp;7. John Calvin, <i>The Darkened Intellect.</i> </b> <br> <br> <br> <b>&nbsp;8. Blaise Pascal, <i>&ldquo;The Wager,&rdquo; and Reasons of the Heart.</i> </b> <br> <br> <br> <b>&nbsp;9. David Hume, <i>Against God and Miracles.</i> </b> <br> <br> <br> <b>10. William Paley, <i>The Watch-Analogy.</i> </b> <br> <br> <br> <b>11. S&oslash;ren Kierkegaard, <i>Truth Is Subjectivity.</i> </b> <br> <br> <br> <b>12. John Stuart Mill, <i>Evil vs. God.</i> </b> <br> <br> <br> <b>13. William James, <i>In Justification of Faith.</i> </b> <br> <br> <br> <b>14. Rudolf Otto, <i>The Experience of the Numinous.</i> </b> <br> <br> <br> <b>15. A.J. Ayer, <i>Theology as Meaningless.</i> </b> <br> <br> <br> <b>16. Frederick Copleston and Bertrand Russell, <i>Evidence for God, Pro and Con.</i> </b> <br> <br> <br> <b>17. Antony Flew, R.M. Hare, and Basil Mitchell, <i>Three Parables on Falsification.</i> </b> <br> <br> <br> <b>18. Paul Tillich, <i>Faith and Symbols.</i> </b> <br> <br> <br> <b>19. Norman Malcolm, <i>St. Anselm's Argument Revisited.</i> </b> <br> <br> <br> <b>20. John Hick, <i>Free-will and Soul-making.</i> </b> <br> <br> <br> <b>21. Richard Swinburne, <i>God, Science, and Probability.</i> </b> <br> <br> <br> <b>22. Alvin Plantinga, <i>Is Belief in God &ldquo;Properly Basic&rdquo;?</i> </b> <br> <br> <br> <b>23. Ed. L. Miller, <i>Faith and History.</i> </b> <br> <br> <br> <b>Bibliographical Note.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. What Is Philosophical Theology?</b> <br> <br> <br> <b>&nbsp;2. The Ontological Argument.</b> <br> <br> <br> <b>&nbsp;3. The Cosmological Argument.</b> <br> <br> <br> <b>&nbsp;4. The Teleological Argument.</b> <br> <br> <br> <b>&nbsp;5. The Moral Argument.</b> <br> <br> <br> <b>&nbsp;6. Religious Experience.</b> <br> <br> <br> <b>&nbsp;7. Faith and Reason.</b> <br> <br> <br> <b>&nbsp;8. The Problem of Evil.</b> <br> <br> <br> <b>&nbsp;9. The Soul and Immortality.</b> <br> <br> <br> <b>10. God and Language.</b> <br> <br> <br> <b>Postscript: On Finding the Cat.</b> <br> <br> <br> <b>Bibliographical Note.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<b203>Economic Statistics and Econometrics</b203>
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<b034>1</b034>
<b035>A01</b035>
<b037>Mirer, Thad W.</b037>
<b039>Thad W.</b039>
<b040>Mirer</b040>
<b046>State University New York, Albany</b046>
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<d104 textformat="02"><![CDATA[<P>Combines technique with application using real data sets. The  core of the book (Chapters 1-13) covers the basic statistical  concepts necessary for econometrics with an emphasis on  regression analysis. Part V is a treatment of advanced  econometrics theory.        </P>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Introduction.</b> <br> <p>    <b>I. DATA AND DESCRIPTION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Economic Data.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Descriptive Statistics.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Frequency Distributions.</b> </div> <br> <p>    <b>II. SPECIFICATION AND ESTIMATION OF REGRESSION MODELS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Simple Regression: Theory.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Simple Regression: Application.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Multiple Regression: Theory and Application.</b> </div> <br> <p>    <b>III. PROBABILITY DISTRIBUTIONS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Probability Theory.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Random Variables and Probability Distributions.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. The Normal and t Distributions.</b> </div> <br> <p>    <b>IV. INFERENCE IN REGRESSION.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>11. Sampling Theory in Regression.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Hypothesis Testing.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Estimation and Regression Problems.</b> </div> <br> <p>    <b>V. TOPICS IN ECONOMETRICS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>14. F Tests and Dummy Variable Outcomes.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>15. Heteroscedasticity and Autocorrelation.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Regression and Time Series.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Simultaneous-Equation Models.</b> </div> <br> <p>    <b>VI. TOPICS IN STATISTICS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>18. Inference for the Mean and Variance.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Chi-Square Tests and Analysis of Variance.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Statistical Tables.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Answers to Selected Problems.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Bibliography.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Agenda for Improving Nutrient Content of Prepared Foods.</b> <br> <br> <br> <b>Nutrition Labeling and Education Act of 1990.</b> <br> <br> <br> <b>Objectives of the Laboratory Experience.</b> <br> <br> <br> <b>Laboratory Conduct and Responsibilities.</b> <br> <br> <br> <b>Evaluation of Food Products.</b> <br> <br> <br> <b>Metric Conversion.</b> <br> <br> <br> <b>Table of Equivalents.</b> <br> <br> <br> <b>Temperatures Used in Food Preparation.</b> <br> <br> <br> <b>Microwave Cooking.</b> <br> <br> <br> <b>Introduction and Demonstration.</b> <br> <br> <br> <b>Basic Terms and Concepts.</b> <br> <br> <br> <b>Descriptive Terms Used in Judging Characteristics of Baked Products.</b> <br> <br> <br> <b>Muffins.</b> <br> <br> <br> <b>Baking Powder Biscuits.</b> <br> <br> <br> <b>Yeast Breads.</b> <br> <br> <br> <b>Butter Type Cakes.</b> <br> <br> <br> <b>Cream Puffs and Popovers.</b> <br> <br> <br> <b>Fats and Oils.</b> <br> <br> <br> <b>Pie Pastries: Fruit Pies.</b> <br> <br> <br> <b>Deep Fat Frying.</b> <br> <br> <br> <b>Starch.</b> <br> <br> <br> <b>Rice, Paste Products, and Cereals.</b> <br> <br> <br> <b>Milk.</b> <br> <br> <br> <b>Cheese.</b> <br> <br> <br> <b>Eggs and Custards.</b> <br> <br> <br> <b>Egg Foams.</b> <br> <br> <br> <b>Starch-Egg Combinations.</b> <br> <br> <br> <b>Meat and Poultry-Tender Cuts: Dry Heat Methods.</b> <br> <br> <br> <b>Meat and Poultry-Less Tender Cuts: Dry Heat Methods.</b> <br> <br> <br> <b>Fish and Shellfish.</b> <br> <br> <br> <b>Vegetables.</b> <br> <br> <br> <b>Dried Legumes.</b> <br> <br> <br> <b>Fruits.</b> <br> <br> <br> <b>Soups.</b> <br> <br> <br> <b>Salads.</b> <br> <br> <br> <b>Salad Dressings.</b> <br> <br> <br> <b>Gelatin.</b> <br> <br> <br> <b>Beverages.</b> <br> <br> <br> <b>Crystallization: Sugar (Candies)</b> <br> <br> <br> <b>Crystallization: Water (Frozen Desserts).</b> <br> <br> <br> <b>Meal Planning.</b> <br> <br> <br> <b>Appendixes.</b> <br> <br> <br> <b>Recipe Index.</b> <br> <br> <br> <b>Subject Index.</b> <br>]]></d104>
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<b035>A01</b035>
<b037>Moser, Paul K.</b037>
<b039>Paul K.</b039>
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<b037>Mulder, Dwayne H.</b037>
<b039>Dwayne H.</b039>
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<d104 textformat="02"><![CDATA[<br> <br> <b>Paul Moser and Dwayne Mulder, &ldquo;General Introduction: Philosophy of Philosophy.&rdquo;</b> <br> <p>    <b>I. PRAGMATISM.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Charles S. Peirce, &ldquo;What Pragmatism Is.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. William James, &ldquo;What Pragmatism Means.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. John Dewey, &ldquo;The Development of American Pragmatism.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. C.I. Lewis, &ldquo;The Proper Method of Philosophy.&rdquo;</b> </div> <br> <p>    <b>II. ANGLO-AMERICAN PHILOSOPHY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Bertrand Russell, &ldquo;Logical Atomism.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. G.E. Moore, &ldquo;What is Philosophy?.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Ludwig Wittgenstein, &ldquo;Philosophy.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. A.J. Ayer and F.C. Copieston, &ldquo;Logical Positivism&mdash;A Debate.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Rudolf Camap, &ldquo;Empiricism, Semantics, and Ontology.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Friedrich Waismann, &ldquo;How l See Philosophy.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Roderick Chisholm, &ldquo;Philosophers and Ordinary Language.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Karl Popper, &ldquo;The Nature of Philosophical Problems and Their Roots in Science.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. W.V. Quine, &ldquo;Semantic Ascent.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Micheal Dummett, &ldquo;Can Analytical Philosophy Be Systematic, and Should It Be?&rdquo;</b> </div> <br> <p>    <b>III. CONTINENTAL PHILOSOPHY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>15. Friedrich Nietzsche, &ldquo;On the Prejudices of Philosophers.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16.  Edmund Husserl, &ldquo;Phenomenoiogy&rdquo; and &ldquo;Philosophy.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Martin Heidogger, &ldquo;The End of Philosophy and the Task of Thinking.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Jean-Paul Sartre, &ldquo;Existentialism.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Maurice Merleau-Ponty, &ldquo;What is Phenomenology?.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. Michel Foucault, &ldquo;Nietzsche, Genealogy, History.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>21. Jacques Derrida, &ldquo;Deconstruction and the Other.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. Jurgen Habermas, &ldquo;Philosophy as Stand-In and Interpreter.&rdquo;</b> </div> <br> <p>    <b>IV. PROSPECTS FOR PHILOSOPHY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>23. Richard Rorty, &ldquo;Pragmatism and Philosophy.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>24. Ernest Sosa, &ldquo;Serious Philosophy and Freedom of Spirit.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>25. Hilary Putnam, &ldquo;Why is a Philosopher?.&rdquo;</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Bibliography.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>Index.</b> </div> <br>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Mosley, Albert G.</b037>
<b039>Albert G.</b039>
<b040>Mosley</b040>
<b046>Ohio University</b046>
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<d104 textformat="02"><![CDATA[<p>    <b>PART I. THE NATURE OF AFRICAN PHILOSOPHY.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>Ethnophilosophy.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;1. Blyden, Edward (1878), <i>Africa and the Africans</i> in Christianity, Islam, and the Negro Race, (Edinburg: Edinburg University Press, 1967).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;2. Dubois, W.E.B. (1897), <i>The Conservation of Races</i> in The American Negro Academy Occasional Paper, (Arno Press, 1969).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;3. Levy-Bruhl, Lucien (1926), How Natives Think (NY, NY: Washington Square Press).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;4. Tempels, Placide (1959), Bantu Philosophy Paris: Presence Africaine.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;5. Senghor, Leopold S. (1962), Diogenes, #37, Spring 1962 pp. 1-15.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;6. Mbiti, John (1981), African Religions and Philosophy, 2nd edition (NY: Heinemann).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;7. Crawford, Jefferey (1993), <i>Cheikh Anta Diop, The Stolen Legacy Theory, and Afrocentrism.</i>    </b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;8. Sumner, Claude (1980), <i>Ethiopia: Land of Diverse Expressions of Philosophy, Birthplace of Modern Thought</i> in African Philosophy, ed. by Dr. Claude Sumner (Addis Ababa, Ethiopia: Addis Ababa University Press, Chamber from: Printing House).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>The Critique of Ethnophilosophy.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>&nbsp;9. Wiredu, Kwasi (1980), <i>How Not to Compare African with Western Thought</i> Ch'indaba (complete citation).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>10. Hountondji, Paulin (1989), <i>The Particular and the Universal</i> in SAPINA Newsletter. translated from the French (complete citation).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>11. Appiah, Anthony (1985), <i>The Uncompleted Argument: Dubois and the Illusion of Race</i> Critical Inquiry 12, Autumn 1985.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>12. Mosley, Albert, <i>Negritude, Nationalism, and Nativism: Racist or Racialist?</i>    </b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>13. Owomoyela, Oyeka (1987), <i>Africa and the Imperative of Philosophy &mdash; A Skeptical Consideration</i> in African Studies Review, vol. 30, #1.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>14. Irele, Abiola (1986), <i>Contemporary Thought in French Speaking Africa</i> in Africa and the West &mdash; The Legacies of Empire ed by I. Mowoe and R. Bjornson, Greenwood Press.</b> </div> <br> <p>    <b>II. MAGIC, WITCHCRAFT, AND SCIENCE.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>15. Horton, Robin (1970), <i>African Traditional Thought and Western Science</i> in Africa 37 (1967) part I: 50-71, part II: 155-187.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>16. Gyekye, Kwame (1987), An Essay on African Philosophical Thought (Cambridge: Cambridge Univ. Press).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>17. Hallen, Barry and Sodipo, John (1986), <i>Is the Aje a Witch</i> in Knowledge, Belief, and Witchcraft: Analytical Experiments in African Philosophy (London: Ethnographical Press).</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>18. Oluwole, Sophie (1978), <i>On the Existence of Witches</i> in Second Order, vol. VII, #1&2.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>19. Bodunrin, P.O. (1978), <i>Magic, Witchcraft, and E.S.P.: A Defense of Scientific and Philosophical Skepticism</i> in Second Order, vol. VII, #1&2.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>20. Mosley, Albert, <i>Magic and Witchcraft in Contemporary African Philosophy.</i>    </b> </div> <br> <p>    <b>III. CONTEMPORARY DIRECTIONS IN MORAL PHILOSOPHY AND AESTHETICS.</b> </p> <div STYLE="margin-left: 0.2in;">    <b>21. Wiredu, Kwasi, <i>Custom and Morality: A Comparative Analysis of Some African and Western Conceptions of Morality.</i>    </b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>22. English, Parker and Hamms, Nancy, <i>Traditional Akan Art as Moral Philosophy.</i>    </b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>23. Onyewuenyi, Innocent C., <i>Traditional African Aesthetics: A Philosophical Perspective</i> in International Philosophical Quarterly XXIV, 3 Sept. 1984.</b> </div> <br> <div STYLE="margin-left: 0.2in;">    <b>24. Blocker, H.Gene (1987), <i>The Aesthetics of Traditional and Modern African Art.</i>    </b> </div> <br>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Mutchnick, Robert J.</b037>
<b039>Robert J.</b039>
<b040>Mutchnick</b040>
<b046>Indiana University of Pennsylvania</b046>
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<b034>2</b034>
<b035>A01</b035>
<b037>Berg, Bruce L.</b037>
<b039>Bruce L.</b039>
<b040>Berg</b040>
<b046>California State University, Long Beach</b046>
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<d104 textformat="02"><![CDATA[<P>This unique workbook is designed as a stand-alone book or hands-on  applications supplement for any of the standard books on research methods in  the social sciences. It presents examples from a wide range of current  studies, with a research summary explaining how the methodology was used.        </P>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<br> <br> <b>Chapter 1.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Introduction.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Objectives of the Manual  General Description of the Research Enterprise  The Scientific Method  The Linkage between Theory and Research  Inductive and Deductive Reasoning  How to Read a Table  Responsibility to Subjects, Colleagues and the Community.</div> </p> <br> <br> <b>Summary.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Table Reading: David J. Maume, Jr., <i>Inequality and Metropolitan Rape Rates: A Routine Activity Approach,</i> Justice Quarterly, Vol. 6(4), 1989: 513-525.  Reading Tables and Creating Typologies: John Klofas, <i>Measuring Jail Use: A Comparative Analysis of Local Corrections,</i> Journal of Research in Crime and Delinquency, Vol. 27(3), 1990: 295-317  Null and Alternate Hypotheses: Kathleen Daly, <i>Gender and Varieties of White-Collar Crime,</i> Criminology: An Interdisciplinary Journal, Vol. 27(4), 1989: 769-794.</div> </p> <br> <br> <b>Chapter 2.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Issues of Measurement.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Why do Social Scientists Measure Variables?  Relationships between Variables  Levels of Measurement  Single Indicators as Measures  Scales as Measures  Rating Scales.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Questionnaire Based Scales.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Thurston Scales  Likert Scales  Guttman Scales.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Measures of Central Tendency.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Mode  Mean  Median  Standard Deviation.</div> </p> <br> <br> <b>Summary.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Scales: Mark Warr, <i>What is the Perceived Seriousness of Crimes?</i> Criminology: An Interdisciplinary Journal, Vol. 27(4), 1989: 795-821  Scaling-Index Scale: Anthony Walsh and Grace J. Balazs, <i>Love, Sex, and Self-Esteem,</i> Free Inquiry in Creative Sociology, Vol. 18(1), 1990: 37-41  Scaling-Likert Scale: Roger Dunham and Geoffrey P. Alpert, <i>Neighborhood Differences in Attitudes Toward Policing: Evidence for Mixed-Strategy Model of Policing in a Multiethnic Setting,</i> The Journal of Criminal Law and Criminology, Vol. 79(2), 1988: 504-523  Measures of Central Tendency: Kevin M. Thompson, <i>Gender and Adolescent Drinking Problems: The Effects of Occupational Structure,</i> Social Problems, Vol. 36(1), 1989: 30-47.</div> </p> <br> <br> <b>Chapter 3.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Samples and Sampling Strategies.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Probability Sampling  Sample Size: When is a Sample Large Enough?  Nonprobability Sampling  Convenience Sampling  Purposive Sampling  Snowballing Techniques  Quota Samples.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Types of Research Design.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">The Experimental Design  Pre-Experimental Design  Quasi-Experimental Design  The Classical Experiment  Descriptive Studies  Exploratory Designs.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Causality.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Validity and Reliability.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Types of Validity.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Summary.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Hypothesis Development and Probability Sampling: David H. Huizinga, Scott Menard, and Delbert S. Elliott, <i>Delinquency and Drug Use: Temporal and Developmental Patterns,</i> Justice Quarterly, Vol. 6(3), 1989: 419-455  Experimental Design: Variables: Carole Wolfe Barnes and Randal S. Franz, <i>Questionably Adult: Determinants and Effects of the Juvenile Waiver Decision,</i> Justice Quarterly, Vol. 6(1), 1989: 116-135  Quasi-Experimental Design: Lonn Lanza-Kaduce and Pamela Richards, <i>Raising the Minimum Drinking Age: Some Unintended Consequences of Good Intentions,</i> Justice Quarterly, Vol. 6(2), 1989: 247-262  Longitudinal Sample: Terence P. Thornberry, Melanie Moore, and R.L. Christenson, <i>The Effect of Dropping Out of High School on Subsequent Criminal Behavior,</i> Criminology: An Interdisciplinary Journal, Vol. 23(1), 1985  Validity: Ross M. Stolzenberg, <i>Ethnicity, Geography, and Occupational Achievement of Hispanic Men in the United States,</i> American Sociological Review, Vol. 55(1), 1990: 143-154.</div> </p> <br> <br> <b>Chapter 4.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Technologies of Observation.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Questionnaire Based Surveys  Cover Letters  Self- Administered Questionnaires  Mailed Questionnaires  Advantages to Questionnaire Based Surveys  Disadvantages to Questionnaires.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Interviews.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Types of Interviews.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Ethnography.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">The Ethnographic Record  Observation in Field Settings.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Unobtrusive Research.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Archival Research  Accretion and Erosion: Products and Traces of Humans  Triangulation in Research.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Summary.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Operationalization and Survey Construction: John Hagan and Fiona Kay, <i>Gender and Delinquency in White Collar Families: A Power-Control Perspective,</i> Crime and Delinquency, Vol. 36(3), 1990: 391-407  Survey Construction: Robert M. Regoli, John B. Crank, and Robert G. Culbertson, <i>The Consequences of Professionalism among Police Chiefs,</i> Justice Quarterly, Vol. 6(1), 1989: 47-67  Interviews: Earl Rubington, <i>Drinking in the Dorms: A Study of the Etiquette of RA-Resident Relations,</i> The Journal of Drug Issues, Vol. 20(3), 1990: 451- 462  Telephone Interviews: Randy L. LaGrange and Kenneth F. Ferraro, <i>Assessing Age and Gender Differences in Perceived Risk and Fear of Crimes,</i> Criminology: An Interdisciplinary Journal, Vol. 27(4), 1989: 697-718  Telephone Survey: William S. Aquilino and Leonard A. Lo Sciuto, <i>Effects of Interview Mode on Self-Reported Drug Use,</i> Public Opinion Quarterly, Vol. 54, 1990: 362-395  Participant Observation: Barbara Haley, <i>Power in Hospitals: Implications for the Validity of Data,</i> Journal of Applied Sociology, Vol. 6, 1989: 65-76  Scaling-Sociometric Rating Scale: Walter C. Reckless, Simon Dinitz, and Ellen Murray, <i>Self-Concept as an Insulator against Delinquency,</i> American Sociological Review, Vol. 21, 1965: 744-746 Field Experiment: Paul E. Tracy and James Alan Fox, <i>A Field Experiment on Insurance Fraud in Auto Body Repair,</i> Criminology: An Interdisciplinary Journal, Vol. 27(3), 1989.</div> </p> <br> <br> <b>Chapter 5.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Data Organization: Quantitative.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Data Coding  Data Storage and Retrieval  Data Analysis  Data Organization: Qualitative  Data Coding  Data Storage and Retrieval  Data Analysis.</div> </p> <br> <br> <b>Summary.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Content Analysis: Dennis L. Peck and Kimberly A. Folse, <i>Teenage Suicide: An Evaluation of Reactive Responses to Change and a Proposed Model for Proactive Accommodation/Adaptation,</i> Sociological Practice Review, Vol. 1(1), 1990: 33-39  Time Series Analysis: George W. Dowdall, James Marshall and Wayne A. Morris, <i>Economic Antecedents of Mental Hospitalization: A Nineteenth-Century Time Series Test,</i> Journal of Health and Social Behavior, Vol. 31(2), 1990: 141-147  Locating Source Material: Scott H. Decker and Carol W. Kohfeld, <i>The Deterrent Effect of Capital Punishment in the Five Most Active Execution States: A Time Series Analysis,</i> Criminal Justice Review, Vol. 15(2), 173-191</div> </p> <br> <br> <b>Chapter 6.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Research Ethics.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Introduction  Responses of Organizations and Agencies to Ethical Issues in Research  Federal Agencies Responses to Ethical Issues in Research  Value Neutral Research and the Role of the Researcher.</div> </p> <br> <br> <b>Summary.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Ethical Issue: Richard Tewksbury, <i>Patrons of Porn: Research Notes on the Clientele of Adult Bookstores,</i> Deviant Behavior, Vol. 11(3), 1990: 259-272  IRB's and Scientific Research: Bruce L. Berg, W. Timothy Austin, and Glenn Zeurn, <i>Institutional Review Boards: Virtue Machines or Villains,</i> Criminal Justice Policy Review, Vol. 6(2), 1992.</div> </p> <br> <br> <b>Chapter 7.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">Policy Implications.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">The Use of Research Findings  Gatekeepers and the Powerful  Institutional Review Boards  Sex and Research Politics.</div> </p> <br> <br> <b>Summary.</b> <br> <p>    <div STYLE="margin-left: 0.2in;">References.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Abstracted Reprints.</div> </p> <p>    <div STYLE="margin-left: 0.2in;">Interpreting Patterns of Crime-Analysis: Alfred Blumstein and Jacqueline Cohen, <i>Estimation of Individual Crime Rates from Arrest Records,</i> The Journal of Criminal Law and Criminology, Vol. 70(4), 1979: 561-585  Policy-Likert Scale: Robert M. Bohm, <i>Death Penalty Opinions: A Classroom Experience and Public Commitment,</i> Sociological Inquiry, Vol. 60(3), 1990: 285-295.</div> </p> <br> <br> <b>Appendix A: Drugs, Alcohol, and Social Styles of Life Questionnaire.</b> <br> <br> <br> <b>Appendix B: Random Numbers Table.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Fundamentals of Electric Energy Systems.</b> <br> <br> <br> <b>&nbsp;2. Electric Energy Conversion.</b> <br> <br> <br> <b>&nbsp;3. Components of Electric Energy Systems.</b> <br> <br> <br> <b>&nbsp;4. Power Transformers.</b> <br> <br> <br> <b>&nbsp;5. Induction Machines.</b> <br> <br> <br> <b>&nbsp;6. Synchronous Machines.</b> <br> <br> <br> <b>&nbsp;7. Do Machines.</b> <br> <br> <br> <b>&nbsp;8. Small Electric Motors.</b> <br> <br> <br> <b>&nbsp;9. Electric Power Transmission.</b> <br> <br> <br> <b>10. Electric Power Systems.</b> <br> <br> <br> <b>11. Power Electronics.</b> <br> <br> <br> <b>Appendix A. Unit Conversion.</b> <br> <br> <br> <b>Appendix B. Balanced Three-Phase Systems.</b> <br> <br> <br> <b>Appendix C. Heat Content of Certain Fuels.</b> <br> <br> <br> <b>Appendix D. Data for Pure Copper Wire.</b> <br> <br> <br> <b>Index.</b> <br>]]></d104>
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<d104 textformat="02"><![CDATA[<br> <br> <b>&nbsp;1. Introduction to Anatomy.</b> <br> <br> <br> <b>&nbsp;2. Basic Microscopy.</b> <br> <br> <br> <b>&nbsp;3. Cells, Mitosis, Tissues, and Skin.</b> <br> <br> <br> <b>&nbsp;4. The Skeletal System.</b> <br> <br> <br> <b>&nbsp;5. Physical Transport of Materials.</b> <br> <br> <br> <b>&nbsp;6. The Muscular System.</b> <br> <br> <br> <b>&nbsp;7. Introduction to Stimulating and Recording Apparatus.</b> <br> <br> <br> <b>&nbsp;8. Muscle Physiology.</b> <br> <br> <br> <b>&nbsp;9. The Digestive System.</b> <br> <br> <br> <b>10. Metabolism.</b> <br> <br> <br> <b>11. The Respiratory System.</b> <br> <br> <br> <b>12. Blood Tests.</b> <br> <br> <br> <b>13. Anatomy of the Circulatory System.</b> <br> <br> <br> <b>14. Physiology of the Frog Heart.</b> <br> <br> <br> <b>15. Physiology of Circulation.</b> <br> <br> <br> <b>16. The Nervous System.</b> <br> <br> <br> <b>17. Sense Organs.</b> <br> <br> <br> <b>18. The Urinary System.</b> <br> <br> <br> <b>19. The Endocrine System.</b> <br> <br> <br> <b>20. The Reproductive System.</b> <br> <br> <br> <b>21. Genetics.</b> <br> <br> <br> <b>Appendices.</b> <br> <br> <br> <b>Keys to Self-Tests.</b> <br> <br> <br> <b>Results and Questions.</b> <br>]]></d104>
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